Terence McKenna - A bunch of LSD

Episode 176 and we don't show any signs of stopping soon.  Mike and Pete are proud to bring you nine more of the best tunes we've heard this week. Check it:

Greenmachine - Enemies In The Mood
Blind Eye - Breakdown (Decomposed)
Vape Warlök - Inhale Death
Penance Stare - Seven Vials
High Times - Dead Weight
Esoctrilihum - Thertrh
Bongbongbeerwizards - Choirs & Masses
Pilori - Meutriere
Sunset Images - Voces Oscurecidas

Episode 176 - New Release Podcast

written produced by Anna Illenberger & Tokyo Tower
Remix produced by Max Überwasser / Fakeland / soundcloud.com/maxueberwasser
mastered by GABSTon / Gabriel Schütz

[original version appears on "III" 2014, CD Vinyl digital]

www.facebook.com/maxuberwasser
www.annagemina.com
www.libelle-kollektiv.de
www.facebook.com/annageminaonline
www.annagemina.bandcamp.com/
Livedates:
14 | 08 | 2015 Bremen Ochtum Ochtum Festival
15 | 08 | 2015 Oldenburg Fakeland
22 | 08 | 2015 Görlitz Werk.Stadt.Garten 
23 | 08 | 2015 Wächterhaus Zittau
26 | 09 | 2015 Waterford Ireland Sonic Dreams Festival

Annagemina - Surrender (Max Überwasser Remix) WAV  [Libelle Kollektiv - Fakeland]

Jack Madness - Eaves

Started with a recording from a friend, that tipped this of. 

Light

"Dim Nachttag"

Acoustic Guitar recorded by Falk Andreas at Tonmeisterei Oldenburg, October 2014.

Drums, Violin and Electric Guitar recorded by Alex Pojda at Holodeck Studios, March-August 2015.

Bass recorded by Falk Andreas at Tonmeisterei Oldenburg, October 2015.

Mixed and mastered by Falk Andreas at Tonmeisterei Oldenburg.

KOSMOBERKH 

Paula - Violin
Thorge - Bass
Alex - Drums
David - Acoustic Guitar, Electric Guitar and Poems

Album cover by David Adrian. 
Support by Wladimir Kanevsky.

A Muse meant

Freaky Leeks takes you on a fluid dive trough multiple genres within the songs, transitioning effortlessly between Psychedelic Rock, 70s Disco, Liquid Drum'n'Bass, Dub and Stoner Doom.

Freaky Leeks

Fréros

Everybody Move

232 Bpm!
Check out my Track on VA Teleportal Tendencies by PMM Records.

Our guest this episode is LA mastering engineer John Greenham  who just won a Grammy for his work on Billie Eilish’s album. We talk to him about how he came to work with Billie, and dig into his work on the album in depth, discussing topics including:

 * John’s mastering chain and philosophy
 * Whether “Xanny” is the loudest song ever
 * How to get RMS levels above zero (!)
 * Loudness, confidence and client relations
 * Are loud mixes a problem for mastering engineers ?
 * What it’s like to win a Grammy

http://themasteringshow.com/episode-70/

Terence McKenna - A bunch of LSD

MightyChalex