TPC-280 
This is the first time I made a beat for the weekly Sample Challenge from the Producer Corner. I just discovered this a few weeks ago by a post from @smackinchops and thought I also give it a go.

Go Further [TPC-280]

The Usual Suspects - Sample Challenge 287

Created on iPad with AUM and several AUv3 synths and effects:
SoundScaper, Hilda, Euclidean, FLUSS, Wires, otherdesertcities, RoughRider, BLEASS Granulizer, Eos 2
 
Mastered with Cubase 12 and Ozone 10.

Photo by zenbytes (2014, Vosges Mountains, France)

Inspired by Naviar Haiku 487:
https://www.naviarrecords.com/2023/05/03/naviarhaiku487-sound-of-mountain/

Poem/sample by PlatypusVA:
https://freesound.org/people/PlatypusVA/sounds/440579/

rain - Naviarhaiku 487

https://youtu.be/nFlCmypblQo
Naviar Haiku 489

Dividing the autumn sky
Into two
A huge chinquapin tree

Takahama Kyoshi was a Japanese poet active during the Shōwa period of Japan. He was the editor of the haiku magazine Hototogisu (previously edited by Shiki), where he promoted a more traditional style of haiku, as opposed to other popular schools which did not follow the pattern of seventeen syllables at that time.
Kyoshi also highlighted the symbolic function of the kigo (the seasonal reference), even though the more modern trends were already tending towards seasonless haiku.

Trees and Tangents

Trees and Tangents (Naviarhaiku489)

Disquiet Junto Project 0597: Goal Line
The Assignment: Get started on a plan by getting over getting started.
More info on Disquiet Junto: disquiet.com/0597

Every goal is made of two elements: the first step and perseverance. 
I wanted to experiment creating glitch drums, with irregular lenghts and tempo changes. I then tried to integrate modular synths with it through midi clock via 0-Coast. Most of the work was done in and through Ableton, and came out as a chaotic piece of electronic music. I think there's still some work to do to make smoother tempo changes and loops transitions but I'm satisfied; maybe it'll lead to new material, maybe not: at least I learnt new techniques and reminded forgotten ones.

I started with a drum rack created with DS Kick, DS Clap, DS Hi-hat and two processed hits and a snare made off a field recording of an engine made in 1903 of a steamboat. I used beat repeat quite heavily and used Bathrööm reverb for the whole drum kit. I then created 8, 7, 3 1/2, 2, 1, 1/2 bars patterns and used Follow Action to program a random beat at 138 BPM. 
After recording it I automated master tempo, combining 69 BPM and 102 BPM. 
I then used 0-Coast to send midi clock to 0-Ctrl that sequenced two ARP2600 clone sine oscillators to create a bass. 
I added some heavily processed audio samples and Plucked Harp Effects to add some "melodic"/atmospheric voices.

Problema Tecnico (disquiet0597)

This track was created for the Naviar Haiku group.
493
this time NLS - night live session
https://www.naviarrecords.com/2023/06/14/naviarhaiku493-desolate-street-at-dawn/

2023-06-14

NLS - 2023 - 06 - 14  Desolate Street At Dawn   ( Naviarhaiku 493 )

My friend came over last Sunday, October 5, and started jamming this chord progression. We liked it so we recorded it, hence the very clover song title.  Bob is on the acoustic guitar and I am on the electric guitar.  This is a one-take jam that we thought we would post. 

Band-in-a-Box is supplying the balance of the tracks.

Bob And I 10 05

Sounds of an Atmospheric Rumble
a higher-frequency thunder being dampened as it travels through the atmosphere.

Created using Logic Pro X
Alchemy Pads

Produced in the ARAPA Music Studio
Sydney - Australia

Atmospheric Rumble

Buy on Bandcamp!

Ephemera

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SLAVIC CHOIR DRILL TYPE BEAT "LIPKA"

My soul can't stop singing when i'm see beautiful Canadian lakes...

11-16 Berg Lake

Explorer of sound world(s).

This profile is for my Disquiet Junto submissions
More info: https://disquiet.com/2012/01/27/the-disquiet-junto/

Problema Tecnico (disquiet0597)

Michele Isoni