Performed by Elisabeth Smalt. 
Released on the CD Subvoice - unsounds.com/shop/physical/subvoice

Music For Viola

"Wooded" is taken from "Paths", the new album by Darren Harper.

Limited edition cassettes and CD's in hand made packages available here:

https://shimmeringmoodsrecords.bandcamp.com/album/paths

“A micro-world of textured electronics and voltage; a simple wind chime singing in a breeze” 
Created with a modular synthesizer and effect pedals, Paths is an account of missteps and error, a process of understanding; an unfolding. A discovery of oneʼs voice...a reflection of nature.

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darren harper's latest work is a joyous collage for all seasons; a delicate record that soothes and refreshes the spirit.

kaleidoscopic chimes and playful bells tumble against each other. twinkling notes drift down in little flurries, then melt away as sunlit chords push aside the clouds.

low, thrumming bokeh echoes bring distant mountaintops intimately close, then curve down into hushed forest floors, winds whispering through leaves overhead. tiny layers of loops and quiet delays, jumbled melodies, sparse crackling branches, and somber swells invite contemplation of these fragile spaces.

each moment is cherished, each song reveals new life: ephemeral, yet enduring. the ice breaks, slowly gliding away as the river shakes off its long slumber.

never obscuring, always revealing; these intertwining paths abound with the hopeful promise that spring is coming.

-- joshua saddler

Releases August 23, 2019

W/P by Darren Harper 2018/19 
Mastered by Porya Hatami 
poryahatami.com

Darren Harper - Wooded

Tawny Owl recorded in southern Sweden (Sep 2019) from 25 meters / 80 ft. by Mats Bentmar using the SCHOEPS Parabolic Dish Set (hand-held) with the SCHOEPS CCM 4 cardioid microphone + SCHOEPS ParabolEQ Plug In, FREE, with parameters quickly set for each recording:
+ Distance (Close to Far Off)
+ Aim Inaccuracy (ON Center to OFF Center)
+ Diffuse/Free Field (Pure Diffuse Field to Pure Free Field)
+ Microphone (CCM 4, CCM 2, CCM 21 or CCM 22)
+ Low Cut (ON/OFF)
+ High Wind Cover (HWC, Windjammer or no windcover)
+ Presets (Sport, Nature, SFX etc.)
NO OTHER POST PRODUCTION.
For more information please visit: schoeps.de/dish
Photo by Mats Bentmar: www.bentmar.com
Telinga Microphones: www.telinga.com

SCHOEPS Parabolic Dish Set: Tawny Owl, 25 m / 80 ft, MONO, SCHOEPS parabolEQ plugin

https://llllllll.co/t/disquiet-junto-project-0418-ice-nine/28144/1

This is a recording I made for the 418th weekly Disquiet Junto project — Ice-Nine / The Assignment: Record the sound of ice in a glass and make something of it. I rattled 4 cubes of ice, partially melted in a large thick glass beer stein by my microphone and passed the sounds through my Red Panda Particle pedal and OTO BIM and BAM units as it was being recorded. I further processed the recording through Ableton's Resonators, Saturator, and Reverb.

More on this 418th weekly Disquiet Junto project — Ice-Nine / The Assignment: Record the sound of ice in a glass and make something of it — at:

https://disquiet.com/0418/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0418-ice-nine/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Ice In A Glass [disquiet0418]

Album "Looking for her" extrait
ratordogjr.blogspot.com/2020/03/no-fi…music-70.html

https://soundcloud.com/yuki-fuji-1

02. Fuji Yuki & Valéry Poulet - NESHAMA 2

Omri Cohen - Silver Lining

I love anthills - as a kid I loved watching the ants work, schleping building materials and prey home to the habitat. Nowadays I love listening to them. This is my first recording using the LOM Audio Geofon in a combination with an Aquarian Audio H2a. I had my DIY "needle" (4mm threaded rod about 30 cm/12" long)attached to the Geofon so I could go under the anthill - the hydrophone was placed on top of the hill... you can see the placement of each on the photo.
The combination works great, lots of low end from the Geofon - the hydrophone picks up the highs... I'm really happy with the results.
Recorded with Sound Devices MixPre 3II 32 bit float - In post I normalized to -1dB and took out the high end on the Geofon track. 
Enjoy

Anthill LOM Geofon & Aquarian Hydrophone

In this podcast episode, Michael discusses the relationship between awareness and morality or mindfulness and ethics. When we are faced with the unprecedented and unrepeatable complexities of this moment, the question is not, “What is the right thing to do?” but “What is the compassionate thing to do?” This question can be approached with integrity but not with certainty. 

Recorded in 2011.

Awareness & Morality

This has been a stormy fall, and in Finland has been already 40 days with stormy wind speeds as the average is 27 a year.  A small, but intense low pressure passed over creating wind speeds up to 31,3 m/s in the gusts and 27 m/s as average. 

I couldn’t resist recording this storm just in our backyard as it was evident when I opened the front door in the morning that this wind is going to make damage. (The picture)

Recording storms creates mostly undefined white noise that’s not very pleasant to listen. But it seems, that when the wind gets hard enough, there occurs (more or less) strange noise patterns with regular shapes that can make it sound interesting. 

In situ I could hear cars passing and chainsaws running.  I hope there’s a bit of this weird noise left in this recording, at least when listening with headphones.

And yes, when the gusts were as strongest, two trees come down. One pine on the roof of our neighbors sauna building 6.50 and an other one with the tree trunk breaking 8.28 

(MKH8020 ab80cm, SD702, nothing done in edit, 24/48 flac)

Jan Eerala Finland

Storm in my Backyard - 19/11/2020 - Makholma Finland

PPG3 Sound Demo

Rain falling on the branches of a dead mopane tree in the Namib desert. Recorded with Sony PCM D10 and a pair of Lom mikroUsi microphones taped to the dry branches. Read about my epedition to Namibia at https://mindful-audio.com/blog/namibia-sound-recording-2020

Chromatic Rain

Awake in the World Podcast is a library of talks on a wide-range of topics, including bringing mindfulness and meditation practice into daily life; personal and community issues regarding mental health; and social change. The podcasts were recorded at live events so you might hear coughing, airplanes, cars, sirens, laughter, and peoples’ questions—all part of the intimate experience. Michael Stone (1974-2017) was a Buddhist teacher, author, and mental health advocate. His legacy is stewarded by Carina Stone. Podcast funded by Patreon (patreon.com/michaelstone).