memes and dubstep

KILL w/ VOLT 🚨 OUT NOW 🚨

side account: @roodisbored


contact: jackgarrood@gmail.com

AFTERLIFE OUT NOW 

bitly.ws/CMZ9

Since launching the Datsik brand, Troy Beetles continues to evolve as a solo artist all the while pushing his beloved bass music world to new lengths, both on a personal artistry level and as a genre as a whole. From bedroom producer to chart-topping artist, internationally touring act, and owner and founder of the enterprising Firepower Records, Datsik is poised to make bass music the sound of the future with his recent Down 4 My Ninjas EP (Nov. 2014 / Firepower Records) and upcoming release Smoke Bomb ft. Snoop Dogg (Nov. 2015 / Ultra Records). 

Datsik took his initial steps into global dominance in 2009 with his first official release, the Nuke ‘Em EP, which set the new precedence of the future of dubstep and bass music. Immediately following that was the Boom EP featuring Excision and the legendary Flux Pavilion as collaborators. In that same year, Datsik claimed 10 Beatport #1 releases. Additionally, he has also released massive remixes for dance music icons Skrillex, Diplo, Kaskade, and Zedd, as well as two collaborations with Bassnectar and two more with Diplo on his Express Yourself EP. He has also remixed artists from the mainstream pop world and hip-hop spheres such as Coldplay, Lil Wayne, MGMT, Linkin Park, Wu-Tang Clan, one of the biggest influences on his sound, and, most recently, Lana Del Rey.

Nonetheless, Vitamin D, his debut artist album released on Dim Mak Records in 2012, remains his gleaming trophy of work. Rightfully so, as Vitamin D was the first project to illustrate the full spectrum of Datsik’s production cannon and to give glimpses of the artist’s potential as a producer and songwriter. Vitamin D was the first major milestone of many to come in the Datsik storyline. The next chapter came in 2013 in the form of a two-part release, the Cold Blooded EP and the corresponding Let It Burn full-length album, both released on Firepower. While shorter in length, Cold Blooded packs as much a punch as big brother Let It Burn. Hand in hand, Cold Blooded and Let It Burn comprise the knockout one-two punch in Datsik’s artillery.

Datsik stands at a point of transition with his recent EP Down 4 My Ninjas. It exemplifies a more mature Datsik, both in sound and in vision, as it sees the producer taking vast steps outside of dubstep and deeper into his ever-burning fondness for hip-hop. In essence, it is his love letter to the hip-hop and bass music genres and sees a full circle for Datsik as it combines the best of both worlds. Featuring collaborations with DJ Paul of renowned Southern rap group Three 6 Mafia and the legendary KRS-One, Down 4 My Ninjas sees Datsik keeping one foot in bass and one foot in hip-hop and, for the first time ever, sees the artist pairing his original productions with bona fide, universally celebrated members of the rap world. 

With Down 4 My Ninjas in tow and a hefty supporting tour scheduled for 2015, expectations are higher than they’ve ever been for Datsik. Beetles welcomes the challenge, though. It’s what’s kept him developing since those bedroom producer days, and it’s what verifies Datsik as one of the leading figures in the bass music scene of today and tomorrow.

BOOKING INFO

North America booking - 
Alex@abtouring.com
Brian@abtouring.com

Europe/UK booking -
juliencorre.paris@gmail.com

Figure has been a household name in bass music since its American adaptation , with a catalog that spans over 15 years , more than 14 albums , and hundreds of songs. He's best known for his signature, aggressive sounds mixed with horror themes. Figure continues to release new music with various labels, friends and peers in the bass community. A touring machine, Figure feels at home on the road .. he's been around the globe many times over and recently celebrated the 14th anniversary of his Monsters series of albums and a regular contributor for Universal's Halloween Horror Nights theme parks.

Unus pro omnibus, omnes pro uno ♛ ♜ ♞

Follow us on Spotify : disc.fanlink.to/DiscipleWhatsNew

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North America: bookings@disciplerecs.com
Europe: paul@mbartists.co.uk
AUS/Asia: alex@fatcatmusicgroup.com

James first expressed his love of music through jamming with his schoolmates, taking his energetic and aggressive drumming style from death metal as well as being heavily influenced by happy hardcore and jungle, growing up to a background of Helter Skelter and Dreamscape mixtapes.

After hearing ‘Bandwagon Blues’ by Twisted Individual, James fell in love with the drum and bass sound and began to focus his talents on producing. Sharing his tracks with D&B radio stations led to the first recognition of his foot-thumping talents, under the alias DJ Dose he released for the first time in 2007.

In 2009 James began to dabble with producing dubstep, giving his tunes a big energy by incorporating the drum and bass layering technique into his dubstep sound. His first track ‘Make Our Day’ was quickly signed to 4:20 Records. And so began the raw sound that is FuntCase.

It wasn't long before FuntCase began trading tracks with Doctor P, and an offer soon followed to bring James into the Circus Records camp with the release of his famed track ‘So Vexed', with ‘Mattress Punch' on the flip, in 2010. 

Since then the phenomenon has grown, FuntCase has become a legend of the DJ world. With an incredibly loyal fan base Funty is known world wide for working hard, playing hard, travelling hard - and DJing hard. Claw 4 Life yo.

Mgmt: simon@maximum-boost.co.uk

Bookings: 
US: kevin.gimble@unitedtalent.com 
UK/EU/ROW: paul@mbartists.co.uk

Epitaph Records is an independent music label founded in Los Angeles by Bad Religion guitarist Brett Gurewitz. Early releases from a variety of punk heavyweights spawned what became known as the 90s punk explosion. 

Along the way Epitaph proudly launched its sister label ANTI-, representing unique and distinguished acts. From the beginning Epitaph’s mission has been to serve the musicians on its diverse and creative roster - an artist-first model, radical twenty years ago, and much imitated today. 

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