„lab.oratory“ – the men's club within the the Berghain Berlin. A venue as rough and relentless as it's unapologetic soundscape: made to make you fuck. This playlist is a -Collection of tracks that channel the club's unique musical signature or are Ostgut 

Inhale lab.oratory Berlin | A Playlist inspired by the Berghain Men's Club

C2. @JASS-29 x @SilentServant - Años Perros
Listen in full at @zweikommasieben https://www.zweikommasieben.ch/en/premiere-jasss-silentservant/

‘Ostgut Ton | Fünfzehn + 1’ is a commemorative compilation celebrating 16 years of Ostgut Ton – and the first glimpses of light at the end of a long dark tunnel for parent club Berghain.

Originally planned for release in 2020, the music focuses on the interwoven nature of the label and the club in its multitude of different spaces and musical facets. Ostgut Ton artists and close affiliates worked together in pairs to make music dedicated to five different floors, each represented by a specific 12" vinyl. The result is a diverse selection of sometimes functional, other times more abstract sonic tributes; musical homages to spaces they have both influenced and been influenced by.

With the pandemic having forced the club to close temporarily, the collaborative nature of the 5x12" boxset represents an attempt to transcend varying degrees of isolation and to wrestle with memories of music and space that had been inaccessible. But certainly not forgotten.

More info + pre-order: https://ostgut.berlin/fuenfzehnpluseins

All Snippets: https://soundcloud.com/ostgutton-official/sets/ostgut-ton-fuenfzehn-plus-1

Tracklist:
A1. @MMM_berlin / @Fiedelone / @errorsmith - Rimba7
A2. @AvalonEmerson x @Roi_Perez - Champu Princess
B1. @Tama-Sumo x @Lakuti - An Ode To Audre
B2. @Peter-Kuschnereit x @Soundstream - Session 2

C1. @LenFaki feat. @HoneyDijon - Temple Of Love
C2. @JASS-29 x @SilentServant - Años Perros
D1.  @Luke-Slater x @Voltek - 9/8 Gumbo
D2. @Ben-Klock x @EtappKyle - A Friend Of A Friend
D3. @MarcelDettmann x @Norman-Nodge - The Call

E1. @user-909078246-312350518 - Untitled 15+1
E2. @OrenAmbarchi x @choose-records x @Efdemin - Ever Given
F1. @3024world x @DuvalTimothy - Reset Walking
F2. @Jessica-Ekomane x @ZoeMcPherson - Iteration
F3. @Atom_TM x @Tobias-Freund - One Final Thing (Not Zero)

G. @AnswerCodeRequest x Gerd Janson - B-Section
H1. @Ryan-Elliott x @Andre-Galluzzi - Fontane
H2. @Paramida x @MassimilianoPagliara - Ride Out The Wave

I1. @ndbaumecker x @Nick-Hoeppner - Labskaus
I2. @Terence-Fixmer x @PhaseFatale - Cigarette Glow
J. @Cormac & @Metro_bln - Remember The Future

Ostgut Ton | Fünfzehn + 1

Años Perros

Buy Compilation

JASSS x Silent Servant | Años Perros

Adam Beyer - The Color Out Of Space

Departing Comfort - A track off my recent full length album Sleep Complex.
Long night experimenting with an EBO on a guitar and guitar feedback.


Support Music

Drumcell - Departing Comfort

Shifted - Control

The Dirt on Our Hands

No Paradise

Marcel Fengler - Thwack

Len Faki - BX 3

from o-ton 97

Terence Fixmer | Beneath The Skin

Marcel Dettmann - MDR 013 - Rush (PAS Deep Release Remix)

MDR 13

Having remixed Depeche Mode and DJ Hell as well as releasing a new Fixmer/McCarthy single with Douglas McCarthy (of Nitzer Ebb), 2017 has already proven to be a productive year for Terence Fixmer. With the new Force EP, the Berghain resident follows up on 2016's Beneath The Skin EP (O-TON 97), offering four stylistically different but congenial Techno scenarios for club use.

Buy 12"

Terence Fixmer | Melting Planets

Melter EP

Bell (Original Mix)

Shedding the Past

Estrange

Over the past four years, Hayden Payne aka Phase Fatale has earned a reputation as a techno innovator, both for the broad spectrum of dystopian electronics included in DJ sets as well as his deep understanding of synthesis and sound design in his own productions. Having previously released on labels such as Jealous God, Payne made his Unterton debut with last year’s Anubis EP. Since then he has settled into residences at both Berghain in Berlin and Khidi in Tbilisi, released his first LP on Hospital Productions and kicked off his own label BITE with a collaborative EP between himself and Silent Servant.

On his debut 4-track EP for Ostgut Ton, Reverse Fall, The New York native has sharpened the rhythmic contours of his productions, creating an imposing wall of sound within the techno framework. Inspired in part by Crash, J.G. Ballard's dystopian novel on the fetishization of car crashes, Reverse Fall is uncompromising motorized, cybernetic techno – infused with haunting soundtrack-like flourishes reminiscent of films by directors John Carpenter and Dario Argento.

A night drive accelerating at the pace of a dark, melodic bassline and distorted hi-hats. “Reverse Fall” is available across streaming platforms, as a single track and as an instant gratification download with the purchase of the full digital release.

Listen at
Apple Music: https://itunes.apple.com/album/reverse-fall-ep/1394765995
Bandcamp: https://phasefatale.bandcamp.com/track/reverse-fall
Deezer: https://www.deezer.com/de/album/66459102
Spotify: https://open.spotify.com/album/42DjPohwGNsWkjnurRI1iz?si=P9S-wDG0S9yb__2L3l00Cw

Taken from the forthcoming Ostgut Ton EP: Phase Fatale | Reverse Fall [O-TON 113], out July 13, 2018.
Pre-order EP on 12" vinyl or in digital formats: https://phasefatale.bandcamp.com/album/reverse-fall

All info: http://ostgut.de/label/record/219
Artwork: Richard Söderberg, https://www.instagram.com/sabotage999 | Layout: Yusuf Etiman

Catch Phase Fatale on the road: https://www.residentadvisor.net/dj/phasefatale/dates

Phase Fatale |  Reverse Fall

‘Rise And Shine’, the first full Ostgut Ton solo release by Substance (aka @Peter-Kuschnereit), sees him fusing his deep, industrial aesthetic with the resonant bass-heavy leanings of his alter ego DJ Pete, as evidenced on the title track’s off-kilter metallic riddims and multiple, interlaced SH-101 and Prophet 5 melodies. From there, potential set-closer “Countdown” blasts off with relentlessly rattling, scraping breaks, hissing German vox and big chords. The compact explorations of “Bird Cave” and “Distance” offer a more atmospheric take on bass and rhythm, while EP closer “Cruising” re-explores the uncanny, Berlin deep techno cosmos Kuschnereit has helped define, this time in denser form.

Rise And Shine

Cruising

Substance | Cruising

Warehouse Tool 1

Mdr 10

Asle

Lyse

Buy 12" | Digital

‘Scanning Backwards’, @PhaseFatale’s second full-length album following his 2017 debut album for Hospital Productions, is music about control. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Taken from:  Phase Fatale | Scanning Backwards
out January 24, 2020 on Ostgut Ton [OSTGUTCD48/LP34]

Buy ‘Scanning Backwards’ as 2x12" LP, digipak CD or in digital formats: https://www.berghain.berlin/shop/releases/phase-fatale-scanning-backwards/

Listen at
Bandcamp: https://phasefatale.bandcamp.com/album/scanning-backwards
Boomkat: https://boomkat.com/products/scanning-backwards
Spotify: https://open.spotify.com/album/4Vszky1GAUnME7GqMJJVkB?si=eV6nkqn6RiW8aWAtQjwXyQ
YouTube: https://youtu.be/cfVE-Kz8dYc

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It's especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, ‘Scanning Backwards’ surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.

Artwork: northor | Layout: Yusuf Etiman

Inhale lab.oratory Berlin | A Playlist inspired by the Berghain Men's Club

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