My house/tech house submission for #CZDJCONTEST010

Mike Conradi - #czdjcontest010

(A.K.A. CNTRL MACHINE)(A.K.A. TESTFEUER)(A.K.A. Elektrostrata)
Production/Remixing/Live Hardware P.A.

Mike Conradi began his DJ career in early 1999 and since then has played at countless clubs and events across Ontario Canada alongside some of the biggest names in electronic music. These include numerous main stage performances at the World Electronic Music Festival (WEMF) and at many of Toronto's legendary venues such as Footwork, Circa, Sound Academy, System Soundbar and more. Over the last 25 years Mike has become well known for his technical mixing and energetic style behind the decks as well as his signature techno/house sound. As a producer Mike has been putting his years of experience to good use in the studio with releases on labels such as Parliament House, Maetta, Straight Up!, Gold N Tech, Champion Beats, Fine Grind Audio and Don't Look Productions. Mike is currently a resident at the renowned Studio L14 in Hamilton Ontario which has hosted the likes of Frankie Bones, Neil Landstrumm, Joe Farr, Paul Birken and more.

http://dj.beatport.com/mikeconradi
https://www.facebook.com/ThatMikeConradi
https://www.instagram.com/mikeconradi/
https://www.mixcloud.com/mikeconradi/

Medicine heals the body.  Music heals the soul.

love the dark, sad, experimental and hazy side of things, hypnotic loops and damaged sounds. massive horror geek. not without a sense of humour. partner in crime with Shelley and Loren.

if you're questioning why or how i'm able to upload on a frequent basis, simply put - i have A LOT of time on my hands at this point in my existence, a wealth of music/sounds to draw upon, and a decent collection of software to make things (e.g. both the synth and fx arturia vst collections). i'm not just auto-generating ai pieces ad nauseum, at the same time i have nothing against using ai in the creative process, but not as an outright replacement for creation. i really think the witch hunt over it all is a bit ridiculous, fueled by the greed pig corporate media companies mostly. 

one thing i've learned about making at least a little bit of money from streaming my music beyond measley penny scraps, i have to upload frequently and i've been experimenting with reuploading/reposting my tracks for better play counts (for now), if even it only results in cutting costs.

Acid, breaks, and 808's

Email: j.doran_music@outlook.com

https://jdoran.bandcamp.com

https://www.beatport.com/track/ionospheric/20230083

Thanks for listening