CHILLe

RAdiOPIratE.🌀rG - RèD's DECK

omega 3

Michele Ansani

It concerns everyone!

Best of SoundCloud January 2025

Daily Drops

RAdiOPIratE.🌀rG - Griiin's DECK SolarWan

Related tracks: “Dessau Dreaming” by Luke

Kevin Paul - Inna Inna (Original Mix) [MASTER].wav

Heroes

AudioLust & HigherLove

Honest

"Space Bass" from the Vision Recordings Mission 02 compilation.

Space Bass

» Spotify: https://open.spotify.com/album/2kghTQhUAHxEAHHUUQKCQQ?si=Nw_gu2byQe2_qIZHqGEAhA
» Apple Music: https://music.apple.com/pl/album/only-you-single/1690952380?l=pl

» Follow Me: @prodvnxious
Spotify: open.spotify.com/artist/6SmNrya3nBDrvGCIe0ODyD
Instagram: www.instagram.com/prodvnxious/

» Mix & Master: @rxstbruh
Spotify: open.spotify.com/artist/6W6cFer7ZsbFqeYmxNukG6
Instagram: www.instagram.com/prodbysenkya/

» Cover art: @chxrry4
Spotify: open.spotify.com/artist/2B4aMXS9WzF84qvJscqGwK
Instagram: www.instagram.com/chxrry_4

Only You

valentine's day release 😏

»Spotify: https://open.spotify.com/track/62ZWwnRZsisALMFDhnc77H?si=497b93539a504aba

» @senkyamusic
open.spotify.com/artist/6W6cFer7ZsbFqeYmxNukG6
www.instagram.com/prodbysenkya/

» @prodvnxious
open.spotify.com/artist/6SmNrya3nBDrvGCIe0ODyD
www.instagram.com/prodvnxious/

» Cover art: Me

Vnxious & Senkya - Neonightmares

Thanks @senkyamusic

sending to:
@weatherbetas
@cantbreath
@djbababooey

WARDUB S5 - response to Senkya

Bloom At Night

the Last Bubble °

» Spotify: https://open.spotify.com/album/4eG8OlljhkynuxCxRJbRTk?si=x7F88f2fT2yod203hgRqUQ
» Apple Music: https://music.apple.com/pl/album/sorrow-single/1742350640

» Follow Me: @prodvnxious
Spotify: open.spotify.com/artist/6SmNrya3nBDrvGCIe0ODyD
Instagram: www.instagram.com/prodvnxious/

» Cover art: @chxrry4
Spotify: open.spotify.com/artist/2B4aMXS9WzF84qvJscqGwK
Instagram: www.instagram.com/chxrry_4

Vnxious - Sorrow

Shining

Shining (feat. Ekko)

In 410 A.C. Romans left the rule of Britain. The date and the reasons are still and always a matter of debate among historians; however, in 2010, when it may have been 1600 years since that event and to commemorate it, 500 lighthouses were lit along the route of Hadrian's Wall, from east to west (cover image).
The first draft of the track is not recent (I didn't like it so much) and can be found here: https://soundcloud.com/michele-ansani/departure-from-britannia. I recovered audio material that I had discarded at the time (recording quality not optimal) and added some stuff.
Vocals by Ginevra Ansani and Arthouse Acoustic (samples). Flute by Trey Eley (Soul Surplus samples).

------

Composed by Michele Ansani (2017-2024).
Posted on SoundCloud: 2024, August 19.

Departure from Britannia (final version) *

Stellar

Stellar (ANNA Remix)

||| Speaking in Dreams |||
From the album White Noise 
+ Releases 15 October 2025 on all major streaming platforms +
The language of dreams goes deep....
Drift into a liminal space with this downtempo soundtrack 

Watch the video here:
https://www.youtube.com/watch?v=0rli0SspFx8

White Noise

Speaking In Dreams

Download

In this final version (here the draft: https://soundcloud.com/michele-ansani/sunday-derby) I have the honour of adding the contribution of Manuel Pietra (take a listen to his tracks: https://soundcloud.com/mozartwolfy81), my friend and my daughter's piano teacher, in the first and in the last part of the piece.
For those (like me) born in the late 1950s and raised in Milan in the 1960s, Sunday of derby (AC Milan vs. FC Internazionale) was the most beautiful and most feared day of the year. The three sections of the piece correspond to three easily understood moments: before the match (Saturday night and Sunday morning); during the match (Sunday afternoon); after the match (Sunday evening and Sunday night). All imperfections (as usual) are mine.
As it's clear in the end of the second part of the piece, my team won the match that time (so many years ago ...). I'm sorry to say that Manuel is a fan of the other Milan team, the one that lost the game in the circumstance mentioned ...

Michele Ansani: piano, keyboards, guitars (and arrangement).
Manuel Pietra: piano.
Stadium effects from Pixabay

Cover picture: L. S. Lowry, 'Going to the match' (1953).

------
Composed by Michele Ansani (part 2) and Manuel Pietra (part 1 and 3 not depending from part 2)
Posted on SoundCloud: 2024, September 2.

Sunday Derby (extended version) **

This is the final song of the project. Again, the text is almost entirely produced by AI. I make two versions available and downloadable: one sung by a female voice, the other by a male.
This time, no one is mocked; the perspective is that of a ‘democratic’ artificial intelligence; everyone will be able to do everything, everything will be within reach, there will be no need for special skills. There is a page on SCloud that struck me: @siennaai. The owner of the profile, in the biographical notes, stating that he only offers AI-generated music, says: ‘There should be no professions with a status quo; either all have such a status or none do.’
That's all folks.

He was working at the pumps
Filling tanks counting dreams
Now his words in music's light
AI brought him to the scenes

She was ringing up the sales
Scanning hope through every beep
Now her songs they sail the skies
AI woke her from the deep

He'd deliver pizzas late at night
Dreams of songs under neon light
Now he's writing hits so bright
AI turned his wrongs to right

They were once lost in the crowd
But they turned it around
With a voice loud and proud
they’re AI bound
AI dreams make music soar
Lifted hearts from mundane floors
Real musicians struggle through
In a world they thought they knew

She poured drinks in a rundown dive
Barely getting by to survive
Now her lyrics come alive
Meeting success in overdrive

They was tooking care of other people's children at night
Whistling tunes to pass the time
Now their tracks are charting high
AI's rhythm made them shine

Once they cleaned and swept the way
Now their notes and lines both play
Real musicians are in tears
AI bringing new cheers
Real musicians pause and sigh
In a world that's passed them by

They were once lost in the crowd
But they turned it around
With a voice loud and proud
they’re AI bound
AI dreams make music soar
Lifted hearts from mundane floors
Real musicians struggle through
In a world they thought they knew

------

Posted on SoundCloud: 2024, September 9.

6. The world they thought they knew [2 versions - MP3 free download - lyrics below] **

The initial melody could be famous, but I don't know who (where and when) composed it. It was the melody of the carillon (in the picture) that some friends gave to my daughter, who was just born. We sung (adding words) and played it for years, even and especially after the music box broke, not to forget it. 
The piece is dedicated to her, who is now 18. The melody of the music box is followed by some (very posed) arias representing the successive stages of her life, childhood and adolescence. The carillon's melody resumes at the end: because I am sure she still hears it, deep down, and that it accompanies her as life goes on.

------

Composed by Michele Ansani (2006-2024).
Posted on SoundCloud: 2024, September 10

My daughter's carillon (song for her 18th birthday) *

Written, performed and recorded by Neli CoKo, 2024, all rights reserved. 
Thank you for listening :)

Original photo by https://www.pexels.com/de-de/@maxandrey/

Sent From Heaven

Sent From Heaven (Jam)

» Spotify:https://open.spotify.com/album/6CwGq2uKS9uBDX12EoyKxn?si=Jdm9UkwNRZ-JmR4-_xNmSw
» Apple Music: https://music.apple.com/pl/album/disconnected-single/1775179233

» Follow Me: @prodvnxious
Spotify: open.spotify.com/artist/6SmNrya3nBDrvGCIe0ODyD
Instagram: www.instagram.com/prodvnxious/

» https://soundcloud.com/kittyslvt
Spotify: https://open.spotify.com/artist/74n2HOdcAvTmofIugKfout?
Instagram: https://www.instagram.com/kittyslvttt?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==

» Cover art: www.instagram.com/alchemical_graphics/

Vnxious & Kittyslvt - Disconnected

2024 11 14 3

Avenir.

Comme un pauvre  Vagabond 
errant sur les chemins de sa  vie chiffon 
Comme un poète maudit 
Écrit sur le sable mouillé 

Refrain 
Ta  voie  est là, juste un premier pas  suffit pour partir 
laiss’ pas   la peur  te voler ton désir ton avenir

Copie le saltimbanque
qui jongle habile avec ses envies - envie 
La statue immobile
qui voudrait s’envoler  s’en aller


Comme une poussée de sève 
Réveille  ta vie , refleurit le Monde  tu rêve 
C'est dans cette  lumière qu’il te faudra tracer   ta route

Imagine le monde
C'est temps pour toi d’entrer dans la rond(e) tu vois 
C’est ça  C’est ce premier pas 
qui t’a fait saisir ta vie c’est  ça

!--- Translate

Future.

Like a poor Wanderer 
wandering the paths of his rag life 
Like a cursed poet 
Written on wet sand 

Refrain 
Your path is there, just a first step is enough to leave 
Don’t let fear steal your desire, your future

Copy the acrobat
who skillfully juggles with his desires - desire 
The motionless statue
who would like to fly away


Like a rush of sap 
Wake up your life, the world you dream of blooms again 
It is in this light that you will have to trace your path

Imagine the world
It's time for you to enter the circle you see 
This is it, this is the first step 
who made you grab hold of your life, that’s it

Avenir

montaža tuče i gromova(demo)

Today We Proudly Buried Our Future

Update (2025, January 17). As of today, this modest musical composition accompanies a splendid poem by Peter (https://soundcloud.com/user-264930040/all-the-old-little-things-we-have-lost, in the description area, preceded by his illustration of the circumstance). I would like to thank him very much: it is an honour for me.

-----

Composed by Michele Ansani (2024, December).
Posted on SoundCloud: 2024, December 16.

All the old little things we have lost *

“Anxious Visions”  by Luke 

Created this Sequel  to “Restless Memories” because of the overwhelming hit it became .. the amount of requests to follow up with a similar piece was mind blowing…
thank you all for supporting my creations 
.

Keys & Piano & Synthesizer & Cello & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
                           Beats by Luke©️
                         S c h ü ß m a n n©️

“Anxious Visions”  by Luke

72_ Who was Alone at Christmas? (BrassDubBlues) - released on 27 December 2024

I felt a bit alone, even before Christmas... But what about those who really are alone? With this track I want to draw attention to them, give them some courage to change something about their situation and we, who are usually not alone, can change that too... yes, even after Christmas! #xmas #brass #dub #blues

(produced with Music Maker JAM)

Who was Alone at Christmas? (BrassDubBlues)

everything begins and everything, sooner or later, must end... :(

Ending

2025/01/01
Title/New day(Khan and Tomoki)
Vocals, song and lyric/Khan
Guitar ,sounds, mix /Tomoki

 We made this chill song on 1st day New year 2025.
May you have a good year filled with joy, peace , success, and LOVE
Thank you~

Lyrics
20250101
New day

It’s a new day
Sun rise slowly
It’s a new day
Sun like a rose
It’s a new day
Sun rise bright
It’s a new day
Sun like God
Each of us make own day
Every time
Every day


The New Day(Khan & Tomoki)

Happy New Year to all my Soundcloud friends..✨

DON'T TURN AROUND.  🎧

Demain peut-être
aujourd'hui plus que jamais nous sommes amenés à prendre conscience d'un changement imminant dans nos fonctionnements, la planète souffre de nos erreurs et il est maintenant temps de tous se rassembler pour un avenir plus prometteur et en paix, car nous sommes tous liés, Mi Taku Oyasin en Amérindien.
Quelques auteurs qui m'ont beaucoup aidés à mieux comprendre, quoi faire :
L'éveil de l'espèce (Neal Donald Walsh)
Jamie Sams, Don Miguel Ruiz.JR, James Riedfield, Dr Deepak Choppra, Eckart Toll, Frederic lenoir, Tom Hartmann, Daniel Meurois...

Texte et musique : Steph Ouna
Paroles :
De nouveau, je déambule dans les vieilles rues et ruines polluées de ce monde
Comme aspiré dans l’engrenage, par l’attraction obligatoire de l’entonnoir
Pour me sentir encore plus à l’aise, plus authentique, sur mes paupières, j’ai mis du noir
C’est sûr, un jour j’en aurait marre, au cas où, je vais alors de ce pas, remplir mon réservoir

Mais que faut-il de nouveau, de moins ou de plus, dix milles prophètes ?
Pour avouer ou reconnaître que sans éveil depuis toujours inlassablement, tout se répète
Alors peut-être un jour tous ensemble accepter, sentir l’urgence de faire enfin marche arrière
Cherchant où ressentant au plus profond de nous, l’univers, peu à peu se rappeler, en redécouvrant la lumière 

C’est une vraie technologie bidon, sans amour, l’intelligence artificielle, l’obsolescence, les addictions, sont des mirages, un enfer
Les fleuves, les rivières, les océans, la source de vie saccagés sans respect, un mystère
8 milliards d’êtres humains, quelques robots, sommes-nous maintenant asses nombreux sur terre ?
Ou bien comptons nous vraiment sur les enfants pour assumer, combler ce vide, l’observateur et l’inventaire ?

C’est une quête qui deviendra bientôt essentiel, universel
Les guerres, la famine, les épidémies enfin bref, tout ce bordel, cruel et sans cervelles
Notre si belle planète bleue a vraiment besoin de soutien, un grand coup de nettoyage de printemps
De fée, d’elfes, de lutins, de gnomes, des êtres évolués qui ont su traverser l’espace et l’infini du temps

Avec le temps, apparemment trop serré, je n’rentre plus dans la cage
Aussi j’espère que vous me comprendrez, pardonnerez mes écarts, mes folies car j’ai volontairement coupé le lien, en libérant l’otage
L’autre soir j’ai très bien senti monter l’agonie, puis l’orage 
Ce fut une question de vie ou de mort
Prisonnier dans les rouages, je voulais juste encore une fois tourner la page

Prise de conscience, demain peut-être, je serai assez clair, je ne ferai plus semblant, sans illusion, j’aurai sans doute perdu la tête
Je viendrais chez toi te chercher, oui tu me reconnaîtras, je serai libre et nu, avec une dette, une lettre
Je te dirai combien je t’aime et je souffre, à ce moment-là, précis, je cesserai de paraître
Ici et maintenant, devenu cher à tes yeux, désormais seulement, alors, je pourrai être.

Demain peut être

Do you have an Exit Strategy? "I wish".
Do you want an Exit Strategy? "Don't know. What is there?"
Next Exit: for emergence use only. "Go to the next!"
Next Exit: Financial Freedom. "No, go to the next".
Next Exit: Future. "The next?"
Next Exit: Happy Life. "Ok: the next?".
Next Exit: New You. "The old one is enough, go to the next".
Next Exit: Are you prepared? "Yes!"
Next Exit: Can you escape? "Don't want".
Next Exit: Retirement. "Yes!"

-----

Another old track restored, adding new sounds (mainly from Spitfire Labs) to those of the Yamaha PSR 630. Vocals courtesy of NERVO Vocal Jams. The overlapping of old (separated) and new tracks generates always some 'unnecessary' noise. 

-----

Composed by Michele Ansani (2017-2025)
Posted on SoundCloud: 2025, January 10.

Exit Strategy *

Grief is something we all go through. That is why I want to heal and sublimate it with music. Music is so important to me.

lamentation

“Dessau Dreaming “ by Luke  (in memory of my brother) 

Long time ago during the Cold War in a small apartment in Dessau 🇩🇪
a 2 year old brother was introduced to his new baby brother, both boys were adorable with blonde hair & blue eyes.. 
one year later the older brother went by train to visit his Oma in Berlin.. 
that was the last time the brothers ever saw each other again..
the barbwire went up & the wall was enforced, forcing the 3year old brother to stay in the East while his younger brother (and Mother) made it to Aachen to live with the other Oma.. 
20years later the wall came down only boy left was the younger brother who grew up with the PolarBears in🇨🇦Canada..
he was a Diesel mechanic by trade
but he’s been writing & creating music since he was 6 years old..
I Created this song In memory of my older brother..
Dieter Schüßmann ❤️

“Dessau Dreaming” by Luke

ThrillMonkey/AnandaTuk collaboration

Check out AnandaTuk's music at: https://soundcloud.com/user-11396379

Be Like That -with AnandaTuk

Vocals (Composition, Arrangement &amp; Performance): @elpiverse
Two Guitars (Composition, Arrangement &amp; Performance): Counterworlds Voltage
Mix &amp; Mastering: @elpiverse
Production: Counterworlds Voltage &amp; @elpiverse
Artwork: @elpiverse
🪬

Medusa

Bass Code

Mono Poly Mix 2015

This is the first in a series of eight easy, acoustic, rather short and inconclusive tracks, which I’ve assembled by working on new and reworking on some old material adding parts and sounds. 
Will anything actually happen in the end? Unlikely. Definitely not here. Here it’s a montage of bare arpeggios in various keys.
I recorded this some weeks ago: sorry about the guitar sound, the string squeak is a bit too much; now, I hope to have fixed that investing in a better and more expensive set of strings.

Part 2 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-2-dawn
Part 3 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-3-noon
Part 4 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-4-late-afternoon
Part 5 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-5-night-again
Part 6 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-6-dawn-again

Composed by Michele Ansani (2025).
Female vocals are courtesy by Edm - Silk Vocal Samples.
Posted on SoundCloud: 2025, July 15.

In case nothing happens - part 1 (night)*

Three seconds Maybe Four

[Verse 1]
There’s a light above the kitchen sink
pale as early morning skin—
you sit with both hands around a mug
watching steam rise soft and thin

Outside rain paints silver dots
on cars asleep along the street
a quiet city hanging on
to everything we used to keep

[Pre-Chorus]
No plans no maps no future tense
just your tired smile and tired eyes
I can feel the world move slow
between the seconds passing by

[Chorus]
Three seconds maybe four—
your eyes meet mine then drift again
I keep that small uncertain smile
as if it’s worth remembering

If someone asked what love looks like
I’d say it isn’t grand or loud—
just two hearts at a kitchen table
while the rain comes down

[Verse 2]
You trace a circle on the wood
the same place where a stain remains—
we talk about a film we love
but every word pulls quiet pain

A siren spills a lullaby
somewhere far across the town
and you breathe out through parted lips
as though you might confess then don’t

[Pre-Chorus]
No storms no raised voices here
just tired truth beneath your voice
every silence feels like choosing
even when we have no choice

[Chorus]
Three seconds maybe four—
your eyes meet mine then drifts again
I keep that small uncertain smile
as if it’s worth remembering

If someone asked what love looks like
I’d say it isn’t grand or loud—
just two hearts at a kitchen table
while the rain comes down

[Bridge]
When morning comes this house will breathe—
soft perfume of toast and tangerines
maybe nothing changes babe
but you’ll still sit across from me

[Final Chorus]
Three seconds maybe four—
you lift your eyes then look away—
for now I’ll keep this tiny scene
a quiet corner of our days

If someone asked what love looks like
I’d point to moments small and true
an empty mug a fading night
and me across a table watching you

Three Seconds Maybe Four

Beatport: http://www.beatport.com/release/cream/860601

Early Feedback:
DJ HELL: Cream is the first Clubhit in 2012.
DJ SNEAK: Cool tools.
NOIR: Wow.... both tracks are pretty dope here.
SOUL CLAP: Real cool bootlegs. Big up!
WOLF&LAMB: Bangers and Mashhh!
UNTOLD: Nice work!
TRICKSKI: Great little package. Good To You is some sweet soul thing. Love it.
FRIENDLY FIRES: Excellent stuff.
ROUND TABLE KNIGHTS: Claptone did it again!!! Boom.
OLIVER$: Ketadisco:)

Video here: http://youtu.be/iHSLh8-Ijw8

Happy New Year!

Mystery surrounds the identity of production combo Claptone. Perhaps it doesn't matter...
Their first EP "She Loves You" was a mix of sharply floor focused tech-house, deep house and disco blends. Here is the follow-up: CREAM...not only for lovers of 90ies Rapmusic.
Please leave some nice comments. We got plenty of dope releases coming on Exploited this year.

www.exploitedghetto.de

CLAPTONE - CREAM / GOOD TO YOU I Exploited Records

Piano composition by Anibal Seminara 
Image by Many Souffan
ALSO VIDEO IN MY YOU TUBE CHANNEL
www.youtube.com/channel/UCr2HL0xJlK7T4AlRXGgCVig

Buy by Bandcamp

Moments Musicaux No. 2 - With video in Youtube

Update (December 9, 2025). 
https://www.youtube.com/watch?v=MagLpl21qdY
I’ve posted the entire suite “In case nothing happens” on YouTube, including the parts (7 and 8) that are still missing here, accompanied by a very simple video.


Hello! I’m a university professor of history who enjoys playing guitar and piano/keyboard, and occasionally composing — unpretentiously, just for fun. I’ve been here for at least 10 years, but only recently have I started using the platform for something other than just external digital storage.
Most of my recordings (made with a KorgD8, Audacity, and more recently Reaper for MIDI and the Spitfire Audio libraries) are entirely homemade and decidedly imperfect. My music includes old songs (all written back in the last century; here I’ve only shared the ones I’ve reworked in recent years) as well as both old and new instrumentals.
Thanks for stopping by and giving something a listen; in the description you’ll often find explanatory notes or translations of the lyrics.

Here I’ve discovered a community of talented musicians and songwriters, and plenty of beautiful music to enjoy. Whenever I like, comment, or repost a track, it’s always the result of attentive listening. For the same reason, I’m not interested in trading empty “likes” without real engagement, and I won’t reply to messages from would-be promoters — follower counts don’t matter to me in the slightest.

Update (2024, September 9). Completed the "AI & (fake) songwriting project". Here: https://soundcloud.com/mick-hansan 

I've posted some 'live' homemade performance here: https://www.instagram.com/michele_ansani/