Iovino @ at Bahrein, Buenos Aires - 23/10/2021

It's a pleasure today to share the 10th mix of our 'Sun & Earth' mix series just in time for the beginning of the Autumn Season. 🍂 You can hear a couple of unreleased tracks in the mix including one from us at the end called 'Half Of Us' that we will release sometime soon.

We hope you like it.

- H&K

Tracklist: https://1001.tl/k4gh5kk

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Hicky & Kalo - Equinox 2022

This week we’re welcoming back a DJ who continues to go from strength to strength, carving out quite a name for herself recently playing alongside the likes of Damian Lazarus, Super Flu & Jonathan Kaspar and with upcoming shows too with Guy J & Patrice Baumel.
She's also going to be joining us for our next two Selador parties in Liverpool at Merkai on July 27th and also in Ibiza at Akasha on August 30th. Check Seladorrecordings.com for details.. 
Please welcome... Redfreya, for the next hour exclusively in the mix for the Selador Sessions..

Tracklist:
Unknown Artefacts - Aerial [Moving Pictures]
Feelin' (Jonathan Kaspar Remix) - Paris Green [Get Physical]
Dagito (Frankey & Sandrino Remix) - SBTH [Lossless]
Syntax - Kotelett & Zadak [Poker Flat]
Betta - Fango [Cocoon]
Taxi Tropical - Fischer & Kleber [Souvenir]
Espiral - Rigopolar [Duro]
ID - Redfreya
Feel The Love (Original Mix) - Da Africa Deep [One People]
Your Eyes - Kiberu [Systematic Recordings]
Follow Me - Carlos Barbero, Kimao, Mond [Selador]
Futuristica - Aldebaran [Multinotes]

This podcast is hosted by Syndicast.

Selador Sessions 271 | Redfreya

2025.04.03 Mickey Zhang @Track

Buy: https://www.beatport.com/release/another-love-incl-binaryh-mario-eighta-remixes/5577501

Release Text:
Be Free Recordings proudly presents “Another Love” — the latest collaboration between Two Are & SAINT CODE, delivering a powerful, emotional, and deeply atmospheric journey across three distinctive versions.

Original Mix – A perfect balance between drive and emotion. Deep low-end grooves, hypnotic synth layers, and a cinematic breakdown that explodes with energy. Designed for peak-time moments on any dancefloor.

Binaryh Remix – A darker and more underground interpretation. Binaryh pushes the track into a raw, pulsating space, blending tension and minimal elegance — tailor-made for late-night sets and warehouse atmospheres.

Mario Eightea Remix – A melodic, euphoric re-imagination with a wider soundscape and emotive synth work. Ideal for sunrise moments, closing sets, and streaming listeners alike.

Two Are, Saint Code - Another Love (Mario Eighta Remix) [Be Free Recordings]

Right Now (Long Play)

Buy on bandcamp

Red Richards - Right Now (Long Play)

Like the neon lights streaming through the car window when you get behind the wheel, this track has an energetic and smooth flow. Whether you're at the club or on a long night drive, this rhythm will get you moving!

MIDNIGHT DRIFT

As his label marks it's 60th release, Lost & Found owner Guy J returns with his brand new EP on 22nd April. Mixed and reviewed by our resident Ste Flynn.

Synthopia: Synthopia is guaranteed to be another Progressive anthem from Guy. A journey that's dominated by two major elements, an infectious rolling bassline that provides an undeniable groove and an uplifting powerful synth stab that builds and carries the listener to a state of euphoria. There are also a handful of atmospheric melodies that seamlessly float between the two elements fitting perfectly in the overall mix. A track myself and our residents will be playing for quite some time.

Cicada: Cicada is the perfect builder, dominated by an arpeggiated bassline which is almost reminiscent of Donna Summer's 'I Feel Love'. The bassline is complimented with rolling percussion and a melodious delay synth which perfectly combine to create an infectious groove while blended with Guy's signature atmospheric sounds.

DJ Mixing: The two are a delight to mix and blend together. Synthopia is in the key of D whilte Cicada is in A. This means they sit next to each other on the Camelot Wheel. The synths and basslines in each track compliment each other perfectly.

Pre-order: https://bit.ly/2IG7V3H

Guy J - Synthopia / Cicada EP Preview [Lost & Found 060]

HANNES BIEGER on:
- Facebook: www.facebook.com/hannesbieger
- SoundCloud: @hannesbieger

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass
- Spotify: spoti.fi/2KipBo7

3 QUESTIONS to HANNES BIEGER:

Q: Talking about your mix: How did these super early tracks shape your career and how did you find your way into Electronic Music once?

A: Of course you are not aware of this at the moment, but in hindsight you begin to see the common thread. I think there is a straight line in my mix, leading from the first track into the last one. Like probably anyone, I had to leave out a lot of stuff – the dead end streets and side roads. But I think my mix reflects very well my musical journey from my younger self, sitting whole afternoons in front of the record player at six years old, flipping my father’s Pink Floyd and Beatles vinyls over and over again – until today, looking back on a long career as a musician, mix engineer and producer already. Take „Cirrus Minor“ by Pink Floyd, the first track of my mix. At first glance it’s an acoustic guitar ballad, but then you notice the several layers of bird sound tape loops in the intro, how they open up the reverb send on the first line of the chorus, and the way they used the organ, which later seamlessly transitioned into using synthesizers. To me, in a way, this is electronic music already – and although I could not put my finger on all the details yet when I was 6, I definitely noticed there was something special about the sound of these records. At 10 I started playing electric guitar, and from the beginning I was just as interested in the way it sounded, as I was into what I was playing. This was inseparable for me practically since day one. [read full answer on our Facebook page]

Q: Besides playing as a live-act you are mastering and mix enginieer, producer, teacher. A musician all over. How would you describe your place in the electronic music world?

A: Well, this sums it up nicely already. And ultimately I think it’s up to others to answer this question. I have been wearing so many different hats in the 20 years I am doing this now that I’d like to think I have adopted a fairly holistic view of things. I think ultimately my goal is to try and make music that can stand the test of time. The wheel is turning so fast these days. Maybe I’m not so much the guy to produce DJ tools, I always aim for something that is more of a song, a story, a journey. It is important for me to point out that I am still learning and searching, trying to develop. The more you know, the more you know what you don’t know. There still is a universe out there waiting to be explored. For years I have tried to avoid becoming part of a certain scene, being pinned down to a narrow section of what I was doing. I guess I can say that I am really feeling at home now with the labels I am affiliated with, with the artist I collaborate with etc. – and I am proud to be part of a scene that is open, inclusive and international, happy to feel the unifying force of music every day.

Q: Which exciting projects are you currently working on?

A: I am further developing my live set, and I have just completed a couple releases slated for 2020, including my first full album I am releasing as „Hannes Bieger“ – it’s coming in spring on Awesome Soundwave, a fairly new label run by Carl Cox and Christopher Coe. It’s a bit more experimental than my latest releases, and I can’t wait to share it. The only vocalist featured on the album is Ursula Rucker. I have been admiring her for many, many years, and the first track where I ever heard her voice is also included in this mix: „Loveless“ by 4hero. There is a story coming full circle here, over 20 years after this record came out I am fortunate enough to finally also work with her!

2025.04.03 Mickey Zhang @Track

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