Mathmatrix also known in the past as BLN and Brazda lui Novac, is the moniker of Victor Popescu, from Bucharest- Romania.

2010 marked the release of his debut self-titled album on Square Sound Records, while in 2011 and 2013, Dizzy and Moldern came out on Raumklang Music Records label.
Mathmatrix works appears in multiple various releases, since the beginning of the label Touched Music (UK)

www.micleusanu.bandcamp.com   
www.soundcloud.com/pneumaton

annual festival for interdisciplinary arts, exploratory music & sound - since 2005
/timisoara, romania

Born in Chisinau, Moldova.
Based in Amsterdam, Netherlands.

Спаси и Сохрани. 

Co-founder https://soundcloud.com/diasporave
Contact: arynalivadari@gmail.com

20.08.23 ACB34, Chisinau (MD)
28.01.23 Bar Pro Sănătate, Chisinau (MD)
23.12.22 Bar Pro Sănătate, Chisinau (MD)
26.11.22 IPAXXXI. Chisinau (MD)
06.11.22  Casa de Creație, Chisinau (MD)
02.10.22 The Grey Space, The Hague (NL)
08.09.22 Open Source Radio, Nijmegen (NL)
05.08.22 Future Intel, The Hague (NL)
08.07.22 Bar Pro Sănătate, Chisinau (MD)
27.05.22 Relate Radio, Groningen (NL)
15.01.22 Scandle Radio, Paris (FR)
30.12.21 Bar Pro Sănătate, Chisinau (MD)
08.10.21 ZEND Festival, PIP The Hague (NL)
30.07.21 Bar Pro Sănătate, Chisinau (MD)
16.07.21 Parcul Verde Eco–Camp, Chisinau (MD)
11.06.21 Future Intel, The Hague (NL)
28.05.21 Relate Radio, Groningen (NL)
17.09.20 Operator Radio, Rotterdam (NL)
24.05.20 Stranded FM, Utrecht (NL)
30.01.20 Het Magazijn, The Hague (NL)
20.12.19 Bar Pro Sănătate, Chisinau (MD)
13.12.19 The Grey Space, The Hague (NL)
28.11.19 Het Magazijn, The Hague (NL)
01.11.19 Paard van Troje, The Hague (NL)
...

Latest stream: https://youtu.be/LLWQwwCNU8Y

Valentin Toma is Toma Carnagiu.
He's alive since 1981, and in love with music eversince. In all this time, he tasted bits of every musical genre that reached his ears, from rock'n'roll to death metal, but the idea of sound design discovered with the electronic music is the one that left a mark. His first musical experiments are dated in 1996, and thanks to Saint Common Sense, were left private: only after 3 years he published a few songs under the moniker Qewza (pronounced as Cuza). This happened right after setting the foundation for the TMBase organization alongside UFO & Ummo, Urban Experience, Dump 52, P-Nal, Sneila and Alien Kru - basically, the full lot of electronic music producers in Timişoara back then. He's put effort into organizng the TMBase festival since 2000 - the 3rd edition - when he also had his first live gig (more or less white, for those who remember). At the beginning of 2001, he started a new project called Makunouchi Bento with his old time friend Felix Petrescu aka Waka X, a member of Urban Experience at that time - a project based on IDM and experimental electronic music. With his solo act, he only released a few songs on local compilations, while most of the tracks remained unreleased or only heard during live shows. Around 2003, after exploring most of electronic music's subgenres, from happy hardcore and techno to drum'n'bass and breakbeat, he put and end to his solo "career" as a producer, and focused exclusively on Makunouchi Bento, changing the sound towards a more organic, electroacoustic and cinematic one. And they were serious about it, having released no less than 3 albums, 18 EPs, 11 singles and may other compilation tracks. Also, having lots of live gigs in Romania and abroad, live film rescoring and so on. Qewza is probably remembered by music lovers especially for his "Unu mai" (1st of May) mix series (2 in 2006, 2 in 2007, 3 in 2008), putting together hundreds of Romanian songs of all genres, from electronic to hip-hop, jazz, rock and folklore. And, because this project was worth to be continued, in 2012, Qewza is reborn as Toma Carnagiu (a local pun) to release a new series of mixes on Romania's National Day. No nationalist connotations intended, just a load of humor. On top of that, he plans to promote Romanian music and a general open mindness towards different music genres, through a series of monthly mini-mixes... plus a lot of other surprises.

A duo specialised in noisenautics, Nava Spatiala creates sounds which are based on noise/drone/ambient atmospheres, relying on apparently chaotic, unintentional and improvisational use of the spectrum. Carefully keeping you alert along their journeys by the dadaist and deconstructivist approach, they invite you to a continuous exorcism of the present -the soundscapes Nava Spatiala creates also work as a pretext for meditation. Nava Spatiala started in 2010 and their musical approach is based on field-recordings, as well as on sound synthesis.

Inspired by different techniques of altering and randomizing digital information, Nava Spatiala is a continuous critical (anarchist) exploration of the present, in a world dependent on electricity.
Building experimental drone / noise / ambient soundscapes, the duo’s 2012 debut EP,  Noisenautics Vol. I (@Asiluum.com) is an unconventional exploration of the sound spectrum, 
haunted by sounds of nature and sinthetic vibrations. In order to confine their space, which they overfly extra and intra-dimensionally, Claudiu Chihaescu and Miron Ghiu make use of cricket 
sounds, traditional instruments and recordings of various religious ceremonies. The two challenge elements of sacred geometry, binaural frequencies that address both brain 
hemispheres, Alpha waves, as well as strictly subjective sound vibrations. Their journeys invite to meditation and make use of the waking state that is typical for the shamanic trance, in order 
to transcend the traditional communication borders and the barriers between the mind, always open for mundane stimuli, and the “motherboard” of the collective subconscious.

The series of Noisenautics EP’s started in 2012, with a digital release via AsiluumArts. The album circulates as bootleg CD, usb sticks, memory cards and online at Bandcamp. 

Noisenautics vol 2 is officially released on CD under www.MustDieRecords.co.uk
Noisenautics vol. 3 is released on tape by AlreadyDeadTapes.com
Noisenautics vol. 4 is released as a free download by DeProfundis
http://profundisnetlabel.bandcamp.com/album/noisenautics-vol-4
Noisenautics vol. 5 is released as a free download by Petroglyph
https://archive.org/details/petroglyph173NavaSpatiala-Noisenautics-Vol_5
Noisenautics vol. 6 is released on tape by Underground Pollution
http://undergroundpollution.e-monsite.com/pages/releases-tapes.html
Noisenautics vol 7 is released on CD by Stront Records
https://www.facebook.com/Stront-215326391865287/
Noisenautics vol 8 was released as a free download by Wall Noise Action: https://wnanetlabel.bandcamp.com/album/noisenautics-vol-viii
Noisenautics vol. 9 was released as a free download by muteantsoundsnetlabel.bandcamp.com/album/noisenautics-vol-ix

GRID (Nava Spatiala + Praying for Oblivion) was released on tape by Mask of the Slave (http://maskoftheslave.ro/mirgilus_/releases.html), by Placenta Recordings (https://placentarecordings.bandcamp.com/album/praying-for-oblivion-nava-spatiala-placenta-recordings-399-2017) and on CD by Magnesia Nova (https://www.discogs.com/Praying-For-Oblivion-Nava-Spatiala-Grid/release/8761633)

“Untitled”, a split album with Ia-HA-Crax Daedalus (RO) was released by Mask Of The Slave on tape and it’s available as a tape on Discogs. https://www.discogs.com/sell/item/656062663

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