If Joe Strummer had come up in Greenwich Village taking guitar lessons from Dave Van Ronk and crate digging for Rev. Gary Davis records, he might sound something like Migrant Pickers' frontman Gary Adler. Acoustic finger-picking guitar with a punk rock edge, Gary's music combines technical virtuosity with honest, soulful songwriting. 

Disciples of Woody Guthrie with a rock in their shoe, the Pickers are firmly rooted in the subversive tradition of American folk. Combined with Mark Lahti's driving electric bass and violin virtuoso Noelle Boucher's soaring solos, the Pickers' performances are an unapologetic act of defiance-- of genre, expectation, and the very laws of physics. 

Migrant Pickers will take you on a freight-train ride from the deepest roots of American music to outer-space and back.

My new album "Down Rounder" is out now! Listen here: https://cat-clyde.lnk.to/DownRounder
Check my online store for exclusive vinyl, CDs & other new merch: https://store.catclydemusic.com/store

Since the release of his critically-acclaimed debut album Gone Wanderin’, Jackie has built an endearing audience through a relentless touring schedule with the likes of BB King, Mark Knopfler, Susan Tedeschi, and TajMahal. In just the last four years, he has played lead guitar with The Black Crowes on their Layin’ Down With #13 World Tour, recorded and toured with Trigger Hippy - his supergroup with Joan Osborne - and performed over 250 shows of his own, all while continuing to record and release his solo work. Jackie is a frequent member of Phil Lesh & Friends, and sits in with countless other artists like Tedeschi Trucks Band, Govt Mule, Mississippi All-Stars, Amy Helm, Steve Earle, and Bob Weir.

San Francisco singer/songwriter Bob Hillman is back with a new album after more than ten years away from the business.

After over a decade away from the stage and studio, Bob Hillman returns with the full-length album Lost Soul. The album’s title is ironic in the sense that, with his longtime musical mentor ex-Plimsoul Peter Case at the helm, the San Francisco-based singer/songwriter has found his way out of the creative wilderness. He taps back into literate, tuneful songwriting that defined his earlier material but moves beyond the Americana-leaning folk-rock of his past to embrace a contemporary sonic landscape; the result is a less crafted, more visceral album. 
 
“When Peter Case agreed to produce Lost Soul,” says Hillman, “I saw it as an opportunity to work with someone who could take my songs to places I could never have thought of on my own.” They started by discussing their vision in the context of albums like Vega’s 99.9F and David Bowie’s Low. Then, a last-minute cancellation by the first guitarist Case had brought in left an opening for Joseph Arthur, whose electric guitar edge and loop textures took Lost Soul to a new level. Another important aspect was that—for the first time ever—Hillman recorded 100% live—playing guitar and singing along with the band, and doing only a few takes of each track. “Peter helped these great musicians find sounds and shape their parts; my only job was to deliver the most powerful performance possible.”

Beyond the opportunity to work with the man Hillman calls “one of the songwriters who inspired me to become a songwriter,” another motivating factor was a successful crowdfunding campaign. Hillman’s Kickstarter reached its initial, possibly-too-modest goal in two days and eventually generated nearly $20,000. “Crowdfunding can work for the financing part,” he says, “but it’s also great for gauging interest among your friends and fans. After so many years off the 

During Hillman’s initial run as a recording artist in the early 2000s, he made two albums with Tommy West—famous for his hit-making with Jim Croce and many others—and toured extensively with Suzanne Vega. He also earned praise from people like Susan Stamberg of All Things Considered, who said: “Welcome To My Century is a storytelling pot of skilled musicianship and serious yet often comical compositions that are sure to please…that song about War and Peace is enough to make you want to pick up War and Peace and start reading it.” Acoustic Live echoed: “Hillman sings in a deadpan vocal style and brings a dry sense of humor to the table; so dry that some listeners may not realize just how clever and insightful a lyricist he can be. But Hillman’s lyrics have a lot of meat on their bones.”

While Hillman is happy to be back where he belongs—making meaningful music with great musicians—his ambitions are a bit different from the old days, when conquering the world still held some appeal. “I just want as many people as possible to hear these songs,” he says. But Lost Soul is about more than just the songs or sound. How many people are given the chance to return to their passion after so many years away? As one fan put it in a recent email:

“You know, I think seeing you ‘back’ could be the most inspiring thing I’ve come across in years. After sleeping on it, I’m rethinking all the things I thought I would never do again.”  

Kendra Muecke of Kendra & the Bunnies is a freestyle rock-loving pop artist, singer-songwriter, and multi-instrumentalist. Kendra has released numerous albums, EPs, and singles centered around the theme of self love and shared understanding. Atop her numerous releases, she is very involved in The Recording Academy as a Grammy Voting Member, GRAMMY U mentor, GrammyNEXT member (2022), and she is on the Recording Academy Los Angeles Chapter Foundation Committee + Los Angeles Chapter Board and Advocacy Committee. Kendra & the Bunnies is also a two-time Josie Music Award winner for Artist of the Year (Multi-Genre) in 2021 and Artist of the Year (Pop) in 2022. Kendra Muecke is a graduate of Pepperdine University (Bachelor of Fine Arts, Theatre Arts) and Musicians Institute (Independent Artist Program). Additionally, Kendra has studied songwriting at the Blair School of Music, Vanderbilt University. In her community, Kendra partners with the Junior League of Los Angeles as a new member and advocate for foster youth.

Unsung guitar legend from San Francisco’s post punk scene 1980-82. My unknown bands were Frank Hymng with Tono and Fritz Fix from The SF Mutants, The Passengers with Michael Belfer, The Steamin’ Seamen with Charles Hagan, The Senquist Experience, again with Michael Belfer, and The Neighbors with Dickheads guitarist Bob Mannion and bassist extraordinaire Edgar San Gabriel. Lastly, there was Elliott’s Evil Plan featuring Cathey Cotten.

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