http://entracte.co.uk/projects/lee-fraser-e164/

Dark Camber comprises four works composed between 2009 
and 2012, using materials derived from a range of digital 
synthesis techniques (augmented with some electroacoustic 
treatments of concrète objects in a number of places to 
achieve more complex sonorities). While the influence of 
natural phenomena is often acknowledged in the behaviour 
and organisation of these materials, the focus of each work 
as a whole is on sound in the abstract — within an aesthetic/
formal context — where interest might be found in the play 
of colours, dynamic contours and/or overarching structural 
developments.

Lee Fraser is a composer whose work combines aspects 
of acousmatic theory with the compositional methods 
of computer music. He holds a PhD in electro-acoustic 
composition from the University of Manchester, which 
was supervised by David Berezan. He has also studied 
composition under Frank Denyer and Denis Smalley.

Release date: February 2014

Lee Fraser (E164; 2014)

Hyperflexion: the excessive flexing of a muscle or joint

Violins: Jesus Levano Saenz & Karina Sim
Viola: Mike Capone
Cello: Dan Totan

Hyperflexion (2014) for string quartet

Full track available from electrocd.com
https://electrocd.com/en/album/5984/Nikos_Stavropoulos/Micro-lieux

Prix Destellos 2016 
1st Prize Iannis Xenakis International Electronic Music Competition

Attraction or affinity to place. The work is an attempt to construct a meaningful intimate aural space, where texture and spatially defined figures have a broader capacity for action due to their multichannel nature. The recordings of source materials form the beginning of an investigation into capturing and working with spatiality in micro space using bespoke hardware.

Image Photo: Giorgos Siniorakis.

Topophilia (Stereo Reduction Excerpt)

kurukaçan

01 Herbarium (2018): Before You Thought Of Spring for electronics inside piano

MVIII

2017-10-13 /// Festival Open Kugler /// Fonderie KUGLER /// Geneva

Marie Mercier - Bass Clarinet
Alexandra Bellon - Percussions
Esther Lefebvre - Cello

THREE TALES (2017) Santiago Díez-Fischer

Fixmedia Work

DAW : Logic Pro X 
Sound sources: Trumpet - Violin - Electric shaver - Analog synthesizer (Dave Smith / mopho) - several softsynths - my singer toilet flush.

Sound card: UAD Apollo Twin
Mic preamp: Lachapell Audio 992 EG  
Mics: DPA smk4061 miniature - 3dio 3D binaural - Oktava MK-101 large diagram and Schoeps CMIT 5UAG shotgun.

Analog synthesizer & trumpet: M.Ali Uzunselvi
Violin: Mithatcan Öcal
Recording-mix & mastering: M.Ali Uzunselvi

Akrokopis

for ensemble and electronic sounds. 

the 4 movements are dedicated to Cecil Taylor, Thelonious Monk, Eric Dolphy, and Miles Davis.


Performed live for Tuesdays at Monk Space. 

gnarwhallaby:
Brian Walsh- clarinets
Matt Barbier- trombones
Derek Stein- cello
Richard Valitutto- piano

Richard Barrett- Tkiva

Live-recording of the premiere of "Mirror Box Reflections" for dynamically amplified ensemble & live-electronics, by Ensemble Mosaik, cond. Enno Poppe. Kesselhaus, Kulturbrauerei, Berlin, 23/5/2019.
"Mirror Box Reflections" is an augmentation for 9 musicians with dynamic amplifications & live-electronics, of "Mirror Box", for saxophone, piano, percussion and live-electronics (2014-2015).

Mirror Box Reflections (Stefan Prins, 2015/2019)

Tutte le estensioni dell'aura - Maurizio Azzan

Michael Sterling Smith is a composer based in San Diego, CA. Michael has a PhD in music composition from the University of North Texas.