Michiru Aoyama

Dendou

Kanou

Asience Chord

I always need more

SeeU

Temperature

a little video here: https://youtu.be/hpMK_iHt2p4

binaural summer gap

Shadow

SUSTAINER -Anticuario [RTE016]
Preorder : 05/06/2020
OUT: 12/06/2020
https://rottenmaneditions.bandcamp.com/album/anticuario

Sustainer / ANTICUARIO - Anticuario #01

Bit of an oldie that I decided to fix up. Oldschool-Knivtid!

Hoppas att allt är bra

"Endless" live jam video here: https://youtu.be/fkjKPKbRLvs

A track from "Haunted Houses" album. Released by Laverna label. Digital copy is available for free download here: http://www.laverna.net/releases/Lav85.html

Composed, recorded and mixed by Alessandro Barbanera (march - july 2020)
Mastered by Francis M. Gri

"Haunted Houses" is a collection of seven tracks in slow, melancholy, dreamlike, nocturnal mood. It's a work made of waiting, of grainy sounds and silences full of rustles. It's a work talking about isolation, either in a physical and mental space; which talks about full spaces and empty or restricted spaces, of presences and absences, of memory and hope, of distances, of houses and rooms. Rooms innervated with restlessness and waiting (the opening track "Sleepless"). Houses where memories crowd, layered memories that coexist with the present (the title-track "Haunted Houses" is a short electroacoustic study on perception: indistinct, evanescent sounds, old pianos in the distance, confused and ectoplasmic voices, furniture that moves from the floor above, sighs...). And then there are presences such as those of literary characters, which can come to life in the mind while reading ("The death of Joe Christmas" is inspired by the restless and controversial character narrated by William Faulkner in "Light in August"). 
Even absences find space in the album, manifesting themselves in their impalpable distance (the piece "In Absence"), as memories of a past that has no place in the present. Then the rooms can become places overloaded with pain (the track "Torture Room"), where this suffering and effort can take an expiatory, spiritual, meditative form. And after all this inner torment, even isolation can turn into an opportunity for reflection, "redemption" and sincere change: the final tracks "Pure" and "Endless" try to capture this renewed spirit, following a strongly emotional path. “Endless” closes the circle, but it can also reopen it. 

"Haunted Houses" was made with guitars, contact microphones, an old cassette recorder, field recordings, dusty and grainy lo-fi sounds, found objects, recordings of streets at night, sounds of a carpentry workshop, slowed sounds, manipulation of loops of classical music taken from the radio. Every detail, every sound has been carved and polished day after day, chiseled and positioned with care and devotion, in a work of "sound craftsmanship".

Haunted Houses

Endless

‘That’s what it will be like’ is the debut album from emerging French artist Théo Martin, who records was thme. Théo was originally raised in the Parisians suburbs and now resides inside the city itself. He has lived a life with music at the fore since childhood, with learning guitar progressing to playing in a band for several years, before he started solo music production as part of a student exchange program.

Théo’s sound gravitates towards melancholic atmospheres, slowly evolving drones and time worn textures. Damaged piano pieces and micro/macro sound environments provide a dreamy backdrop for the listener, as a kind of spiritual shelter to travel to and rest.

These tracks were recorded during an intense period of work and Théo considered his studio as a space where time could slow down, to almost grind to a halt. This experience is captured inside these seven recordings, where time stands on end and the mind can wander. The retrofuturistic artwork (by Arctic Sun) which accompanies this album reflects this perfectly, in a surreal but dreamy glimpse of a daydream set in the clouds. That’s what it will be like.

Written and produced by Théo Martin
Mastered by James Edward Armstrong
Artwork by Arctic Sun
Packaging Design by Harry Towell

That's What It Will Be Like

wlr079 thme - that's what it will be like

Syoubu

Koki

GRFTPS004
@tetenoise - Sea of tranquility
PRE-ORDER > limited edition cassette / digital - now on bandcamp
https://giraffetapes.bandcamp.com/album/sea-of-tranquility

video for "Stratosphere [part II]" here - youtu.be/xwNqgU8lnpk

"This tape contains string and wind instruments which accompanies tape loops and field recordings.

Tracks on side A are named after moon craters, the seas of Serenity, Knowledge and Tranquility are the craters where Apollo 11 and 12 was landed and so would Apollo 13 if it wouldn’t fail at launch.

Field recording of stratosphere is done with Tascam DR40-x aprox. 45000 meters up under the framework of the project “Exhibition in space”.

Side A is recorded with Elfa 332, Dynacord and Pioneer CT-W
Side B is recorded with Tascam DR40-x and Panasonic RN102

Field recordings:

Side A
Stratosphere at approx. 45000m
Flies on shit (Tusheti, Georgia)
Port (Poti, Georgia)

Side B
Underground station (Rustaveli, Tbilisi)
Stratosphere approx. (8000m-45000m)

#giraffetapes #GRFTPS004 #tetenoise #piano #tapeisnotdead #stratosphere #fieldrecordings #preorder #album

Sea of Tranquility

Sea of tranqulity

B3. Tete Noise - Stratosphere [part II] (GRFTPS004)

Click here for the latest  album！（Highest sound quality）https://bullflat38.bandcamp.com/

bullflat3.8label owner

Syoubu

青山ミチル

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Nicholas a. Milillo

Brosco

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Syoubu

青山 ミチル

Recent comments

Nicholas a. Milillo

Brosco

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青山ミチル