http://mariahorn.se/
Booking inquiries giorgio@swampbooking.com

Kajsa Lindgren (b.1990) is a composer and sound-artist mainly working with field recordings and different ways to perform them, often through spatial, multichannel distribution. Her work includes electroacoustic compositions and sound installations, as well as compositions for acoustic traditional instruments. 

By using interviews as a method when composing and field recordings as the material, she has found a way to work with expectations and traditions when it comes to the process of composing and the performance itself. Combining interviews and field recordings has therefore shown to be an effective way for her to open up different ways to approach the process of exploring subjects and environments through sound.

Kajsa Lindgren is a composer educated in both western contemporary art music and electroacoustic composition and holds a Bachelor (2015) and Master (2017) in Electroacoustic Composition from the Royal College of Music in Stockholm.

enquiries: midnightcrimes@gmail.com
also: https://soundcloud.com/continuity

DISCOGRAPHY
Nezha, for Upper Yanoun (2020, VA "Never A Land Without People")
Motor City Remixes 12'' w/ 1991, Yen Towers, Quiltland, Abdulla Rashim (2016, Posh Isolation)
Motor City LP (2016, Posh Isolation)
Motor City CS (2012, Not Not Fun)
Midnight Crimes CS (2011, Not Not Fun)

Shubha Sankaran is the only woman actively performing the surbahar on the global concert circuit, and the only artist focusing exclusively on that instrument. She studied instrumental music with Ustad Imrat Khan, vocal music in the khayal style with the late Pandit Shrikant Bakre, the South Indian technique of tanam with Kalaimamani Ranganayaki Rajagopalan, and dhrupad with the Gundecha Brothers. For more info: www.surbahar.com 

Midder Bean is following