Name: NEW DOLPHIN TECHNIQUES by TWO HEADED MOBSTER
Duration: 4 min 34 s
Description: I sat down at the piano and by the end of the day the is what came out.

love this song, very catchy! keep on going

Yes! Such a fun song. I like the melody. I also like that you're not taking the lyrics too seriously.

I also sit in a cavern of earth and make computer songs. fuego

This is weird, funny und a bit strange. Don#t stop touching your nose while singing.

very relaxing song to listen to. you have an amazing talent

The Willing

Talos

People Have This Power Over Me

La Digue (Instrumental)

A jazzy little number.
(c)2013
Guitar, Bass, Vocals, Programming, Mixing and Mastering by Robert Grigg.
Recorded at home

Still Thinkin'

Light Up And Enjoy

Cute little song about a couple hitch hiking across the U. S. and Canada listening to good ole county music.

Unknown Album (3/23/2007 10:06:35 PM)

A Cowboy Doing Country

Sonatina for Piano No. 2

A new Deep Folk take on the Neil Young classic.

Old Man

Autumn Songs (for Mezzo-Soprano and Chamber Ensemble)
Duration: ca. 18'

MOVEMENTS
I. Ascension: Autumn Dusk in Central Park (Evelyn Scott)
II. Under the Harvest Moon (Carl Sandburg)
III. All Hallows’ Eve (Dorothea Tanning)
IV. November for Beginners (Rita Dove)
V. Leaves Before The Wind (May Sarton)

Performers: American Modern Ensemble, Blythe Gaissert, Mezzo-Soprano
For more information: https://robertpaterson.com/autumn-songs
Publisher: Bill Holab Music: http://billholabmusic.com/store/index...
Purchase Sheet Music: http://billholabmusic.com/store/index.php?keyword=autumn&main_page=advanced_search_result&search_in_description=1
View Perusal Score: https://issuu.com/robertpaterson/docs...
Also available as a version for mezzo-soprano and piano: https://robertpaterson.com/autumn-songs-version-for-mezzo-soprano-and-piano

PROGRAM NOTE
Autumn Songs for mezzo-soprano is my final song cycle celebrating the seasons. As with my previous three seasonal cycles for different voice types, this cycle contains settings of poems by various American poets.

Like Spring Songs, Autumn Songs begins with New York: a setting of Evelyn Scott’s Ascension: Autumn Dusk in Central Park, an early 20th century Imagist poem in which people seem to merge at dusk. The second movement is a setting of Under the Harvest Moon by Carl Sandburg. In this poem, Sandburg uses autumn and summer as a metaphor for people in two different periods of life, revealing beauty in both stages. Memory is the primary concern for someone who is older, and possibly for someone who is younger. The third movement is a setting of All Hallows’ Eve by Dorothea Tanning, who was not only a poet, but also a well-known visual artist whose early work was inspired by Surrealism. This is perhaps the most playful setting, and I used Tanning’s evocative, Surrealistic imagery as inspiration for colorful sounds and angular dissonances in the ensemble. November for Beginners by Rita Dove is the text for the fourth movement. In this setting, Dove beautifully encapsulates the feeling of waiting for winter in November, and the sense of anticipation one feels during the fall months. At the end of her poem, she uses the sound of zithers as a metaphor for the sounds of wind and rain when spring comes. The final movement, a setting of Leaves Before The Wind by May Sarton, is inspired by Irish jigs, and mimics leaves blowing in the wind. The penultimate section is anthemic, and the end of the movement is more calm and similar to the beginning.

Autumn Songs was made possible, in part, by generous support from the Gerson Family Foundation.

ARTISTS
American Modern Ensemble: http://www.americanmodernensemble.org
Blythe Gaissert, mezzo-soprano: http://www.blythegaissert.com/
Sato Moughalian, flute
Pascal Archer, clarinet
Matt Ward, percussion
Esther Noh, violin
Dave Eggar, cello
Geoffrey Burleson, piano
Robert Paterson, conductor

The Four Seasons

Autumn Songs - III. All Hallows Eve (Text by Dorothea Tanning)

I liked the idea of writing a happy go lucky sounding song that’s really about a fundamental predicament, and not so happy go lucky after all...

remixed Dec '21

WESTERLY WIND

are we so different from the trees on the hill
we feel uprooted but we're standing still...

are we so different from the silt in the sea
We're drifting in a current that we can’t see

We're all drifting in a westerly wind
We're all breathing in a westerly wind
We're all leaning in a westerly 
Westerly wind 

there’s no endeavour 
now or never
known to ever
change the weather
and change things….
ooh, trade winds

there’s no endeavour 
known to ever
Come together
change the weather
and change things….
ooh, trade winds

are we so different from the seeds on the breeze
We’re rising and falling and we’re on our knees

We're all drifting in a westerly wind
We're all breathing in a westerly wind
We're all leaning in a westerly 
Westerly wind 


instr

there’s no endeavour 
now or never
known to ever
change the weather
and change things….
ooh, trade winds

we’re all chilling in the northerly wind
we’ve all been slaving in the southerly wind
we are all so fearful of the easterly wind
we’re still counting on the westerly
relying on a westerly wind
soon we’ll all be dying for a westerly
yes, we’re all still breathing in a westerly wind
were all still leaning in the westerly wind
yeah, we’re all believing in the westerly wind,
westerly wind…

Westerly Wind

I sat down at the piano and by the end of the day the is what came out.

NEW DOLPHIN TECHNIQUES

I sit in the caves of a volcano and make computer music.  What do you do?

NEW DOLPHIN TECHNIQUES

TWO HEADED MOBSTER

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