e che sviluppi ma, ti avevo gia' detto...inarrivabile🙃😳😃🙇🏾‍♂️🙇🏾‍♂️🙇🏾‍♂️

Wonderful track, beautiful melodies Michele! Bravo!

This really captures the romantic, haunting quality of the wall. Great work!

Some people try to invent truth to make sure things are remembered a certain way. I’ll have to listen to the original version of this. Michele.. your work shines and your presence here is an influence on all who listen.🙏🏼

ancora una volta ....bravissimo👏🏽☕👏🏽☕👏🏽☕✊✊✊🔥✨🔥✨🔥✨🔥

flauto magico si abbina meravigliosamente alla dolce voce della tua creatura che se non sbaglio ha altrettanti doti come il padre...🎹🔥🎹complimenti🥂✨🥂e' quello che spero nella mia di 10🙋‍♂️🎺👏🏼🎺stupendo che si appassionino alle nostre querelle🤣😃behh dai , capito, cambio spacc...🤗😉😃👏🏼🙋‍♂️buona giornata e....zzz che musiche super ricercate e di qualita' assoluta....🥁🥂🥁🥂🥁🥂

In 410 A.C. Romans left the rule of Britain. The date and the reasons are still and always a matter of debate among historians; however, in 2010, when it may have been 1600 years since that event and to commemorate it, 500 lighthouses were lit along the route of Hadrian's Wall, from east to west (cover image).
The first draft of the track is not recent (I didn't like it so much) and can be found here: https://soundcloud.com/michele-ansani/departure-from-britannia. I recovered audio material that I had discarded at the time (recording quality not optimal) and added some stuff.
Vocals by Ginevra Ansani and Arthouse Acoustic (samples). Flute by Trey Eley (Soul Surplus samples).

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Composed by Michele Ansani (2017-2024).
Posted on SoundCloud: 2024, August 19.

Departure from Britannia (final version) *

I am an university professor of history who enjoys playing (guitar and piano/keyboard) and composing: unpretentious, just for fun. As a consequence, the most of my recordings (made with KorgD8 / Audacity and also Reaper now, for MIDI and the Spitfire Audio sound libraries) are handcrafted and largely imperfect.
My stuff consists of old songs (all wrote in the past century; here are only those I have redone in these last years) and old and new instrumentals (usually in various versions, some of which are removed at some point because they're unlistenable). 
Thank you in any case for stopping here to listen to something; in the description area you can find often explanatory notes or lyrics translations.

Here I found a community of great musicians and songwriters and a lot of beautiful music to listen to; you can be sure that any liking, commenting or reposting by me is a consequence of careful listening to the tracks. Obviously, for this very reason, I am not interested in collecting free ‘likes’ without real listening. I will not answer any messages from possible promoters: the number of followers does not interest me in the slightest. 
By popular demand (well, exclusively my daughter's — she says it's the "cooler" platform), I'm finally starting to put some of my stuff on Spotify too...

Update (2024, September 9). Completed the "AI & (fake) songwriting project". Here: https://soundcloud.com/mick-hansan 

P.S.: A prayer, a humble request to those who publish songs: use the description area to make the lyrics available... This would make listening to them more complete and enjoyable!

I've posted some 'live' homemade performance here: https://www.instagram.com/michele_ansani/

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David Sinclair

LinOnyx

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