Michael Plater is a U.K-based Australian experimental/folk/psych/indie/noir musician and multi-instrumentalist. His first two solo albums “Exit Keys” (2012) and “Mythologies” (2016) received world-wide critical acclaim, with “Mythologies” being re-released in expanded form in the U.K in 2018 through cult British folk/psyche/drone label Reverb Worship. In recent years, he has also released music on such labels as Hypostatic Union (U.K), Dub Cthonic (U.K), Woodford Halse (U.K), Hibernate (U.K), Laily Recordings (U.K), and More Than Folk Records (France).

Michael has also played in the U.K-based dark folk ensemble GhostShips, the ambient project Ghosts of Electricity, the Gothic soundscapes act The Northern Lighthouse Board, Melbourne garage rockers The Exit Keys, and folkloric collective Cornish Wreckers. 

His acclaimed new solo album, “Ghost Music,” is out now on Hypostatic Union. 

Selected Press:

"Beautiful and timeless...Music that breaks your heart." (Peek-a-Boo Magazine, Belgium)

"Dark folk (via destabilised post-punk) and epic mind-bending pieces which leave you gasping for air" (I-94 Bar, Sydney)

"Multifaceted and very emotional...bewitching" (Gezeitenstrom Musik Magazine, Germany)

"Mythologies is an album made of that sweet melancholy that we know so well…at once familiar and reassuring, like an old friend who comes to visit you when a rainy horizon weighs on your soul." (Mithra Templezine, France) 

“Late-night indie rock 'n' roll, woozy dreampop atmospherics, and a generous helping of Gothic Americana,” (Bliss Aquamarine, U.K) 

"His seemingly sweet music approaches you almost tenderly, then comes the deep, deep voice... A voice that carries a real melancholy...exciting, rock and roll and lyrical," (New Box Magazine, France) 

"Michael is an Australian musician who has a deep baritone voice, a voice that he uses to great effect...There are some nice touches in the playing with slide guitar, Leslie harmonica, violin, organ accordion, bass and drums...The album ends with ‘The Dreamer’s Dream’, mostly instrumental, it’s also my favourite, with some fine ensemble playing, tremolo guitar, martial drums and heavily amped harmonica," (Terrascope, U.K)

"Michaels warm, very melodious and deep voice exudes a draft of a special kind and creates goosebumps." (Independent Sounds, Germany)

"Listening to Michael Plater's music, the names that come to mind are Nick Cave, Nikki Sudden (in his 'solo works'), Lou Reed... Intimate folk-blues ballads, with an underground taste...a songwriter with talent...Heartfelt music from a sensitive soul, surely. Very good work." (Sudden Art Music Magazine, Italy)

"Fantastic and melancholic songs, sung with his strong and expressive voice." (At Sea Compilations, Germany)

"Mythologies is vocal-driven, Plater’s deep voice laying down a trail into the forest, the guitars and occasional harmonica and piano are the dark unknown around us…we’re lucky to have him,” (Robert Brokenmouth, I-94-Bar)



Bandcamp: http://michaelplater.bandcamp.com

Website: 
www.michaelaplater.wixsite.com/michaelplater
 
Youtube: https://www.youtube.com/playlist?list=PLmecIpsw-N0GnEFmoESiZuOcUnYiy0U2C

I'm Antony Ostridge, an independent rapper from the UK. I make music about my life, ups and downs, and the stuff people actually go through. Every track has its own story.
Hope you like what you hear.
https://www.instagram.com/deepcutzao?igsh=b201a2o3OTBwMTRp

Singer/songwriter/guitarist making alt-folk, baroque psychedelia & art rock. Neurodivergent, optimist, anarchist, avid gardener, former graphic designer & aspiring sound engineer. 

Combining 60s psychedelia, alternative folk, art rock, baroque pop and gothic post-punk, The Mad Pride has been described as haunting & ominous like a Tim Burton film soundtrack made by Syd Barrett & David Bowie. Reviewers have made comparisons to Radiohead, Midlake, Meat Puppets, David Sylvian, Erik Satie, Frank Zappa, Nick Cave & even Leonard Cohen. 

The Mad Pride is a reference to the movement “MAD PRIDE” which aims to increase awareness about neurodiversity, the mental healthcare system, psychiatric survivors and the rampant epidemic of ableist abuse targeting vulnerable people.

It began as a fun idea to make demo recordings of my original songs in case I forgot them. Slowly it transformed into a solo home recording project that allowed me to explore a mysterious and exciting place. An almost physical place that is beyond “sound” and “music”. Beyond the superficial vibrations forming the medium and through the emotional catharsis that makes up the message we find ourselves arriving at the only logical conclusion. That only one path leads away from a devastating nightmarish future. It doesn’t lead to riches and it doesn’t lead to Rome. It leads to a revolution of love.

I don’t know the landmarks (or genres as you call them) but I’m certain we can build something wonderful there. I lack the music theory that empowers and homogenises so many others but it’s alright because I’ve made my own. It doesn’t have words, just feelings. A sprawling landscape of emotions that I can scarcely even describe – except through song, My real name is Rowan Galagher but feel free to call me Rosie. 

My first 4 albums are free to download on Soundcloud. I’m currently finishing my 5th album, an endeavour which was delayed for over a decade while the rental crisis vanquished the physical spaces I would have used to write and record. Despite the greed-fuelled delay, I’m finally back in my happy place. A happy place built out of excessive trauma and hopes for positive cultural change. It’s like a messed up “Koom by yah” accompanied by a wood-chipper and a sad clown with a kazoo.

"If you mix the elements from Frank Zappa, David Bowie, Syd Barrett and Radiohead, you’ll get this music, in the most creative way." 
- acuvi - acuvi.org

“Psychedelic 60s gone noir cabaret with 80s goth production: watery guitars, icy keys and vintage Bowie-esque vocals.” 
- Delarue - New York Music Daily

“I recently came across some incredible stuff… The songs bear some resembles to Syd Barret, Tom Waits, Nick Cave or Cohen, this is interesting stuff for sure… I’m posting this because I think it’s worth it.”
- Netanderthalian – Grateful Breed Blog – A Psychedelicious Corner

"The Mad Pride is a good example of Folk Noir (“dark folk”) that also plays with some late 60′s dark psychedelic folk melodies. Galagher has been compared to Syd Barrett and the comparison is apt." 
- Matt Coleman - The Music Court Blog

“The variety here is amazing. The songs run the range from soft, almost acoustical to moody and experimental enough to be the sound track to a Tim Burton movie. They each push the limits of their genre. Be sure and listen to them all as they are very different and there is sure to be something you really like.”
- Jane W – fanrealm.com

“Rowan Galagher’s music is amazing. One minute it has you thinking “Pink Floyd” the next something entirely different. There is an ebb and flow to it that makes The Mad Pride beautiful to listen to.”
- Paddy – Only Australian Music Blog Archive

“Touches of the fragile detachment of Radiohead and a spectrum of dramatic emotion all take up residence under an ominous sky."
- Mr Atavist – Sunrise Ocean Bender

#rock #indie #electricguitar #folk #experimental #guitar #shoegaze 

Woodwind driven unpopular pop songs
www.pettaluck.co.uk
New album 'Pan' out 29th March.

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Spotify: Andrea Albelli

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