Daily Drops

Emergence: I'm Still With You: 34 Dedicated tracks from the SoundCloud community

DRIZZLING WAY TO THE TOWER OF COMMAND

Songs and instrumental tracks inspired by history, mythology and literature

Piece inspired by romanticism in the city: love within concrete walls, poetry beneath artificial light...

Three vocal parts (translated lyrics below) became in very different moods in the songwriter phase, so I couldn't fit them in the same tempo. Working hard on transitions, I got the following solution:

Intro: ad libitum
A: 6/4 & 5/4 at 147bpm
B: 4/4 at 220bpm
C: 4/4 at 293bpm

Such ABC pattern is repeated twice, structured with some city scenes, and 2nd 'C' part includes a guitar soloing lesson by https://soundcloud.com/paco-ray, old friend of mine, technical consultor and personal luthier ;)

Pic: edited photo taken from home studio window where I recorded some city sounds for the track.

LETRA / LYRICS:

DAS VIDA A MI CIUDAD      /      YOU GIVE LIFE TO MY CITY

En la ciudad donde vivo,     /   In the city where I live,
llena de romanticismo,       /   full of romanticism,
el cariño que has perdido    /   the affection you have lost,
ven a buscarlo conmigo.      /   come to look for it with me.

Las farolas en la acera,    /    The lamps along the sidewalk,
con su fija alternativa,    /    with their constant alternation,
iluminan, no iluminan,      /    illuminate, do not illuminate,
el escenario de mi vida.     /   the stage of my life.

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor. /  we are able to feel love.

Caminando sobre asfalto,   /     Walking on asphalt,
abrazado a tu cadera,     /      held on your hip,
entre coches aparcados,     /    amid parked cars,
duerme la ciudad entera.    /    the entire city sleeps.

Eres tú toda la vida      /      You are all the life
que esta ciudad necesita,   /    that this city needs,
compartiendo cada esquina,   /   sharing every corner,
calles de melancolía...     /    streets of melancholy...

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor.  / we are able to feel love.

ER21HC01 - (C) Ruizzo 1995 - (R) Francés Records;) 2014

Das vida a mi ciudad (2nd solo by Paco Ray)

Such a great buzz to reconnect with my good friend, ŞöļäçėŠțřëęț, and receive this newly inspired lyrical / vocal flow, to a piece of improv guitar I posted a while back. Dedicated to a very special person.

Check out his consistently amazing music here: https://soundcloud.com/solacestreet

Lyrics, vocals, atmospheric flow ~ ŞöļäçėŠțřëęț
Guitar ~ learningtoplay

Out there, somewhere . . I'm Still With You - ŞöļäçėŠțřëęț (+ltp)

I have been working occasionally for years (at least since 2017) on this track, looking for a sound that could be acceptably evocative and hypnotic. Needless to continue at this point. I am unable to improve it with my skills. 

Heliopolis (Ηλιούπολις) was  an Ancient Egyptian city, the capital of a district of Lower Egypt in Pharaonic times (located north-east of Cairo, nothing remains of it today). It was of great importance in the religious life, due to the deities worshipped there: especially Ra, a solar deity who was later destinated to occupy a central position in various religions, including Roman. It is to this solar cult that the city owes its Greek name. 

Cover image: marble slab in relief with dedication to Sol Invictus. The relief depicts the Sun, the Moon and perhaps the bearded Jupiter Dolichenus.
National Roman Museum at the Baths of Diocletian, Rome.

------

Composed by Michele Ansani (2017-2024).
Female voice from free samples libraries.
Posted on SoundCloud: 2024, July 11.

Heliopolis *

LONELY DAYS ARE HERE AGAIN LONELY NIGHTS
NO MORE JOY NO MORE PAIN OUT OF SIGHT
SITTING IN MY GARDEN, MAN, A ROBIN FOR A FRIEND
PLENTY OF SUSPENDED TIME ON MY HANDS
NOW I’M HERE HERE AND NOW
THAT’S WHERE I STAND
ROCKING IN MY ROCKING CHAIR
MADE OF AIR

LONELY DAYS ARE HERE AGAIN LONELY NIGHTS
NO MORE BALLS NO MORE CHAIN WELL ALRIGHT
SIPPING AT MY ICE COOL BEER THE ROBIN FOR A FRIEND
NEVER MIND THE BITTER END IN THE END
NOW I’M HERE NOW I’M HERE
NOW I’M HERE 
AND HERE TO STAY
CHECKING THE PALM OF MY HAND
MADE OF SAND

LONELY DAYS ARE HERE AGAIN LONELY NIGHTS


NOW I’M HERE NOW I’M HERE
AND HERE I AM
HERE COMES THE CHILL OF THE FALL
MADE OF GOLD

LONELY DAYS ARE HERE AGAIN LONELY NIGHTS
WITH A BROKEN HEART TO MEND 
AND A ROBIN FOR A FRIEND
NOW I’M HERE

THE ROBIN (Lyrics)

A new collaboration from me and the great @enigmacurry!

Cover image by Nova Dawn Astrophotography
CC-BY-SA-4.0

Emergence - w/ Enigma Curry

Empty World by Jim Manser
mixed and produced by Russ sinfield 
taken from the forth-coming album Tales of generation x
2024
watch the music video on youtube
https://youtu.be/OeSaLV4wVV0?si=K_dXQc2Jhe2sBY3F

empty world

youtube

The Good Shepherd. Cosmic Keanu. vocals

New Reggae Tune
titled: LOVE AND FREEDOM
lyrics and singing by: SENNID
riddim and production by: TERRY VIBES

SENNID & TERRY VIBES PRODUCTIONS - LOVE AND FREEDOM

First version here: https://soundcloud.com/michele-ansani/ulysses-and-the-sirens
For the final draft I employ the same audio file, just adding a bit of guitar, percussions and vocals.
Lyrics and sirens song courtesy of Mainstream Eurodance.
Cover picture: John William Waterhouse, "Ulysses and the Sirens" (1891), National Gallery of Victoria, Melbourne.

Lyrics

Baby I loved you 
more than words can say 
I need you 
like fire needs a flame 
now I'm breaking I'm waiting 
to hear you say my name

------

Composed by Michele Ansani (2017-2022-2024).
Posted on SoundCloud: 2024, August 5.

Ulysses and the Sirens (final draft) *

The Morning Breeze

In worn shadows, I rise,
Sunlight whispers through weariness.
Breathe—dawn offers a gentle respite.
-------
Dans les ombres usées, je me lève,
La lumière du soleil murmure à travers la fatigue.
Respire — l'aube offre une douce accalmie.

The Morning Breeze

Tom again approached me with a beautiful piano melody and an initial arrangement that he hoped I’d add lyrics and vocals. Shortly afterwards, Jussi gave the whole thing a wonderful rhythm and the first lead guitar you will hear.  Tom once again had the great idea to ask Hidefumi to complete the song with a powerful guitar solo in the coda. Thank you to everyone who helped make this come together, and a very special thanks to all of you for listening.

Music composition, piano and other instrumentation - @tom-r-gnier
First guitar and guitar arrangement - @juswel
Lyrics and vocals - @markjbennett
Final guitar and guitar arrangement - @boon-suzuki

I caught the light, 
shine on your hair.
You caught me 
beginning to stare.
You lift your head, 
and my heart soars.
Our eyes meet,
and I know I’m yours
Never be the same again, 
that’s for sure.

Your cheek lit up, 
a vivid blush 
While I could feel, 
my heartbeat rush
I went to move, 
was frozen still
Your every gesture, 
gave me a thrill 
Do I believe in love,
at first sight?
This sensation was, 
a perfect delight 
Is it possible, 
that it’s mutual,
and not merely,
the usual?

You lift your head, 
and my heart soars.
Our eyes meet,
and I know I’m yours
Never be the same again, 
that’s for sure.

Do I believe in love at first sight?

Love At First Sight - Tom Régnier, Jussi Welin, Mark J Bennett & Boon-Suzuki

Please enjoy the wonderful music video celebrating summer with beautiful photography by Heidi Schnicker and music by Bruce Klepper
https://www.youtube.com/watch?v=RP7oCoMgQBE
Many thanks to John- Marc Ventimiglia @john-marc-ventimiglia for creating the birds sound library that was used to compose this piece 
For dudek, bansuri, harp, piano, violin, xylophone, bird sound library and percussion

Colorful Colorado - Summer - Feat. Video

A few things to say.
1. Sorry, this song is a long one: more than seven minutes, too many to expect to have listeners desirous to get to the end of a small marathon. Moreover, it is slow (the first refrain only comes after three minutes or so) and sung in Italian (the English translation is available, but it is never the same thing).
2. The photo shows two actors: Bekim Fehmiu and Irene Papas, protagonists of a wonderful TV series (‘Odissea’) aired in 1968. A show that enriched my childhood and conditioned my imagination (and my reading) forever.
3. I have long wished to be able to write a song about that story within the story of Ulysses' wanderings: his return to Ithaca and his failure to be recognised by Penelope. I succeeded in 1994, then producing a few versions of it. I recorded this one a few years ago, the sound quality was not excellent but now I have taken it up again, singing it all over again and changing the arrangement a little. I hoped at least to recreate an atmosphere musically suited to the story evoked.
Female vocals courtesy of Sound Doctrine.

LYRICS 

he speaks softly from afar
and his voice is like a stray dog
like a boat you can barely see
like a moon on a swing
suspended on the edge of a sea wave
he holds his breath to follow his song

she sings and as she sings she has dozed off
he takes her hand and
whispers ‘welcome back into my life, welcome back’

she still sleeps and dreams of making love
with this morning shadow
of these colourless eyes 
came from an icy adventure
of days that smell clean
of all nights and all days
of spells, escapes, memories 
of days lost without desires

and if she will not listen to his words,
if evil will not slip from her heart
then who knows
where the wind will settle him
where he will lose himelf
where he will rest

[Penelope]
"Are you the night that burns
are you this sky that falls on me
are you this ship that arrives
are you this fire congealed inside me
... (You're all I need) ..."

she squints her eyes and moves slowly
as if to let the world to feel
all the weight of this abandonment
of this vanished illusion 
of her infinite sadness
sadness that perfume the nights and days
spent alone with this wound

but he is not only the thought of every morning
he is in the sand in the waves
that have always bounced on the shore
he is the cement of this house
is the receding fear
is the storm ever closer
he is this morning shadow
and she will listen to his words
and the sea will deposit him on her heart
and then who knows
maybe the wind will settle 
the circle will close
and she will recognise him

[Penelope]
"... (You're all I need) ...
are you the night that burns
are you this sky that still falls on me
are you this ship that arrives
are you this fire congealed inside me
are you my eyes you are my hands
are you my lips my skin of today and tomorrow
are you this peace that rises again
are you this home to recapture
this night to rest
... (You're all I need) ..."

------

Lyrics and music by Michele Ansani (1994).
Posted on SoundCloud: 2024, September 15

Nostos (il ritorno di Ulisse) **

No Way Out The Remix

Drizzling Rain

Ivory Tower Syndrome

We are pleased to present track  5 from our latest album, 'Haunting One Seven,' full album available on Bandcamp, we hope you’ll enjoy!

outstation.bandcamp.com/album/haunting-one-seven

Haunting One Seven

Commanders Of The Future

The lyrics translated into Italian are taken from the well-known T.S. Eliot, "The Waste Land". Part IV: "Death by Water".

To give a new and different look to this old track I asked to my (and yours) friends (you know them well: @beatingedge). They improved the mix and above all added an instrumental part, on wich I enjoyed myself with other guitar, pad and cello sounds and parts. Obviously, I thank them immensely, with a special thought for Vampira (aka Mary).

LYRICS (ENG - ITA)

Phlebas the Phoenician,
a fortnight dead,
forgot the cry of gulls,
and the deep sea swell
and the profit and loss.
A current under sea
picked his bones in whispers.
As he rose and fell
he passed the stages of his age and youth
entering the whirlpool.

Gentile or Jew
o you who turn the wheel and look to windward,
consider Phlebas,
who was once handsome and tall as you.

----

Phlebas il Fenicio,
morto da quindici giorni,
dimenticò il grido dei gabbiani
e il fondo gorgo del mare,
E il profitto e la perdita.
Una corrente sottomarina
Gli spolpò l’ossa in mormorii.
Mentre affiorava e affondava
Passò attraverso gli stadi della giovinezza
della maturítà
Procedendo nel vortice.

Gentile o Giudeo
o tu che volgi la ruota e guardi sopravvento,
Considera Phlebas,
che un giorno fu bello e alto come te.

----

Music by Michele Ansani & Beating Edge (1981-2025).
Picture is from James Abbott McNeill Whistler, 'The Ocean Wave' (1883-1884), National Museum of Asian Arts, Washington.
Posted on SoundCloud: 2025, March 6

Phlebas il Fenicio [with Beating Edge] *

In Euripides' tragedy 'The Suppliants', a group of Argive mothers travels to Eleusis to plead with Theseus, king of Athens, to help them recover the bodies of their sons, who fell during the failed assault on Thebes. The Thebans, in fact, refuse to return the corpses for burial. These mothers, immersed in profound grief, represent the universal symbol of maternal mourning in the face of the loss of their children in war.

Cover picture: Theseus and Amphitrite with Athena looking on. Interior from an Attic red-figure cup, 500–490 BC. Currently housed at the Louvre Museum of Paris (inventory G 105).

Composed by Michele Ansani (2023-2025).
Female vocals courtesy of VOX.
Posted on SoundCloud: 2025, April 4.

The Suppliants *

Hello! I’m a university professor of history who enjoys playing guitar and piano/keyboard, and occasionally composing — unpretentiously, just for fun. I’ve been here for at least 10 years, but only recently have I started using the platform for something other than just external digital storage.
Most of my recordings (made with a KorgD8, Audacity, and more recently Reaper for MIDI and the Spitfire Audio libraries) are entirely homemade and decidedly imperfect. And yet, I think that lately I’ve learned to do something a bit more - and better - also thanks to greater commitment.
My music includes old songs (all written back in the last century; here I’ve only shared the ones I’ve reworked in recent years) as well as both old and new instrumentals — usually in several versions, some of which eventually disappear because they’re simply unlistenable.

Thanks for stopping by and giving something a listen; in the description you’ll often find explanatory notes or translations of the lyrics.
Here I’ve discovered a community of talented musicians and songwriters, and plenty of beautiful music to enjoy. Whenever I like, comment, or repost a track, it’s always the result of attentive listening. For the same reason, I’m not interested in trading empty “likes” without real engagement, and I won’t reply to messages from would-be promoters — follower counts don’t matter to me in the slightest.

Update (2024, September 9). Completed the "AI & (fake) songwriting project". Here: https://soundcloud.com/mick-hansan 

P.S.: A prayer, a humble request to those who publish songs: use the description area to make the lyrics available... This would make listening to them more complete and enjoyable!

I've posted some 'live' homemade performance here: https://www.instagram.com/michele_ansani/