Anthony Rother is described as an influential visionary, an electro pioneer and one of electronic music’s most prolific producers. For more than two decades Rother aggregated a vast musical canon that reflects his unique career as a sound researcher exploring the aesthetics far beyond the boundaries of electro, techno and pop music.

Starting his recording career in the late ‘80s, the Offenbach-based producer established himself in Germany’s electronic music scene with his first two releases, "Sex With The Machines" (1997) and "Simulationszeitalter" (2000). In 1998, he founded his label Psi49Net, allowing him to keep his artistic independence and showcase his vision of electro music that cultivated a unique storytelling approach, guided by dystopian future visions on societal changes due to technological progress. The vocoder-driven vocals and the dark dystopian synth sound with machine-like beats have become Rother’s trademarks, even before he found international recognition as a science-fiction avant-gardist with the virtual electro-pop project "Little Computer People" (2001) and his 3rd solo LP "Hacker" (2002).

In 2004, Rother created the Datapunk imprint to evolve an immediate, more song-orientated language that used simple melodies and even autobiographic anecdotes collected on "Popkiller." Perceived as one of his most venturous endeavors, yet his sonic shift had a decisive effect on many artists' careers: The Hacker, Boys Noise and Terence Fixmer published on Datapunk in its early days. While some of the experimental ambient recordings for Pete Namlook’s infamous label Fax +49-69/450464 reflects Rother’s prolific output, he also worked and co-produced with several prominent artists such as from former Kraftwerk member Karl Bartos, Sven Väth and DJ Hell.

After its success, Datapunk turned into an enlarging business which devoured both time and creativity to make music. In 2013, Rother decided to let the project rest and took a break that he used to move his studio while only producing music for his HYBRID sets. Through his self- contemplative retreat, he eventually rediscovered the artistic instincts that brought him back to his roots; both in terms of his renewed independence as well as how he channels creativity as a producer. In late 2017, Rother resurfaced with an EP on Danny Daze’s Omnidisc and contributed the track "Technic Electric" to Fabric 96 mix by DVS1. Last year, Rother returned to his Psi49Net label with a new album "3L3C7RO COMMANDO" that transports a clear message: Anthony Rother not only lives in and through his pure electro music, he still has something to say – here and now. The past represents the future!

In April 2019, Rother will release two 12’’ on DVS1’s Mistress Recordings followed by another EP as well as a conceptual LP for Psi49Net in fall. Moreover, Rother will drop a 12-inch on Radio Slave’s Rekids offshoot Stranger In The Night.

Influenced by early hip hop culture Dave Sims started djing in 1986 mixing and scratching hip hop and funk breaks after being influenced by Grandmaster Flash,Bambaataa,DJ Cheese,Double D and Steinski;s lessons etc, this led on to buying a 4-track tape recorder and creating break mixes and hip hop tracks with local mc's,and playing at local parties. 
In about 1989 started going to raves and clubs like the Dungeon,Crypt, Telepathy and then later Paradise club (AWOL) and getting into house and early breakbeat ,djing at parties and raves staying with the music as it evolved through hardcore,jungle to drum and bass.. 
In 1996 started making tunes with DevParadox recording as “Nucleus “ releasing various12" and lp tracks of dark jazzfunkbreakbeat inspired dnb.,and deeper ambient tracks on various leading dnb labels including Reinforced, Goodlooking ,Metalheadz,Offshore,Paradox music,Arctic music.. 
Also staying with hiphop in 2000 releasing 2 BBoy break mixtapes with Break Dj Leacy,which have become classics in BBoy circles worldwide. 
2002 saw the creation of "Esoteric", a label exclusively for Nucleus/ Paradox material.which is going strong into its 19th release getting excellent reviews and regular plays by many of the scenes top djs including Goldie,Flight,Marky,Marcus Intalex.,Loxy. . 
As well as djing drum and bass Dave always stayed with his roots playing and collecting,funk,disco,b-beats,hip hop,house,jazz,broken beat ,afro,latin,etc,and has played at various events in Germany,France,Holland,Hungary,United States,Russia,Croatia,Australia,Switzerland,Norway,Estonia,Finland and can also be found playing more of a deep house/disco sound at various clubs/bars/parties in London. 
Radioshow,Catch a Groove-Nucleus and DjTrax, every 2 weeks,on www.jungletrain.net,wednesday night 8-10pm gmt.Playing Jungle/DnB past,present,future.Shows archived here http://www.mixcloud.com/catchagroove/

Launched by Ruffhouse and Gremlinz in 2015, UVB-76 Music has established itself as a leader in the field of underground sonic art, releasing a markedly consistent series of 12” singles, EPs and LP's.

With an intimidating stable of key recording artists including Ruffhouse, Gremlinz, Pessimist, Holsten, Overlook, Outer Heaven, Karim Maas, Clarity and VEGA appearing at events worldwide, UVB-76 Music has articulated a cohesive original sound matched to a visual identity created and curated by artist James Hewitt.

The label continues to operate at the cusp of identification playing a line between Drum & Bass, Techno and an unidentifiable mid-way. As consistent as its namesake, echoing covert communications and unspoken espionage.

The Stone Tapes // DROOGS // 4 6 2 5

STOP WAR.
Halushko - Folk, jazz, pop singer, composer of Drum and Bass, techno, trip-hop, pop music, Drum and Bass DJ.
PayPal: halushko.official@gmail.com

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