Wonderful composition, perfectly arranged, sung and played! A real treat! Thank you both for this!

grande arrangiamento e piano da pelle d'oca....✨✨✨⚘🍷⚘🍷⚘🍷⚘🥂🤝

Such a graceful song. Lovely. I wouldn't mind for your orchestration to be be even more forward, especially towards the ending.

It is a beautiful song, plaintive, appealing, and impressionistic made all the more beautiful by your thoughtful arrangement.  You have an intuitive sense of counterpoint that engages the flow and mood of the music.

Bel ouvrage ! Cela me fait plaisir d'écouter parfois de ces chansons dont l'inspiration poétique m'envoie vers l'insouciance et l'imaginaire. Un peu le souvenir du Prévert de mon enfance ! Michele, ton orchestration est tout à fait appropriée.

so sweet melody & singing… fantastic song👌🏻🥰

English is such a coarse language.. French..Italian.. Spanish.. are for making art.. 🙏🏼

speedbump

i'm tired of this (and i told you)

It Is What It Is

https://youtu.be/pka8m0L_eko

Thought I'd sneak in a little track before the year is out. I have not been very active on Soundcloud this year, will endeavour to start writing again in the new year, and listen to all the talent that is out there! 

Happy hols 

Antony 
(a.k.a. burn-it-smith)

p.s. Such rhythm in these lyrics, something I have always admired about this artist.

You Never Can Tell (Cover)

My Faith Has Abandoned Me

37°

Every Whisper (Remix 2024)

My friend Bruno Cadillon (Cab: https://soundcloud.com/bruno-cadillon-847608847) proposed to me last summer to arrange this song of his. I did it, altough with my less than excellent skills. I think the song is very beautiful. And the video produced by Bruno is also very nice, giving a better idea of his versatile talent: https://www.youtube.com/watch?v=ktr-SbZqnv8
I think here the lyrics are difficult to translate into other languages, so (as he did) I leave them in French.
All imperfections are mine, as always.

Cover picture: Pierre Bonnard, 'Workshop with Mimosa' (1935), Paris, Centre Georges Pompidou.

-------

De mon pouce
Je repousse
La mousse

Dans l’eau douce
Barberousse
S’émousse

Je pars en mer
Éphémère
Quitte ou double
Assis par terre
Un chien couvert
De plumes d’oie
Aboie sur un chat
Qui s’en fout bien
Il demande un verre
Qu’il boit d’un trait
Vodka glacée
Me regardant
d’un air étonné

De mon pouce
Je repousse
La mousse

Dans l’eau douce
Barberousse
S’émousse

Accroché là
Éphémère
Quitte ou double
Assis par terre
La peau couverte
De plumes d’oie
J’aboie à la lune
Qui s’en fout bien
Lui fait une prière
Vodka glacée
Très épicée
C’est terminé
Et m’endors par terre

-------

Lyrics and music: Bruno Cadillon.
Arrangement: Michele Ansani.
Posted on SoundCloud: 2024, October 1th.

Barberousse [Bruno Cadillon with Michele Ansani]

Mixed and Mastered by Woods Studio
https://soundcloud.com/woods_studio
Artis: https://soundcloud.com/spukschreibmaschine

Howl At Nowt  - SpukSchreibMaschine

Keys In My Blood

I believe that interstellar communication using quantum entanglement will be realized in the future, so I created this by imagining what future dialogue would look like. I hope that we will be able to communicate with extraterrestrial life forms and that the universe will become a peaceful world.


Deep ambient with Violin Synth(Roland SY-300) and Superego
Enjoy!

The Resonator of  souls -interstellar communication using quantum entanglement

method: guitar, pedals, voice, audacity
narration: just what the poem says (okay, offering a clue to toying with the clew: there is light - lux - as the main topic here, things you can and cannot perceive, that might and might not be at all - beyond mere appearances. Remember, however, how a haiku works - surprise overcomes you in the last line, not the one before that which still sets the natural and supernatural scene, no matter the momentum of tension it builds! - ... and, of course, a bow to a certain British poet's perspective on totemism might be in the cards as well ;-)
image: copyright jo richter ... using the illustration on a packaging container  used to transport guitars

poem/ copyright jo richter:

in winter's midlight
crow's crystal inverse shadow
lifting fingered feet

luxury

Invisible Things 97 BPM

Hello! I’m a university professor of history who enjoys playing guitar and piano/keyboard, and occasionally composing — unpretentiously, just for fun.
Most of my recordings (made with a KorgD8, Audacity, and more recently Reaper for MIDI and the Spitfire Audio libraries) are entirely homemade and decidedly imperfect.
My music includes old songs (all written back in the last century; here I’ve only shared the ones I’ve reworked in recent years) as well as both old and new instrumentals — usually in several versions, some of which eventually disappear because they’re simply unlistenable.

Thanks for stopping by and giving something a listen; in the description you’ll often find explanatory notes or translations of the lyrics.
Here I’ve discovered a community of talented musicians and songwriters, and plenty of beautiful music to enjoy. Whenever I like, comment, or repost a track, it’s always the result of attentive listening. For the same reason, I’m not interested in trading empty “likes” without real engagement, and I won’t reply to messages from would-be promoters — follower counts don’t matter to me in the slightest.

By popular demand (well, actually just my daughter’s — she insists it’s the “cooler” platform), I’ve finally started putting some of my music on Spotify too...

Update (2024, September 9). Completed the "AI & (fake) songwriting project". Here: https://soundcloud.com/mick-hansan 

P.S.: A prayer, a humble request to those who publish songs: use the description area to make the lyrics available... This would make listening to them more complete and enjoyable!

I've posted some 'live' homemade performance here: https://www.instagram.com/michele_ansani/

Barberousse [Bruno Cadillon with Michele Ansani]

Michele Ansani

Recent comments

Mike Fox

MOTHER OF ROME

Bill Liggett

Andronix

Related tracks