Now - Here (Soundtrack For a Short Film)

Reading Latours Inquiry into modes of existence this came to my mind, my ears. Tools Yamaha TG33 and Flame Echometer. Effects Alesis Ineko and Alesis Bitrman. Nothing else. This is  a real abuse of the echometer which is supposed to be a percussion phrase controller.

[REP • MET] Crossing

all sounds: Macbeth Dual VCO, Macbeth Micromac-r, Doepfer ADSR

test with 5 MacBeth VCO's

Faraway From Some Faraway Beach

FEATURE
Paul Bowles Jagd nach der marokkanischen Musik
Von Sandra Babing

Paul Bowles liebte traditionelle marokkanische Musik, er genoss es, eine Kifpfeife zu rauchen und sich von den repetitiven Klängen in Trance versetzen zu lassen. Je länger er im nordmarokkanischen Tanger lebte, desto größer wurde seine Angst, die Musiktradition könnte von der modernistischen Kulturpolitik des Landes zerstört werden. Kurz entschlossen machte er sich mit einer mordsschweren Bandmaschine und einem VW-Käfer auf, um Musiker in den letzten Winkeln der Gebirge und Wüsten aufzusuchen und ihre Darbietungen aufzunehmen. Seine Reise verlief nicht ohne Hindernisse.

Regie: Götz Naleppa
Produktion: rbb 2013

Paul Bowles Jagd nach der marokkanischen Musik

Teenage Tasteless - strung

thanx to the lovely weirdos GNG, they rule all over the place!

Niemens Rmx by GNG

Upon Hull

Music for a short made by the Tactical Technology Collective
https://www.tacticaltech.org/#/news/personal-data-political-persuasion

Personal Data - Political Persuation

to be released February 2013 on Gagarin Records.

“grand huit” is one of my alltime favourites (felix kubin). recorded completely on a small 4 track studio, this is the first solo album by david fenech, now reissued and remastered on vinyle for gagarin records. with a new visual by new york based artists Martha Colburn. 

Press Release from Gagarin Records :

This fantastic musical journey, written by French composer David Fenech back in the year 2000, is entirely produced on 4-track cassette. Its title refers to the French word for “roller coaster” and “looping”, as well as to the symbol of infinity. “Grand Huit” (“Big Eight”) is a rare example of “cinema pour l’oreille” made of songs. The music already bears the strong handwriting of its creator: a unique mix of field recordings, outlandish singing (mostly in fantasy language) and expressive musical sketches. Bearing in mind the year of its origin, “Grand Huit” could also be seen as a soundtrack to another “carnival of souls”, marking the uncanny transition from the 20st to the 21st century while leaving all the old ghosts behind. Lonely souls and memories waving good-bye. David Fenech’s early work permanently alternates between rawness and tenderness. It offers a great cosmos of sounds ranging from downgraded samples, detuned organs and off-beat rhythms to environmental noises, toy piano, hurdy-gurdy, sine tones and Chinese theatre bells. The overall melancholic and narrative vibe of the music lets your mind drift away easily, so don’t put milk on your oven while listening. Gagarin Records is happy to present a re-mastered and slightely edited version of this masterwork for the first time on vinyl. The LP comes with a beautiful full colour poster and cover art by New York based visual artist Martha Colburn.

Tracklisting :
Side A :
A1 – Petit Huit
A2 – Confieso que he vivido
A3 – Mister Master
A4 – Un lâcher de lucioles
A5 – Jukebox
A6 – Boeuf Bourguiba
A7 – Opera En Toc
A8 – Jaune d’oeuf en cage

Side B :
B1 – Petit Soleil
B2 – Grand Huit
B3 – Solaris
B4 – Heeels
B5 – Coralingo
B6 – Goulashnikov
B7 – Love that feel…

http://davidfenech.fr/
http://gagarinrecords.com/



Personal Data - Political Persuation

Michał Krajczok

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