e che sviluppi ma, ti avevo gia' detto...inarrivabile🙃😳😃🙇🏾‍♂️🙇🏾‍♂️🙇🏾‍♂️

Wonderful track, beautiful melodies Michele! Bravo!

This really captures the romantic, haunting quality of the wall. Great work!

Some people try to invent truth to make sure things are remembered a certain way. I’ll have to listen to the original version of this. Michele.. your work shines and your presence here is an influence on all who listen.🙏🏼

ancora una volta ....bravissimo👏🏽☕👏🏽☕👏🏽☕✊✊✊🔥✨🔥✨🔥✨🔥

flauto magico si abbina meravigliosamente alla dolce voce della tua creatura che se non sbaglio ha altrettanti doti come il padre...🎹🔥🎹complimenti🥂✨🥂e' quello che spero nella mia di 10🙋‍♂️🎺👏🏼🎺stupendo che si appassionino alle nostre querelle🤣😃behh dai , capito, cambio spacc...🤗😉😃👏🏼🙋‍♂️buona giornata e....zzz che musiche super ricercate e di qualita' assoluta....🥁🥂🥁🥂🥁🥂

In 410 A.C. Romans left the rule of Britain. The date and the reasons are still and always a matter of debate among historians; however, in 2010, when it may have been 1600 years since that event and to commemorate it, 500 lighthouses were lit along the route of Hadrian's Wall, from east to west (cover image).
The first draft of the track is not recent (I didn't like it so much) and can be found here: https://soundcloud.com/michele-ansani/departure-from-britannia. I recovered audio material that I had discarded at the time (recording quality not optimal) and added some stuff.
Vocals by Ginevra Ansani and Arthouse Acoustic (samples). Flute by Trey Eley (Soul Surplus samples).

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Composed by Michele Ansani (2017-2024).
Posted on SoundCloud: 2024, August 19.

Departure from Britannia (final version) *

Hello! I’m a university professor of history who enjoys playing guitar and piano/keyboard, and occasionally composing — unpretentiously, just for fun. I’ve been here for at least 10 years, but only recently have I started using the platform for something other than just external digital storage.
Most of my recordings (made with a KorgD8, Audacity, and more recently Reaper for MIDI and the Spitfire Audio libraries) are entirely homemade and decidedly imperfect. And yet, I think that lately I’ve learned to do something a bit more - and better - also thanks to greater commitment.
My music includes old songs (all written back in the last century; here I’ve only shared the ones I’ve reworked in recent years) as well as both old and new instrumentals — usually in several versions, some of which eventually disappear because they’re simply unlistenable.

Thanks for stopping by and giving something a listen; in the description you’ll often find explanatory notes or translations of the lyrics.
Here I’ve discovered a community of talented musicians and songwriters, and plenty of beautiful music to enjoy. Whenever I like, comment, or repost a track, it’s always the result of attentive listening. For the same reason, I’m not interested in trading empty “likes” without real engagement, and I won’t reply to messages from would-be promoters — follower counts don’t matter to me in the slightest.

Update (2024, September 9). Completed the "AI & (fake) songwriting project". Here: https://soundcloud.com/mick-hansan 

P.S.: A prayer, a humble request to those who publish songs: use the description area to make the lyrics available... This would make listening to them more complete and enjoyable!

I've posted some 'live' homemade performance here: https://www.instagram.com/michele_ansani/

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David Sinclair

LinOnyx

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Wayfarer DG

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55stars

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