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Untitled playlist

Dons Treats In Music

this one is personal and very important to me. Share it with everyone and anyone and let's make an impact. Someone out there needs to here it. Music video out as well on YouTube and it is available for streaming on all platforms.

Dear Alcohol

VIDEO

Dax - Dear Alcohol

Dylan Wolfe - Wasting my time

سونامی موزیک

Dj Alizo-Radio Alizo 24

WHO SHOT SCOTT - REALLY LIKE THAT (ttwosounds remix)

Buy This Album

Country Girls Make Do

A soulful, retro pop track with Southern flair and a touch of gospel grit, The vocals are sultry, confident, and rich with vintage character, telling a story of forbidden charm and youthful longing.

Sunday morning ((Sixties Soul))

Verse 1

Young girl living in a small town,
Life all around was getting her down.
But she could escape from all of this,
In the room of dreams, she found her bliss.

Chorus

Dancing to Leif Garrett, poster on the wall,
Turning up the music, answering the call.
Spinning in her bedroom, moving to the beat,
Twelve years old and life could feel so sweet.

Verse 2

Lazy summer days, Walkman in her hand,
A boy she would watch from the caravan.
She carried that secret, a heart beating true,
Writing his name in a book of blue.

Chorus

Dancing to Leif Garrett, poster on the wall,
Turning up the music, answering the call.
Spinning in her bedroom, moving to the beat,
Twelve years old and life could feel so sweet.

Verse 3

This summer adventure has ended,
Back to the school that she dreaded.
Holding on tight to what freedom means,
Living her life in the room of dreams.

Chorus

Dancing to Leif Garrett, poster on the wall,
Turning up the music, answering the call.
Spinning in her bedroom, moving to the beat,
Twelve years old and life could feel so sweet.

Bridge

Someday she’ll leave that small-town street,
But twelve years old still feels so sweet.
A fleeting time, a secret flame,
The room of dreams, where nothing’s the same.

Chorus

Dancing to Leif Garrett, poster on the wall,
Turning up the music, answering the call.
Spinning in her bedroom, moving to the beat,
Twelve years old and life could feel so sweet.

Outro

Echoes, cassette radio in her room,
Songs that told her she was made to move.

Dancing to Leif Garrett, poster on the wall,
Turning up the music, answering the call.

Dancing to Leif Garrett, poster on the wall,
Turning up the music, answering the call.
(Fade)

Dancing to Leif Garrett

Verse 1
You’re so fine
(so fine)
All mine
(all mine)
I won’t rush
(ahh ahh)
Unless you touch
(unless you touch)
If you sip
(what you sip?)
I’ve got that wine
(red red wine)
And if you’re hungry, Boy, I’ll set the table just right
(mmm yeah)

Pre-Chorus
Ooh darling don’t keep me
(waiting)
There’s a fire we could be making
(come on)
I’m talking slow jams, midnight
Candles dripping on the bedside
Girl, let’s slip in, it feels right

Chorus (Hook)
I’ma keep the lights low
(I’ma keep the lights low)
I’ma keep the lights low, boy
(I’ma keep the lights low, hopin’)
That you’re feeling what I feel
And you want me like I want you tonight, baby
(tell me that you’re coming soon)

Verse 2
Velvet sheets
(velvet sheets)
Bare skin
(bare skin)
We move slow
(ahh ahh)
Where do we begin?
(where do we begin?)
Every glance
(every glance)
Turns me to flame
(turns me to flame)
I don’t want tomorrow if tonight don’t stay the same
(woohoo)

Pre-Chorus
Baby, don’t keep me
(waiting)
There’s a storm inside worth breaking
(yeah yeah)
I’m talking whispers, sweet wine
Hands tangled up  your spine
Girl, let’s lose track of time

Chorus (Hook)
I’ma keep the lights low
(I’ma keep the lights low)
I’ma keep the lights low, baby
(I’ma keep the lights low, hopin’)
That you’re feeling what I feel
And you want me like I want you tonight, baby
(tell me that you’re coming soon)

Bridge
Don’t need no games, no disguise
I see forever in your eyes
Every word, every sigh
Is written straight from the heart tonight

Chorus (Hook – repeat/fade)
I’ma keep the lights low…




Keep the Lights Low

Pulse of the Night is a fun, floor-first dance track — born from memories of late-night DJ sets between 1982 and 1993, when one groove could light up the room. Blending disco-funk bass, trumpet riffs, chant vocals, and shimmering synths, it’s pure escapism: a reminder that sometimes you don’t need a reason to gather, just a beat worth following.

Verse 1
Step into the glow, a spark in your stare
Every heartbeat’s loud, nothing else compares


Take my hand, don’t hold it back
Spin with me, no turning track
We’re alive in the rhythm of the night


[Hook phrase + chant backing]
Pulse of the night, moving side to side
Let the sound lift us high, burning in our mind
Pulse of the night, never asking why
We just move (Move)


[Vocal chop “Oh-oh, the night” in rotating Atmos motion]
[Trumpet riff L/R, synth stab unison rear-top]


Heat across the floor, colors start to rise
Every shadow fades when I see your eyes

Fingers interlace, bodies find their way
In this rhythm, there is only us

Only us (us) tonight (tonight)


“Turn it up, don’t slow it down…”
[Snare build → big drop back to chorus]


Pulse of the night, moving side to side
Let the music guide us (hhheeeey)
Pulse of the night, never asking why
We just dance until the light, chasing through the night


[Trumpet solo rear-left + synth pad fade rear-top]
[Percussion loop fades into silence]
[Last whispered line center:]
“This rhythm never fades…”




Pulse of the night

Inspired by the wild 1985 case where John Fogerty was sued for sounding like himself. I’d just had one of my own tracks flagged as a “cover” when it wasn’t — so this satirical swamp-rock tune was born. Brotherhood, betrayal, and a courtroom blues where the only crime is being yourself.

👉 Listen, laugh, and wonder: can you copyright a heartbeat?

Verse 1
We were saints in the spotlight, brothers in sound,
Rolling on a river till the tide turned around.
Bad moon rising on the edge of our fame,
One voice, one fire, one shared name.

Verse 2
But contracts cut deeper than blood ever could,
Paper and profit tore through brotherhood.
Said my echo was theft of the man I’d been,
Like an old man down the road come walking again.

Chorus
I plagiarized the man I used to be,
Sold myself the rights to my own melody.
You can jail my shadow, but you can’t own me,
If it’s a crime to be myself, throw away the key.

Verse 3
The jury leaned forward, pens scratching my fate,
Lawyers argued rhythm at a furious rate.
The judge tapped the gavel, said, “Sing us a line —
Have you ever seen the rain, and swear it is mine?”

Bridge
Can you copyright a heartbeat?
Can you trademark the sky?
If a song runs through the jungle,
Does the spirit still fly?

Verse 4
Now the spotlight is smaller, but it still burns true,
No label, no jury can tell me what to do.
The past keeps on echoing, but I walk my own run,
Still a fortunate son with the same old song.

Chorus
I plagiarized the man I used to be,
Sold myself the rights to my own melody.
You can jail my shadow, but you can’t own me,
If it’s a crime to be myself, throw away the key.




Crime to be Myself

Crime to be myself

The Best of Bread

Guitar Man

In The Lonely Hour

I'm Not The Only One

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ADE Sampler 2016

Parpar

Download

Anatolian Sessions - Parpar (Original Mix)

The Thrill Of It All

Too Good At Goodbyes

Discover the best Electronic Music with Sweet Musique <3

PREMIERE : Ali Farahani - L'atto (Original Mix) [Pipe & Pochet]

Release Date:  2018-04-03

Follow:
https://soundcloud.com/alifarahaniofficial
https://soundcloud.com/pipeandpochet

About the Ep:
Pipe and Pochet label boss Ali Farahani graces us with an EP filled with all star support. L'Atto is a sexy anthem with remixes from Armando Letico, SAAND, and Timboletti. Mix a little Italian vocals with some thumping beats and you will hear why this EP smashes the sexy spectrum.

PREMIERE : Ali Farahani - L'atto (Original Mix) [Pipe & Pochet]

Derûn doesn't believe in time perception.
Like dust particles transformed throughout cosmos, our inner selves wandering around, transform and evolve in this big ocean. Derûn's aim is to transform our universe's story with music, combining dust particles to built new aspects

Derun - Ates (Valeron Remix)

An Invitation

I don’t write to lead a chorus. I write to leave a light.
These songs are only footnotes — echoes reminding us that struggle and hope never vanish, they only wait for new voices to rise.

Everyone has a voice. Yours is no lesser, no greater than another. Each carries its own truth, and each truth belongs in the song.

Whatever your path — through faith or doubt, joy or grief, belonging or difference — your story matters. Your words can name the weight you carry, or sketch the world you still believe is possible.

So write. Whisper or roar, it makes no difference. A single verse, honest and clear, can carry further than you expect.

Together, these voices weave the chorus. Not owned by one, not silenced by power, but held in common. If my words spark even one more verse, then the song is larger than me — and the story continues.

1. The Core Philosophy: "Serve First, Lead Second"
The central tenet of servant leadership, as coined by Robert K. Greenleaf, is that a leader's primary motivation is a genuine desire to serve others. This is a direct contrast to traditional leadership models where the leader's goal is to amass power, control, or personal gain.


Humility in Action: A humble person naturally puts the needs of others before their own. For a servant leader, this isn't just a tactic; it's an internal compass. They don't see themselves as being "above" the people they lead. Instead, they see their role as a steward of the organization, responsible for helping others thrive.


2. The Inverted Hierarchy
Traditional leadership operates on a pyramid structure, with the leader at the top and everyone else below. Servant leadership inverts this pyramid. The leader is at the bottom, supporting the team and lifting them up.


Humility in Action: This visual metaphor perfectly represents humility. A humble leader doesn't need to be on top to feel powerful. Their influence comes from empowering others. They are secure enough in their own abilities that they don't feel threatened by the success or growth of their team members. In fact, they celebrate it.

3. The Shift from Positional Authority to Moral Authority
A traditional leader commands through their title or position. A servant leader, on the other hand, leads through persuasion, trust, and the respect they earn from their team.

Humility in Action: Instead of saying, "Do this because I'm the boss," a servant leader says, "This is what we need to accomplish. How can I help you do your best work?" They listen more than they speak, and they value the team's ideas and input more than their own. This requires a profound level of humility—the recognition that the best ideas can come from anywhere, not just from the person at the top.

4. Key Traits of a Servant Leader that are Rooted in Humility


Many of the most commonly cited characteristics of servant leaders are direct expressions of humility:

Listening: A humble leader knows they don't have all the answers and is genuinely interested in hearing the perspectives of others.

Empathy: The ability to understand and share the feelings of another person is an act of putting yourself aside to connect with someone else's experience.

Stewardship: This is the mindset that you are entrusted with the well-being of the organization and its people, rather than owning them.

Commitment to the Growth of People: Humble leaders see the intrinsic value in every individual and are invested in their personal and professional development, even if it means they eventually surpass the leader.

In essence, humility is the internal attitude that makes servant leadership possible. Without humility, a leader who tries to "serve" might just be using it as a manipulative tactic to gain control or popularity. True servant leadership comes from an authentic, humble desire to put the needs of others first. It is, as the saying goes, "thinking of yourself less, not thinking less of yourself."

Keep the Lights Low

Saturday Ghosts