Musician, Composer, Music Producer, and Sound Design. 
Building a dual-fold music career as a studio recording and mixing engineer, with his bands or as an independent artist, recording several albums as a guest musician from 1995 until 2004. Michael was playing in pubs, festivals, stadiums, with several musicians and bands playing all styles of music and rhythms. Making it a great experience for safety and later go to your career solo artist with the ukulele.
Influenced by Classic Rock, Pop, Latin, and Brazilian music, he puts his stamp on his way to play music matching the elegance of Brazilian Music and the daring improvisation of Bossa Nova into a beautiful musical form the can and will be appreciated by both Brazilians and Non-Brazilian music fans alike.

The universe starts looking for something that is not how we think so vague. Maybe the future is a mere repetition of the past or the reverse. Mere thought argue the existence of life, for without it there would be no   the core of some divine despair

Michael Mariano

producer, singer/songwriter, recording artist. 

If you enjoy my work, share and repost. I appreciate! ^_^. xxx

Two Ukuleles, a Backpack, and a man joyfully discovering the world in Music!
Songs, posts and podcasts, and then, when I take a break to record them, Ukulele Road Trips ALBUMS !!!

Eduardo Lyra  é musico profissional desde 1989. Como percussionista popular, participa de trabalhos com diversos artistas, em shows, discos e dvds. Tais como, Paralamas do Sucesso, Cidade Negra, O Rappa, Gilberto Gil, Skank, Fernanda Abreu, Toni Garrido, Sergio Diab e MEB (Musica Extemporânea Brasileira), dentre outros.
Formado em Musica e Tecnologia pelo Conservatório Brasileiro de Musica, e desde 2015, ‘aluno especial’ nas aulas da cadeira de Africania, do PPGM- UFRJ, ministrada pela professora Andrea Adour, onde, sob sua orientação, escreveu dois artigos: "Batuques, batucadas e macumbas: os primeiros registros fonoelétricos, de 1927 a 1933, das tradições orais Banto no Brasil.", publicado, em 2016, nos anais do 14o Colóquio de Musica do PPGM-UFRJ; e, "Vocabulário Banto nos primeiros registros fonoelétricos do Brasil, de 1927 a 1933, de canções, cujos títulos ou estampas de gênero, possuem as palavras batuque, batucada ou macumba."
Em 2017, cursa as matérias “Ensino coletivo de instrumentos musicais em diferentes contextos e espaços”, com o prof. João Miguel Bellard Freire e “Africanias na canção brasileira”, com a professora Andrea Adour, como ‘aluno especial’ de mestrado na UFRJ

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