Jetsam - Lucie Treacher

The Vocal Version is here

https://on.soundcloud.com/wf63ePcaB9isRpN97

It Flows

THE FLOOR

Dawn For The Weary

Experience the magic of our new CELESTIAL HARP, our latest addition to the GLOW series. With a divine sound that evokes fairytale worlds and heavenly places, this Celtic Harp emits warm, soft plucks and lush, enveloping strums. It is built on our innovative GLOW engine: With just a twist of the knob, it transforms the harp from a traditional pluck to an all-enveloping, ethereal pad. Discover the enchanting sound of CELESTIAL HARP today! 

Check it out: https://sonuscore.com/shop/celestial-harp

Online Shop

Whispering Woods (Jonas Schüsselin) - CELESTIAL HARP - Demo

Disquiet Junto Project 0598: Mixmaster Mic
The Assignment: Record the same sound with multiple mics; mix the results.
More info on Disquiet Junto: disquiet.com/0598

Inspired by Eliane Radigue and this interview (https://www.youtube.com/watch?v=dByqwi7Jvbo&t=1310s) where she sometimes mentions Larsen effect I wondered what effect could glass have on capturing sound and feedback.
I also took this opportunity to shake a bit of rust off my double bass playing.

I placed a glass with a contact mic attached on it on one of my loudspeakers and panned it 20 Right. 
I then put a glass covering the capsule of my SM-58 Beta and panned it 16 Left.
I then boosted the loudspeaker volume and improvised over an E drone. In the center a clean recording off my Underwood pickup.
A little bit of editing, EQ and ValhallaPlate reverb in Ableton.
Contact mic can be heard solo from 1:45 to 1:56.
From 2:45 to the end, while the Underwood pickup fades, you can hear the sound of SM-58 Beta.

Double Glass (disquiet0598)

A Grey Day In July

The assignment this week, create a song that sounds like it's floating.

More on this 603rd weekly Disquiet Junto project, Animated Suspension (The Assignment: Record a piece of music that suggests something floating in air), at: https://disquiet.com/0603/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0603-animated-suspension/

there it goes [disquiet0603]

Morning Solace was inspired by the haiku by Andrea Cecon. 

morning solace
the silence
of apple blossoms

Andrea Cecon is a hearing aids technician, a traveller, a haijin published all over the world, and also an ebook apprentice. His first ebook won 3rd place in Sharp Writ Book Awards contest in 2011 (category: poetry). Residing in Cividale, Italy, with his wife, Russian haijin Valeria Simonova-Cecon. He finds his inspiration in memories, travels, and everyday life.

Morning Solace Seas was written for Violin, Viola, Cello String Bass, Flute, Clarinet, Horn, Trombone, Cymbals, Gong and Piano.

The score is available at https://bit.ly/MorningSolace

Morning Solace

Disquiet Junto Project 0622: Know the Shadow
The Assignment: How do you depict a shadow in sound?

I started playing around in the DAW and somehow ended up with old step samples. The simplest idea of musical shadows are certainly delay and reverb, and initially I built a (virtual) modular thing behind the steps that changes the shape of the steps but still lets us think of the original, just as shadows only hint at what cast them.

The second idea was the drums, and what could be the shadow of a drum kit? I used a looping noise sample (coming in very late, and not too loud) and carved out a kind of kick drum with negative noise using filters, so the absence of sound is the shadow here. I'll tell you why it has to be like this at some point far, far away … 

The third idea was to use two different types of motifs in one scale: An FM synthesizer using only the black keys of a blues scale (the real thing), and a classic basic saw synthesizer using only white keys (the shadow). 

Em ... and in general: first comes the real and then you hear the shadows, and in the end there are only shadows, because the word also stands for a kind of vague memory that continues to have an effect even after the real has disappeared. And remember, samples are shadows of real sounds …

The result is undoubtedly overly intellectual and musically not a gem. But it wouldn't be experimental music if the experiment couldn't - as here - go badly wrong. That's why I kept it under 3 minutes ...

Image: Dall-E

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More on this 622nd weekly Disquiet Junto project, Know the Shadow (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0622/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow/

3 Shadows [disquiet0622]

Three tales of. 2 mvt.
Soliste, Youmi Kim (soprano)
Orchestre des lauréats du Conservatoire
Guillaume Bourgogne, direction

Three tales of. 2 mvt

Explorer of sound world(s).

This profile is for my Disquiet Junto submissions
More info: https://disquiet.com/2012/01/27/the-disquiet-junto/

Double Glass (disquiet0598)

Michele Isoni

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