I think it’s just the music playing over the end credits of the old film (obviously titled "In case nothing happens") our two friends (assuming they really are our friends) were watching before falling asleep. So there’s nothing to worry about: nothing has happened. It’s not a real alien invasion, nor is it the end of our civilization. Or maybe it’s not a film at all, but a live breaking news broadcast? If that were the case, and if something really had happened, I still don’t think we should be sad or angry, desperate or ready to run away. Let’s stay positive! (all talk, of course...).

This is the sixth in a series of eight easy, acoustic, rather short (except for this one), and deliberately inconclusive tracks, assembled by combining new ideas with reworked older material, adding parts and sounds along the way. Since the perspective has changed, the meaning of the music had to change as well, so I moved from an acoustic guitar base to a piano one.

Part 1 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-1-night
Part 2 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-2-dawn
Part 3 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-3-noon
Part 4 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-4-late-afternoon
Part 5 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-5-night-again

Composed by Michele Ansani (2022-2025). I reworked on the chords and melodies from an old track I didn’t like, which had remained only in draft form: https://soundcloud.com/michele-ansani/slowness.
All the ambient noises and female vocals are taken from public sound archives.
Posted on SoundCloud: 2025, November 25.

In case nothing happens - part 6 (dawn again)*

Thank you  for visiting my world, I'm happy to share! Listening is free, commenting is priceless.

I 've been composing electronic music for more than 23 years but only started this new project 3 years ago, when the band in which I played bass splited.

 A large amount of the music I love was recorded in the 70's. Among these revered groups , Yes, Genesis, Pink Floyd, Jethro Tull, Ange or King Crimson stand out. Over the years, I've also been very fond of many diverse bands and songwriters (The Doors; The Beatles; Bowie; Neil Young; Deep Purple; Led Zep; Patti Smith; U2; The Police; Massive Attack; Chemical Brothers; Killing Joke; Marillion; Morphine; Nirvana; The Young Gods; Dominique A; Noir Désir, Conil, Aurora ...). 
More related to my own synth music production, one could find influences from Vangelis, Jarre, Björk, Oldfield, Numan, Kraftwerk, Schultze and other pioneers. Finally, I should mention the great soundtrack composers such as Ennio Morricone, Wendy Carlos or Hans Zimmer.
Above all those great musicians stands the beloved statue of Ludwig van Beethoven, the visionary, the prodigy, the most sensitive man.

My desire is to be a tiny part of the admirable family of human composers and musicians in order to explore the infinity of musical combinations that our mind offers... To achieve this goal, I will continue to mix my own set of diverse influences in my own imperfect human way, without surrendering to any type of AI composer. My approach questions the astonishing way in which skills, sensitivity, aesthetic and personal history provide the fuel and oxygen for our creativity, while chance, curiosity and current feelings provide the spark. What matters the most is the process, not the result, the “product”. 
I often start my new pieces with a vague idea of the genre and mood I want to explore. Then, by playing with one of my synths, I let the sound impose its nature and call for other sounds it wants to play with.  My role as a composer is like that of a sailor acting on his rudder and his sails. I am neither the wind nor the sea and I have no map, but my instinct should allow me to avoid the reefs and I will eventually land somewhere, most likely a strange and unexpected place.
My pieces will always reflect the result of hundreds of micro-choices I made, consciously or unconsciously, that's what makes it fun, right?
Feel free to comment or criticize my plethoric prod because reading your feedbacks is the only reward I expect.

Bandcamp: https://loyajirga.bandcamp.com/
Spotify: https://open.spotify.com/intl-fr/artist/0bohy1SDB37BBZLksRM9GY

Soundwave music. See also my link.

Links:
My site with sound cloud releases: https://falc.one


Ménissongs, many songs, chansons, instrumentaux ou reprises de Marc M.
Ménissongs, many songs, musics and covers by Marc M.

Photos Marc M : Monsieur Terpan
https://www.facebook.com/MonsieurTerpan

Hi...I'm Max, I like music, I like to write music inspired by minimalist themes, chamber music, soundtracks and piano works. My project is to write short, simple and essential works that can arouse emotions. Music is a passion, so I don't have much time to dedicate to it. Thank you for listening to me and...any criticism is welcome!!

Music lovers from the Uk who love to sing and perform Indie rock with a twist 
Looking forward to supporting others and sharing this crazy ride though life with like minded individuals 🔥🔥🔥🔥🔥🔥🔥🔥😎

Eclectic electronic music ranging from ambient to experimental.

Update (December 9, 2025). 
https://www.youtube.com/watch?v=MagLpl21qdY
I’ve posted the entire suite “In case nothing happens” on YouTube, including the parts (7 and 8) that are still missing here, accompanied by a very simple video.


Hello! I’m a university professor of history who enjoys playing guitar and piano/keyboard, and occasionally composing — unpretentiously, just for fun. I’ve been here for at least 10 years, but only recently have I started using the platform for something other than just external digital storage.
Most of my recordings (made with a KorgD8, Audacity, and more recently Reaper for MIDI and the Spitfire Audio libraries) are entirely homemade and decidedly imperfect. My music includes old songs (all written back in the last century; here I’ve only shared the ones I’ve reworked in recent years) as well as both old and new instrumentals.
Thanks for stopping by and giving something a listen; in the description you’ll often find explanatory notes or translations of the lyrics.

Here I’ve discovered a community of talented musicians and songwriters, and plenty of beautiful music to enjoy. Whenever I like, comment, or repost a track, it’s always the result of attentive listening. For the same reason, I’m not interested in trading empty “likes” without real engagement, and I won’t reply to messages from would-be promoters — follower counts don’t matter to me in the slightest.

Update (2024, September 9). Completed the "AI & (fake) songwriting project". Here: https://soundcloud.com/mick-hansan 

I've posted some 'live' homemade performance here: https://www.instagram.com/michele_ansani/