Eyes Closed

Late 2025 Soundcloud Playlist

Retro-Tone ...... World Music

PLAY THESE RHYTHMIC SPARKS OF LOVE

Daily Drops

Michele Ansani

THE HARBOUR from Echoes from a distant Past

"feel" is a smooth and soulful track that blends lush melodies with a laid-back rhythm, creating a deeply emotive and immersive listening experience. Rooted in neo-soul and R&B influences, the song incorporates ambient textures and intricate electronic beats to craft a soundscape that feels both intimate and expansive. Its flowing structure and groovy undertones evoke a sense of reflection and tranquility, making it perfect for a late-night drive, relaxing moments, or simply vibing to its rich atmosphere.

feel

voici une ancienne musique sur laquelle j'ai aujourd'hui ajouté un chant,
Un immense merci à Piotr pour ces interventions au violon, très bonne écoute et merci .

Paradis

All rights reserved January, 3 2025

Inside, the heart still aches
There’s no way around, all the sights and sounds that greet the day
What will it take
Just To climb that hill, such a bitter pill..that lingers there

Outside, the air is light, as the sun appears, and you feel the fears
Begin to grow…another fight
Then you hold the tears and the yesteryears
Inside your mind…

Now I’ll be on my way watching days go by
Searching to find a way and wondering why

Til then I’ll try again, as I watch the change through the windowpanes
And soldier on into a world
Such a pointless cause stuck in these four walls
As darkness falls

Now I’ll be on my way as days go by
Wasting away and a wondering why…

Darkness Falls

New song recorded tonight. Things are what they are.. on the melancholy side.... which i'm prone to wallow in from time to time.

It has come to my attention that I haven't put my pen to paper for a while
I've been burning scented candles that suggested fields of roses for so long
and I've lately come to realize the simple reason for my lack of candor
and the soil of sordid life reveals the blameless grief left floating in the breeze
I opted out of bowing low for fear that I might make a wrenching scene

show me how I have fallen short read to me the judgement of the court
but be careful as you're coming down you're falling from the same high ground
it all comes back around

I thank god sometimes for time alone with cheap guitars and cheaper brands of wine
I avoid my past discrepancies and present time inequities like plague
and it for these very reasons that I held my tongue and stared into the sky
and stole time alone in selfishness for fear without that I might lose my mind
has my silence said enough for you today
you might think you've had it rough sometimes and want to say

show me how I have fallen short read to me the judgement of the court
but be careful as you're coming down you're falling from the same high ground
it all comes back around

Im well aware of failure as Im constantly reminded of it in the mail
and the boat that we were sailing is the one in need of bailing suddenly
have I suddenly become some different soul
and did you become the innocent that fell into the resulting hole
is it such a shocking revelation after all
made to get up off our feet before we lean to crawl

show me how I have fallen short read to me the judgement of the court
but be careful as you're coming down you're falling from the same high ground
it all comes back around


It all comes back around

One of my favourite Soundcloud artists @remnant60 posted a gorgeous track that he left open for collaboration, so I jumped at the chance to try and add something that might fit with his ambient, mystical guitar sound. I settled on some ethereal cello chords (played on keyboard with some pitch bend modulation) and this is the result. I try to recommend listening with headphones when I think it's worth it, and I think it applies in this case.  :)

Check out his playlist where he compiled various other really cool adaptations of his original tune. Thanks Bill for continuing to inspire us with your magic! 

PLAYLIST: Variations On A Dream
https://soundcloud.com/remnant60/sets/variations-on-a-dream

Universal Language (collab with Remnant60)

This is a chant in Sanskrit to the Indian god Shiva, from a poem by Swami Vivekananda (1863-1902). 

Om namah shivayah 
nikhila bhuvana janma
sthemabhaṅga prarohah
akalitamahimana kalpita 
yatra tasmin
suvimala gaganabhe 
isasamsthe pyanise 
mama bhavatu bhavesmin 
Bhasuro bhavabandhah

May my luminous love fasten firm to Him, to Shiva,
In whom arise visions of glories immeasurable!
May my luminous love cling to Him who is utterly pure, like the sky,
Who is Lord of all, having no lord over Himself!

I made this on Suno, as part of my ongoing experiments to see how far I can push A.I. music with dead priestly languages! 😇  Thanks to @APi_ZZ for mixing it, and also for the excellent titling on the cover.

Om Namah Shivaya

Timeline
(Verse 1)
Timeline
Can I solve the puzzle? Does the answer even exist?
Is it abstract in the making 
options, choices taken 
where’s the voices?
It’s a cruel game we’re playing, 
did we ever have a choice?
never had a choice is what I’m saying
I know, the question as well, as the answer 
in time we’ll all understand the meaning as well, 

(Chorus)
the only answer is, 
the truth is infinity, infinity is the truth, 
the answer is the question, 
and the question is the root
why so absolute 
not to mention a reason to be, 
existence is infinity, and the truth will set you free, 
never before, never before 
infinite, choices…The answer is …more!

(Verse 2)
What was done in the past
Effecting us now,
 we walk different timelines,  But they’re way ahead …how?
Time vibrates, like tectonic plates!
Given shape to our lifelines, final fate
What’s the cause of it all?
The crisis of it all,    The axis, recall
We exist,   one in all, One and all
Everything and everyone…

(Verse 3)
🎵In a constant state of time,
Doesn’t matter when or where, 
you’ve traveled the timeline, 
existence is existence,
And who are we to say,
What will happen in the future,
If we didn’t exist—- today 
…..in this timeline🎵

(Chorus)
(interlude)
(Chorus)

Timeline

In Euripides' tragedy 'The Suppliants', a group of Argive mothers travels to Eleusis to plead with Theseus, king of Athens, to help them recover the bodies of their sons, who fell during the failed assault on Thebes. The Thebans, in fact, refuse to return the corpses for burial. These mothers, immersed in profound grief, represent the universal symbol of maternal mourning in the face of the loss of their children in war.

Cover picture: Theseus and Amphitrite with Athena looking on. Interior from an Attic red-figure cup, 500–490 BC. Currently housed at the Louvre Museum of Paris (inventory G 105).

Composed by Michele Ansani (2023-2025).
Female vocals courtesy of VOX.
Posted on SoundCloud: 2025, April 4.

The Suppliants *

The Taste of Your Mouth

The Taste of Your Mouth (Original Mix)

When the railway runs along the coast, right beside the sea, there are many tunnels. Sometimes they’re so narrow that two tracks must draw near to one another to pass through. That’s how a strange love story begins between them.
This is a song I wrote around the year 2000, one of my last. I think it has a good mood. I’ve remixed and partially rearranged it.
You can still hear the warm tone of the Washburn, along with the old Yamaha’s sounds (including the flute). The sax — reworked by me  — is kindly provided by Dropgun Samples.
Still, as always, everything is very handcrafted.

Below is the English translation of the lyrics.

They converged at the tunnel’s mouth,
suddenly parallel —
twins of the railway.
They looked at each other, studied each other,
just enough
to not quite grasp
how much the one beside you knows of you.
They hesitated, thinking of the road behind:
companions in adventure,
but now unsure why.
And then they stared at the night gaping inside the tunnel:
a magnificent promise
to be traveled on the thread of fantasy.

“Inside this darkness, maybe we will never part,
under this shadow, maybe you’ll finally know me,
after this night, who knows where you’ll fall asleep —
perhaps closer to the sea…”

They parted at the tunnel’s edge,
but a narrow wall concealed a silence
charged with jealousy,
shaped like fear — fear of that strange kind of courtesy,
fear of the light,
fear of the end of the tunnel.
“Parallel track,
mirror born of the railway,
traitorous twin,
lover made of parody.
Don’t tell me that
after this darkness we’ll never part,
that under this shadow you’ll finally touch me,
that after this night, who knows where you’ll take me —
perhaps down by the sea…”

And at the end of that masterpiece of engineering,
only one of them
came rushing out of the tunnel;
on instinct, he turned and saw
that the sea was beside him,
and under the sea, the sky,
and beneath the sky — who knows what lies...

“After this darkness, surely we will never part,
inside this shadow, surely you’ll let go,
after this night, I cannot say where you’ll fall asleep —
perhaps closer to the sea…”

----

Confluirono all'ingresso della galleria
improvvisamente paralleli 
gemelli della ferrovia.
Si guardarono, si studiarono quel tanto che
non basta a misurare sino in fondo
quello che hai di fianco cosa sa di te.
Indugiarono, pensarono alla strada dietro di sé:
compagni di avventura,
ma ora non capivano perché.
E poi guardarono la notte spalancata nella galleria:
magnifica promessa
da viaggiare sul filo della fantasia

"dentro questo buio forse noi non ci separeremo mai,
sotto questo scuro tu finalmente mi conoscerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

Si congedarono sulla bocca della galleria,
ma parete stretta nasconde silenzio
fatto a carica di gelosia,
fatto a forma di paura di quella stranissima cortesia,
paura della luce
paura della fine della galleria.
"Binario parallelo,
specchio generato dalla ferrovia,
gemello traditore,
amante da parodia.
Non dirmi che 
dopo questo buio noi non ci separaremo mai,
che sotto questo scuro tu finalmente mi toccherai,
che dopo questa notte poi chissà dove mi accompagnerai,
forse giù vicino al mare ..."

E alla fine di quel capolavoro di ingegneria,
di loro uno solo
usciva di corsa dalla galleria;
d'istinto si voltò e vide che
c'era il mare di fianco a sé,
e sotto il mare il cielo,
e sotto il cielo chissa cosa c'è ...

"dopo questo buio certo noi non ci separeremo mai,
dentro questo scuro tu sicuramente ti abbandonerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

----

Composed by Michele Ansani (1999)
Posted on SoundCloud: 2025, May 16

Down by the sea [Viaggio di nozze] *

TIMELINE / Open collaboration from IPG1
IPG: Vocals and Verses
https://soundcloud.com/ipg1/timeline-vocals-97-bpm
Backing Track : Paploviante
https://soundcloud.com/paploviante-and-friends/enigmatic-paploviante-open-collaboration-offer
Lillithe: Arrangement and Production

Timeline   Open Collab from IPG1 with Paploviante

Attempt on this inspirational track: https://soundcloud.com/petrus-major/kalia-beach-personal
I just added keyboard and tenorsax, each in on go.
I recommend listening to the Original, which is perfect !
The image is simply showing the Dead Sea ... not Kalia Beach !

Kalia Beach by Petrus Major // Keys Sax remix

Scarface (Rehearsal)

create human time 4 bar loop with bodhrán / bongo and guiro for the DAW version
50bpm 6/4 I think
it's setup for strings this and that would allow guitar line as is as in it wouldn't need to get fancier

The Love Beside You

Look around
They're right beside you
Love doesn't change
It's forever new
It's found online when local fear deludes
Love, be beside us,
Cue breath merge deluge

Love is strong
It 'need not presence
It's miracle maker
Magic cosmic essence
'The love beside you faces contempt
Judgement of two
You and Me
Too much is meant

See, love is meaning with no explanation
Unconditional first to station
Spacial glow as Earth shines brighter
Heaven alive births peaceful mightier

Love is for now to make forever
It stays as love in accepting clever
Conscious of the mirrored being
Beside you, don't reflect that mean

Mean 'aint me
Mean 'aint you
Tilt away from scenes that don't ring true
Proof of love is just a feeling
Let's beautify Earth's eyes with beaming

Shining out to the other life
Look, Us humans do it right
We love their cells and not their look
We love existence framed how all eyes hook

Look around you
They're right there
Love doesn't change
Love is the forever prayer
It's found online when local fear deludes
Love beside us cue breath merge deluge
Our love is beside us
Our love is beside us

The Love Beside You (Demo)

Mark says - 
In the 5 years I have been working with Rod, I have been encouraged to reach as far as my experience allows me to, with complete support at all times. So far we have completed 11 songs and have experimented with several others that made for a great learning curve for me, with several more at other stages of development... Watch this space, however as we are methodical and patient, therefore it may take some time to get them off the ground.

The subject matter of this song may be based on a different scenario but it is also a token of my gratitude to my inspirational collaborator and friend Rod, who has given me much confidence to rise to the ambition of his musical creativity and meticulous arrangements. Thank you all for giving this song your time.

Rod says - 
This song was conceived a long time ago to be sung in Spanish, but Mark did a magnificent adaptation with his English lyrics, and the meaning is 100% faithful to the original spirit, even though he hadn't heard the original song in Spanish. Technically, there are three voices together, consolidating a multi-vocal performance. The synth sounds emulate my old analog and FM synths, and the guitars were routed through an old console to achieve the vintage sound I was looking for.

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix - @rplanes
Me - Vocals and lyrics
Image by Douglas Corrance

Thank You (Rodolfo Planes/Mark J Bennett)

I would like to tell you just how grateful I am,
And also how important you’ve been here in my life.
I know I don’t need to draw you a diagram,
Thank you for being there all this time as my wife.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
 
No need to show me all of your gratitude,
I already know how much you show that you care,
When you were prepared to move to my latitude,
Then I was convinced I was ready to share,
My life with you whatever it threw at the both of us.
I know that it’s true, no matter what you care to say.
I’ll always need to express all of my thanks to you 
This will always be true on that I swear.
 
I would like to tell you just how grateful I am,
And also how important you’ve been in, in my life.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
Then I was sure that I was ready to share,
My whole life with you, whatever that meant for the both of us.
I know that it’s true, whatever you say.

This song on Continental Collision's own cloud - https://soundcloud.com/user-517923604/thank-you

Thank You - Continental Collision (Rodolfo Planes & Mark J Bennett)

Sparks (For two + guitars)

Still Think Positive / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 90
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!


Still Think Positive (Open Collab Offer)

Tiden må gå. ( 1993 ) Eddy Mango ( Eddy )

Hey Amigos!! Back with a fresh Instrumental.
For a new Party Responsible track coming.
Real soon. Kalimba. Glock. Bass. Beats.
Keeping it raw and spacious. For vocal.
90 Bpm. Appreciate you listening etc.
Uploaded on 30/07/2025

What you wanna do

Paroliers : Lucien Morisse - André Michel Charles Salvet
Musique : Jacques Dutronc \ ASCAP : 884349551
Label : Disques Vogue
Sortie : 1962

*************************************************************************************
English translation below the French

*************************************************************************************
Hommage à Françoise Hardy disparue le 11 juin 2024
---------------------------------------------------------------------------------------------------

Je fais honneur à la chanson française et aussi aux Followers "Français" 😊

Petite parenthèse : Je suis d'origine Vietnamienne, née au Laos 
où j'ai vécu pendant 10 ans étant petite.
Je vis en France depuis un certain temps et un temps certain...
Et mes goûts musicaux sont anglo-saxons. (Compliqué !... 😩)

Je suis navrée de ne pas faire beaucoup de reprises de chansons françaises...
___________________________________________________________

Cette chanson était connue dans le monde, même au Laos. 😁
(Le Laos faisait parti de l'Indochine Française)

Il y avait même une version italienne "L'Età Dell'amore"

************************************************************************************

Tribute to Françoise Hardy, who passed away on June 11, 2024

--------------------------------------------------------------------------------------------------

I honor French music and also my “French” followers 😊

A little aside: I am of Vietnamese origin, born in Laos 
where I lived for 10 years as a child.
I have been living in France for quite some time now...
And my musical tastes are Anglo-Saxon. (Complicated!... 😩)

I'm sorry I don't do many French covers...
___________________________________________________________

This song was known around the world, even in Laos. 😁
(Laos was part of French Indochina)

There was even an Italian version, “L'Età Dell'amore.”
___________________________________________________________

Vocal : Anh
Arrangement (Yamaha PSR-SX900) : Phong
Recorded : July 24, 2025
___________________________________________________________

Le Temps De L'Amour - Cover (Françoise Hardy)

Chills (2025) Remastered

Cast of characters:

The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation guitar, lead vocals, lyrics, and composition

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass

Mistermark-- @user-432503709 -- Mark –- VST timbale, production editing

TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering

J.J. Terrell– @j-j-terrell – electric piano and synth

Llanpsych -- @llanpsych -- Tez – Fender Telecaster HSS electric guitrar

This song began as Carl's tribute poem to our drummer, Ken. Carl came up with the chord progression and started a project, to which he invited the rest of us. This is the third song Eclectic Collective has done that is a tribute by Carl to one of our members.  We couldn't feel more honored than to be the subjects of his wild and boundless creativity.

  Fittingly, Ken was first in line to add his magnificent drums. Once we had drums, Josh had something to work with to add his bass, which he did shortly after the drums were up. Mark paid the project a visit next, not only editing it to fit the cool drum and strings bridge, but supplying the VST timbale drums, as well. Stephen jumped in soon after, adding the melodic electric guitar riffs that appear throughout. Not to be outdone, JJ added some sonically thickening electric piano, as well as the throwback psychedelic synth that pops up towards the end. Finally, Tez came along and added the electrifying solo that appears about a third of the way in, as well as the one at the end. 
  Once the recording was finished, we turned it over to Stephen to mix in his always professional manner. 

  This song is all about our very talented teammate and brother, Ken, and it is well deserved, too. As mentioned, this is the third song from Carl about one of us. It's hard to describe the feeling of having someone who you respect take the time and energy to think about you in such a positive way as to produce a song about you. Then to have all your buddies join in to amplify it to a solid song is just mind-blowing. We are all very grateful to Carl for not only sharing his music with us, but for his thoughtful consideration of each of us as subjects. We hope you enjoy listening to this as much as we enjoyed creating it.


Original lyrics by The Perfect Dark:

Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture

Rhythmic mountain maestro
Each day, graft, working hard
So kids can eat
Bruised back sees very best of yard

Still, beats get born of evenings
Deep love finds joules to jam
May generation X soothe meaning
Let's teach the younger pussies what we can

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture
Sticks in hand
Cymbals a floating
Snare and bass backbone gland
Tom'ed Ringo Star man keep quoting
Keep life steady paced by hand

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave


Rhythmic Mountain - Eclectic Collective w/ The Beautiful Dark

Midnight Fade

Tim Elliot and I are delighted to offer you our latest Creation as (the harmonic,  electric One Mic- One Take power-duo) Shekinah Fire * 

As we Let Go in the moment... and improvised this Tone Poem using only Tim's Custom Atilla Guitar and my Kawai ES7 Stage Piano, the Solar Winds definitely seemed as if they were blowing thru our instruments... releasing sounds of passion, glory, and the occasional Solar Storm. 

But we'll leave it up to your Ears and Imagination to envision it. 

Again, this is an improvised electric Symphonic Composition of 7 Movements... born of our letting go of any pre-planned design, depending only upon Deep Listening and where the Music was leading us.

We can also promise you that if you stay with the unfolding flow there will be continual 'flowerings' as it radiates outwards and reveals itSelf. 

May you let Go... and enJOY!

© Gary Courtland-Miles & Tim Elliot 2023 -2025
℗  Gary Courtland-Miles & Tim Elliot 2023 -2025

The Photo of our Sun is courtesy of NASA's Solar Observatory Satellite,
as it captured one of the largest Solar Flare and Coronal Mass Ejections (CME) in October 2022.

Solar Flares & Cosmic Blessings *

STUCK IN MY HEAD by NOVA J

[Vers 1]
I didn’t know I’d be on a plane
When I woke up today
Don’t wanna go, wanna see you again
I wish you’d asked me to stay

But you told me to go
For reasons only you know
Now I’m flying solo
(Flying solo…)

[Pre Chorus]
And my flight is running late
Rain is falling at the gate
I thought you were my soulmate 

[Chorus]
And I keep replaying what you said
When we were laying in your bed
And now you’re stuck in my head
Stuck in my head 

[Hook]
(Stuck in my head)
Why’d you move on
(Stuck in my head)
like we never met?
(Stuck in my head)
And now you’re stuck
(Stuck in my head)
Stuck in my head 

[Instrumental]

[Vers 2]
You said I’m married to my career
And you feel like a mistress 
But you’re the one who disappeared
And now you’re keeping secrets 

What’s his name again?
You’re my best friend 
I don’t want us to end
(Not the end…)

[Pre Chorus]
And my hands begin to shake
Every drink’s a new mistake
I thought we had what it takes

[Chorus]
Because I keep replaying what you said
When you told me our love had to end
And you’re still stuck in my head
Stuck in my head 

[Hook]
(Stuck in my head)
Why’d you move on
(Stuck in my head)
like we never met?
(Stuck in my head)
And now you’re stuck
(Stuck in my head)
Stuck in my head 

[Instrumental]

[Bridge]
Now my flight is running late
Rain is falling at the gate
I thought you were my soulmate 
And my hands begin to shake
Every drink’s a new mistake
I thought we had what it takes

[Outro]
And now I keep replaying what you said
When we were laying in your bed
And you told me our love had to end
But you’re still stuck in my head
(Stuck in my head)
Why’d you move on
(Stuck in my head)
like we never met?
(Stuck in my head)
And now you’re stuck
(Stuck in my head)
Stuck in my head 
(Stuck in my head)
Why’d you move on
(Stuck in my head)
like we never met?
(Stuck in my head)
And now you’re stuck
(Stuck in my head)
Stuck in my head 
(Stuck in my head)
Why’d you move on
(Stuck in my head)
like we never met?
(Stuck in my head)
And now you’re stuck
(Stuck in my head)
Stuck in my head

Stuck in my head




https://music.youtube.com/watch?v=9Z4_pIPNsSo&feature=shared



https://open.spotify.com/album/1jOlyX4QfPsYOlnwrTXk5i?si=wXNTqOzpS7OMxpYsmPRZjg

https://music.apple.com/us/song/wild-isle/1830874798


https://music.amazon.it/albums/B0FKZJJY98?marketplaceId=APJ6JRA9NG5V4&musicTerritory=IT&ref=dm_sh_OgxBP05uvPJs6fX1udxSTA9nP&trackAsin=B0FKZFH7WC


Wild Isle.mp3

Sillage 
(SEE-yahz)
(n.) The lingering sense of someone's presence, like a perfume left in a room, evoking memory and absence.

Sillage

What was that man dreaming of, the one who played the saxophone the other night? When he finally wakes up, we’ll ask him – though it’s unlikely he’ll ever reply. And if by any chance he were willing to answer, he might say: "Nothing that I can remember, because nothing ever happens in my dreams."

This is the second in a series of eight easy, acoustic, rather short, and deliberately inconclusive tracks, assembled by combining new ideas with reworked older material, adding parts and sounds along the way. 

Part 1 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-1-night
Part 3 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-3-noon

Composed by Michele Ansani (2025) (a partial remake of this: https://soundcloud.com/michele-ansani/johans-aceleration-check-the-description).
Female vocals courtesy of Function Loops.
Ambient and radio sound effects sourced from Pixabay.
Posted on SoundCloud: August 2, 2025.

In case nothing happens - part 2 (dawn)*

Push

3-8-2025

Pride and glory to you!!!!😀👍👍
I filled those feelings within it.

thank you for listening！😊！

DAW: Cubase pro 14

Spotify↓↓
open.spotify.com/artist/312MPUfW0fyacOfLoDMc9u

Instagram↓↓
https://gate.sc/?url=https%3A%2F%2Fwww.instagram.com%2Fsuperps32023%2F%3Fhl%3Dja&token=68bce4-1-1686833662817


pride and glory

DÉTRESSE (Cindy and Eric Collaboration)

slide with me

In the smoky air
The strings collide
A blues guitar weeps
It’s my guide
Spanish whispers in the night
Bagpipes call from a distant height

A whistle cuts the heavy sky
It sings
It soars
It won't comply

Winds of the world
They scream and hum
From the highland hills to where oceans drum
Take my soul
Let it run
Winds of the world
I’m undone

Wandering wanderlust .mp3

Tom's piano melodies are so inspirational, not just to me (Mark) but also to Jussi, Georg and Boon. The energy of this piece carried us all off on a wonderful journey. We hope you enjoy the joyful enthusiasm that Tom initiated. Tom also gave me the key line, 'My Way Through' and I had to run with it as it made so much sense with this uplifting and hopeful music. Thanks for listening.

Tom Regnier -  @tom-r-gnier Music composition, piano and other instrumentation
Jussi Welin - @juswel First guitar and guitar arrangement
Georg Boehme - @georg-boehme Horns and horn arrangement
Boon Suzuki - @boon-suzuki Final guitar and guitar arrangement
Mark Bennett - Vocals and lyrics

Wherever you’re bound you know I’ll, 
Make my way through 
Sure may take a little while
 But I’ll make my way through

Wherever I’m bound I know I’ll,
 Make my way through
 It may take a longer while 
Till I make my way through

Wherever you’re bound,
…You’re bound
I know that I’m bound, yeah!

When I get there you know I’ll
Make my way through
Sure may need a broader smile
But I’ll make my way through.

My Way Through - Tom Régnier & Friends

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

Oídos sordos (17 negras)

Hello! I’m a university professor of history who enjoys playing guitar and piano/keyboard, and occasionally composing — unpretentiously, just for fun.
Most of my recordings (made with a KorgD8, Audacity, and more recently Reaper for MIDI and the Spitfire Audio libraries) are entirely homemade and decidedly imperfect.
My music includes old songs (all written back in the last century; here I’ve only shared the ones I’ve reworked in recent years) as well as both old and new instrumentals — usually in several versions, some of which eventually disappear because they’re simply unlistenable.

Thanks for stopping by and giving something a listen; in the description you’ll often find explanatory notes or translations of the lyrics.
Here I’ve discovered a community of talented musicians and songwriters, and plenty of beautiful music to enjoy. Whenever I like, comment, or repost a track, it’s always the result of attentive listening. For the same reason, I’m not interested in trading empty “likes” without real engagement, and I won’t reply to messages from would-be promoters — follower counts don’t matter to me in the slightest.

By popular demand (well, actually just my daughter’s — she insists it’s the “cooler” platform), I’ve finally started putting some of my music on Spotify too...

Update (2024, September 9). Completed the "AI & (fake) songwriting project". Here: https://soundcloud.com/mick-hansan 

P.S.: A prayer, a humble request to those who publish songs: use the description area to make the lyrics available... This would make listening to them more complete and enjoyable!

I've posted some 'live' homemade performance here: https://www.instagram.com/michele_ansani/