Business & platform Inquires: 
submit @ thedrunkencoconut [dot] com


The Drunken Coconut is home to The Husk and "Grow With Us" platforms.

Hey Coconuts!

Make sure to follow our main channels
@thedrunkencoconut
@dj_turtl3


All material on this channel is posted with the explicit consent of the artist/labels and no copyrights are violated in any way whatsoever.

Submit your tracks at: 
submit@thedrunkencoconut.com

Our large and diverse network of contacts are able to support most electronic genres!

The Drunken Coconut is a team of dedicated individuals that work day and night to make sure your tracks are heard. We aim to put artists first like no other service currently in the industry. We offer customizable promotion packages, tips and tricks for building your brand, and free content to help improve your sound. Our personal, reliable, and detailed service guarantees you the best promotion service around!

All material on this channel is posted with the explicit consent of the artist/labels and no copyrights are violated in any way whatsoever.

Hailing from The Hague, The Netherlands, Remy Cooper is a pop and dance music producer whose sound is synonymous with depth, layered textures, and a "larger than life" sonic presence. Seamlessly blending modern electronic elements with vintage touches and grand acoustic instrumentation, Remy crafts productions that evoke strong emotional feelings, whether joyous or melancholic. With a remarkable track record including a collaboration with Lost Frequencies, a second-place finish in the Czech Eurovision national finals with ADONXS, and multiple placements in Junior Eurovision, Remy's mission is to create music that leaves a lasting, nostalgic impact on listeners, connecting songs to pivotal life moments.

Try our new Repost Trader! 

https://Pump.lnk.to/RepostTrader

Expose your tracks to millions of listenners!

◄Submit Your Track: http://pumpyoursound.com/promotion/

Partners: 
◄@w-a-production
◄@dirtyproduction
◄@pumpyoursound

Big EDM Sounds: 
◄@bigedmsounds

Big EDM is a Music Label and Sound-Design company that was established in 2015 by Roman Trachta – the founder of another well-known sound-designing company W. A. Production. This label is following in W. A.'s footsteps, and is only creating and releasing the most current and mammoth sounds, samples, loops, construction kits, and much more for thousands of producers who want to add fresh ideas to their production. Big EDM will provide their products to all genres including electro, progressive, deep, tropical, future, dubstep, trap and many more.

"miifa" is solo project by Tamie.

Thanks!：DJ BEE / kosuke manabe

Vancouver-based psychedelic industrial doom duo Post Death Soundtrack craft a dense electric symphony of heathen guitars, brazen bass, and a bubbling cauldron of synthesizers and found sounds. The score to the untamed plains of the subconscious. This lays the groundwork over which the inimitable Steve Moore showcases his crushing vocal performances. In each piece, he takes from his hall of faces to embody the essence of a theme, be it scathing fury or enlightened ambivalence. Balancing ferocity and serenity, surrealist absurdity and earworm familiarity.
Conceived in grubby back rooms and underground clubs of inhospitable Calgary, Canada, Post Death Soundtrack initially took inspiration from the same forces that drive young obstinate bands in cities like DC and Austin and Detroit. The cognitive dissonance between the forces that run their town and the forces that run their lives. The original duo of KENNETH BUCK and STEVE MOORE took aim squarely at the hypocrisies of government, religion, and mainstream ideology with blinding rage but also tongue firmly in cheek sarcasm. The debut album, 2008's Music as Weaponry, pulls together the wild, brash industrial of Skinny Puppy and Ministry with the hypnotic trip-hop textures of Portishead and Massive Attack to deliver an engrossing indictment of Western culture and an offer to rise above its trappings.
On the heels of the release of Music as Weaponry, JON IRESON was recruited to the lineup, adding his own brand of mesmerizing psychedelia to the mix. Now with one foot on the coast in Vancouver, the group set out to create what would become their deep dive inward, The Unlearning Curve. Ireson's affinity for 60s and 70s psychedelic rock, as well as the nebulous electronica that came out of Britain from the likes of Underworld and a techno-age David Bowie, allowed Buck and Moore to take their vocals further down the rabbit hole to fever dream mantras and mad hatter ravings. Relocations, breakups, releasing other projects and a daunting bout with cancer led to the album getting shelved for 3 long years. In 2016, the loose ends were tied up and The Unlearning Curve was unleashed, forging a new brand of psychedelic industrial. 
Now, Post Death Soundtrack are back with their most ambitious and vitriolic collection to date, It Will Come Out of Nowhere. The group, now streamlined back to a duo, has Ireson at the reins of the sprawling production while Moore takes us on a trip through his tempestuous psyche. The 11 unforgiving tracks explore when calamity comes knocking unexpectedly on your door inspired by betrayal, divorce, personal loss and other blind-sided knocks to the ego. Doom, hip-hop and Indian raga all leech into the groundwater giving the album an unparalleled sonic breadth. 
The sardonic trudge-hop of the lead single 'Chosen Sons' takes woozy mellotron strings and splices in cryptic samples, digital dive-bombs, a serene Arabian breakdown, and a punishing final statement amid the roars of beasts. 'Expect No Sympathy' opens with a hoard descending on a village in a surreal wild west scene before launching into a tirade of cold justice. Trumpeting guitar leads and flurries of piano lead the traitor to the gallows. Hip-hop meets doom metal on this stomping hell ride. Redemption can be found on the B side of the record with the Indian cadence of 'Benediction' (featuring Lyndsay Johnston) or the zen freedom of 'Pathless Land' but the final word comes in the form of the devastating 'Bridge Burner'. A ten-minute epic that boils over with venomous indictments. The fiery eruptions of the song's opening tirade thicken to oozing lava as the juggernaut slows to a pummeling, sludgy crawl, eventually turning to stone.
It Will Come Out of Nowhere is out February 15th, 2019 on limited release 2LP vinyl with custom slipcase and available on all major streaming platforms.

Visit our new webstore: https://www.waproduction.com/

W. A. Production was founded in 2014 to provide electronic music producers of all kinds with the tools they need to make their best music possible without breaking the bank. Beginning by offering professional-quality audio samples, W. A. Production has since grown into a globally-recognized developer of Audio Plugins, DAW Templates, Music Production Courses, and more.

W. A. Production also prides itself on top-quality human-to-human customer support. Ensuring a positive customer experience is W. A.'s number one priority, and the team works hard to prevent and rectify any issues that customers may experience.

W. A. Production is constantly innovating and testing new boundaries, pushing its product offering and the industry as a whole to new heights. W. A.'s team does this by continuing to ask themselves each day: "What about making your sound better?"

🎧 ロック、テクノ、ジャズ、ヒップホップ、民族音楽、映画、演劇、現代芸術、マンガが好きです 🎸 作詞・作曲・編曲、デザイン、DTM、DJ、VJ、ベース、ウクレレします 🐈 猫と暮らしてます 💐戦場よりお花畑が好きです
🎧 I like rock, techno, jazz, hip-hop, traditional music, movies, contemporary art and manga. 🎸 I write lyrics, compose, arrange, and design. I play DTM, DJ, VJ, bass guitar and ukulele. 🐈 I live with a cat. 💐 I like flower fields better than the battlefield.

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