more eaze is the project of composer/multi-instrumentalist mari maurice. her work touches upon myriad genres and often explores themes of gender, intimacy, identity, perception, and the mundane. resident advisor categorizes maurice’s work  as “accomplished ambient pop” and the quietus has said that her work “unearths a raw poignancy in what can often be a coldly academic field.” her music has been widely released on a number of international labels including orange milk, mondoj astral spirits, phinery, and lillerne tapes among others. as a performer, maurice regularly collaborates with artists such as claire rousay, nick zanca, amulets, seth graham,  dntel, christina carter, and more. she also has contributed mixes for a number of radio stations and podcasts including nts, dublab, noods, kxlu, and hoc.

ur mid-week jungle & drum n bass party for charity golden folderz

No sleep.

Midnight Ecstasy is a record label and party series dedicated to forward-thinking sounds across the house, techno, and bass traditions.

Run by Hannah Account and Elly DJ.

Hardcore Techno + Terror
@hammerheadrec

𝗜𝗙 𝗡𝗢𝗧 𝗧𝗢 𝗚𝗜𝗩𝗘 𝗔 𝗙𝗔𝗡𝗧𝗔𝗦𝗬 https://linktr.ee/kilbournehq

us: booking@onthesly.co
eu: booking@reercollective.com

booking - booking@t4tluvnrg.com 
other - boredlordmusic@gmail.com

life... space, time, the universe. We dive in together.
inquires: ace.mo.music@gmail.com
Booking: 
Mariesa@liaisonartists.com

Daisychain is a movement to showcase power, beauty, and strength of DJs and artists. Like the sequencing of electrical equipment, Daisychain will connect and develop a symbiotic network of trans, nonbinary people and femmes - from all backgrounds. DJs and artists from these realms of identity will continue to find their strength in sound by showcasing their art for a weekly guest mix series. 

Contact/Submissions: Leesh - daisychain.network606@gmail.com

Based in Chicago, IL

recordings of the anti-music workshop broadcasts from the studios of 91.7 FM WHUS date back to early 2003 and cover as wide a path as possible through electronic music and broadcast improvisation. AMW guests have contributed over the years in several different methods, including live internet collaboration as well as studio sessions. live performances include laptops, effects gear, scrap metal, circuit-bent objects, harmonicas, and traditional instruments. correct musical selection during the broadcast is achieved using turntables and digital sources, with an emphasis placed on exploring the damaging capacity of the specific signal path used.

special and expensive connectors allow the staff of the anti-music workshop to interface in real time with a bevy of monostable attractor units placed in varying locations worldwide to assist in the processing capacity requirements of the broadcast. periodic realignment with several key texts ensures usability.

anti-music readiness training has been employed by several local organizations to help shape incoming broadcasters' technical readiness to respond to the impossible, with very promising results charted over a 2 year period.

the staff of the AMW have experience in all aspects of signal amplification and alteration, computation, and training and are available upon request across new england.

the reader will please note the content of this webpage has little to do with the radio show mentioned above, and instead has more to do with all digital media in that it is a source of signal.

i think the music industry should focus on returning to in-kind payment for a vagrant's dinner and lodging in the hayloft.

Midnight Ecstasy is following