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무용음악

Moga Harra - SAYED & SHAHINDA

Released by @quintofuego

Después de más de un año de trabajo, viajes, sol, lluvia y muchas aventuras, el tercer álbum de Derrok está a la vuelta de la esquina, y qué mejor manera de adelantarlo que lanzando como primer single Estrella de la Mañana, canción grabada en el pueblo mágico Tepoztlán, México, junto a Hannah Ayakosulamith en las voces.

[EN] After more than a year of work, travels, sun, rain and many adventures, Derrok’s third album is around the corner. Estrella de la Mañana is the first single of it, recorded in Tepoztlan, México, it was cowriten with Hannah Ayakosulamith, who also appears with her beautiful voice in the song.



- Lyrics:

Vamos caminando hacia el sol
un camino de flores y de piedras

Estrella de la mañana guía mis pasos
Estrella de la mañana guía mis pasos hacia La Luz

Vamos caminando hacia un nuevo amanecer
Un camino de llanto, de risa y de canto

Estrella de la mañana guía mis pasos
Estrella de la mañana guía mis pasos hacia La Luz

Ayayay..

Ay mamá que es ese dolor
Que me arde y me arde que me arde en el pecho
Que me quema y me quema, me quema por dentro ay Mamá

Abuelo viento te invoco a mí
Que alza vuelo
Que se trasmute en purito amor
Agüita del cielo calma mi emoción
Agüita de montaña fortalece mi ser
Agüita de montaña nutre mi ser ay Mama

Ayayay

Bellos pajaritos cantan y llaman
Cantan y llaman a un nuevo nacer, a un nuevo nacer

Camino agradecida tenerte a mi lado,
de tenerte a mi lado a veces olvido,
A veces olvido la bendición que es tenerte a mi lado
credits
released October 28, 2022
Written by Hannah AyakoSulamith.
Music by Hannah AyakoSulamith and Derrok.
Vocals by Hannah AyakoSulamith.
Guitars, charango and flutes by Derrok.
Produced and mastered by Derrok.

Recorded in Tepoztlán, México.

Estrella de la Mañana

Download

Derrok & Hannah AyakoSulamith - Estrella De La Mañana

Music from the contemporary dance-theatre-piece "Don Nadie- Herr Niemand" by the COOPERATIVA MAURA MORALES
Foto: Klaus Handner
Check out also the clip:
https://www.youtube.com/watch?v=EBz_1aTCWkU&feature=youtu.be

Methadone

Short Works 2

Street Cello

Available on the new EP 'I Swore'. 

iTunes - http://po.st/ISworeEP
Spotify - http://smarturl.it/ISworeSP

www.denaimoore.com

Something Out There

idk practice ig. i fucking hate being sad.
just cleaned my room and thought id upload as well, might come back to this and work on the melody and drums more. for now just have it as it is, slowed and reverb at the end lmao

i hate being stuck

WEIGHTLESS

Super Ant

"Super Beau" is the new compilation by Opening Light!

iTunes > https://itunes.apple.com/fr/album/super-beau/id1068798257
Spotify > https://play.spotify.com/album/59b1jC3zovBXCrBPEworKQ

Follow  https://soundcloud.com/thebandroyaume
Facebook >  https://www.facebook.com/thebandroyaume/?fref=ts

Follow us on :
Facebook > https://www.facebook.com/openinglight
Youtube > https://www.youtube.com/openinglight



Super Beau

Blue Asphalt

Get it on iTunes

Royaume - Blue Asphalt

Musical excerpts of the contemporary dance production "Stadt der Blinden" by COOPERATIVA MAURA MORALES.
Check also the video clip:
https://www.youtube.com/watch?v=DDgqTYlo43A&feature=youtu.be
Foto: Klaus Handner

Small Spaces (Excerpt)

Musical excerpts of the contemporary dance production "Stadt der Blinden" by COOPERATIVA MAURA MORALES.
Check also the video clip:
https://www.youtube.com/watch?v=cs3uEiRN208&feature=youtu.be
Foto: Klaus Handner

The Rape (Excerpt)

This album is dedicated to a brighter future for our Earth and Humanity. It is a tribute to all those who have walked before us and to the next wave of guardians. May we all walk in harmony.

North Star, is the next step of sharing the diversity of my creative offerings as an Artist. Ever in the mystery and in the discovery process as I continue to unlock my potential, grow and refine my soul's authentic expression. I am in humble reverence of this music path as it consistently invites me to stretch, grow and surrender all of my concepts, attachments and doubts in such a different way than anything I've even known. 

A special acknowledgement to my brother Elah Scott, for whom this album would not be possible with out.

Big love to my brother Patrick aka Momentology for his dedication, devoted time, energy and support as my friend & producer.

ALOKA - All My People (Ft. Srikalogy)

Jinniyah B-side of “Banshee” single, 2014.  Recorded live in one take.
Turn it up!

Model: Mina Nakashima

Banshee

Jinniyah :: Heavy

MURCOF + PHILIPPE PETIT: 1st chapter
(LP + CD + Digital / Rev. Lab. - Aagoo)

Release date: September 2013

www.aagoo.com
www.revlaboratories.com

Fernando Corona
Hailing from Tijuana, on the Mexico/US border, and now a Barcelona resident, Fernando Corona rose to attention as part of Mexican collective Nortec, mostly for his work as Terrestre, but it is with another project, Murcof, that he has made an extremely strong impact. Merging micro-beats with samples of contemporary classical music, his work, often crystallised into sweeping haunting pieces, bridges the gap between Arvo Pärt or Henryk Górecki and part of the electronic scene of today. He is credited with being one of the main influences of the likes of Erik Skodvin and of many of the artists who have appeared on Miasmah in recent years.
www.murcof.com

Philippe Petit
This self-styled musical activist began his career as a journalist and DJ in his native Marseille, and went on to form Pandemonium Rdz., a label with which he explored the outer reaches of experimental rock, before turning his interest to electronic music by setting up BiP_HOp Records at the beginning of the noughties. Since 2009, his focus has shifted once again, this time on his own music, a refined blend which can incorporate elements of experimental rock rock or classical music and can take the form of complex electronic, electro-acousticism, experimentation or turntablism. Although Petit occasionally works alone, it is in the collaborative space where he truly thrives, casting his sonic world against that of the likes of Eugene S. Robinson, Lydia Lunch, Pietro Riparbelli, Bella Emerson, Cosey Fanni Tutti, Asva & loads more... 
www.philippepetit.info

The album
The meeting of such unconventional musicians was always going to result in a pretty incredible piece of work, but confronting such strong identities and getting them to work together was not a given. For the past three years, Philippe Petit and Fernando Corona have regularly played live together, undoubtedly refining their collaboration with each new performance and finding the right balance between their respective sound worlds. The result is this album which equally finds its roots in Murcof’s modern classical influences and Petit’s coarse post modernist soundscaping.
The album may barely reach the forty minute mark, but in the space of three tracks, Corona and Petit create a magnificent soundtrack which teems with haunting choral chants, lush string work and unsettling atmospherics. This album is rooted in ancient myths and legends, borrowing from Greek mythology for "The Call Of Circé", daughter of Helios and powerful enchantress, and winged divine horse "Pegasus", or from Nordic tales of giant squid-like sea monsters on "The Summoning Of The Kraken". This very much characterises the epic proportions of this album, echoing in parts the amplitude of Murcof’s "Cosmos" (Leaf, 2007), and in others Petit’s equally ambitious "Off To Titan" (Karlrecords 2010), but they temper this with much more delicate moments, for which they assemble incredibly detailed and refined atmospheric passages.
Clocking at just over twenty minutes, the opening piece "The Call Of Circé" is articulated around a series of sequences which range from stern, doom-like guitar stabs and harsh percussive noises to eerie choral laments and theatrical vocal flourishes. The haunting melodies and ambiences of the first half are slowly broken apart by the recurring thuds of metallic percussions. When these recede, the mood has become darker, grittier, more oppressive, and remains as such for much of the remainder.
"Pegasus" recalls some of the more baroque treatment Murcof experimented with on his commissioned work for Les Grandes Eaux Nocturnes de Versailles, especially through his use of the viola de gamba as a primary sound source, but this sound source becomes corrupted as the track progresses, perhaps subject to Philippe Petit’s radical decay processing, until only a few distorted strands of grating bowed strings remain.
With the last track, Corona and Petit opt for an overall softer, warmer atmosphere, but there is a lingering feeling of impending danger lurking below the surface of the whole piece. This is marked by the use of sparse percussions, magnified vinyl crackles and processed guitars and textures which, assembled in various combinations, weight heavily on the otherwise almost pastoral nature of the composition.
Philippe Petit knows how to find collaborators with whom he can go beyond his own sonic universe and make them venture into unfamiliar territories, and he is an expert in making these collaborations gel perfectly. And this is one hell of a collaboration: two artists, each with this visionary approach, working together to create a truly magnificent piece.
WRITTEN BY Bruno Lasnier / January 2013 (www.themilkfactory.co.uk/st/)

MURCOF & PHILIPPE PETIT : The call of Circé

Creaks (Original Game Soundtrack)

Palace End

Guitarist, composer and sound artist MICHIO studied both at the University of Music and Performing Arts, Vienna, and the Saarland Academy of Music and Dramatic Arts.
As a guitarist, he regularly tours Europe and Japan, both as a soloist and with various ensembles, appearing as a guest musician at various prestigious international guitar festivals. A prize winner of numerous guitar competitions, he has also worked both as guest and stage musician with renowned orchestras as well as state theatres like the Saarland State Theatre, the Darmstadt State Theatre, the Lohorchester Sondershausen, the Oldenburg State Theatre, and the Deutsche Oper am Rhein.
Michio’s compositional work ranges from commissioned works for classical ensembles and soloists, over stage music for ballet pieces, to film scores and contemporary dance theatre projects in the independent scene.
His work therefore includes compositions for the Darmstadt State Theatre Ballet Ensemble, the Linz State Theatre Ballett Ensemble, for the Saarland State Theatre Ballet Ensemble, for Landerer & Companie, for the choreographers Mei Hong Lin, Stijn Celis, Massimo Gerardi, Maura Morales and for the Swiss harpsichordist Vital Frey. 
Since 2010 he has been composer and co-director of the contemporary dance company COOPERATIVA MAURA MORALES, which was in 2013 awarded the prestigious "Kurt Jooss-Prize" and 2014 with the Culture Prize of the City Dusseldorf.

Profilepfoto by Gorka Bravo


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