This track combines a haunting yet uplifting atmosphere with a nostalgic 90s-inspired groove. The verses are smooth and introspective, carried by subtle instrumentation and an air of quiet tension. As the song builds, it transitions into a dynamic and emotive bridge, with rich melodies that add depth and texture. The modern, soaring hook ties everything together, delivering a captivating balance of melancholy and hope. With its polished sound and unforgettable chorus, this track feels timeless yet undeniably fresh, perfect for both intimate moments and wide-reaching playlists.

Now That You're Gone

V (Ft. Molly Barnett)

We Are Stars In The Night

Zhuoma
A name carried by countless Tibetan women – a symbol of beauty, compassion, and feminine strength. A song for the daughters of Tibet, whose voices weave the melody of the heart.


Her name is whispered in the mountain song,
Zhuoma has lived in our hearts all along.
From village to valley, her laughter will stay,
a daughter of Tibet, as bright as the day.

Zhuoma, Zhuoma, your spirit shines,
a thousand voices call your name in the pines.
Every girl carries your gentle flame,
Tibet remembers through your name.

She walks with the rivers, she sings with the sky,
her prayer is a banner that never will die.
Zhuoma is every sister we know,
a name like the flowers where soft winds blow.

Zhuoma, Zhuoma, your spirit shines,
a thousand voices call your name in the pines.
Every girl carries your gentle flame,
Tibet remembers through your name.

When the singers gather, the stories begin,
Zhuoma is the song we are singing within.

Zhuoma, Zhuoma, your spirit shines,
a thousand voices call your name in the pines.
Every girl carries your gentle flame,
Tibet remembers through your name.

Zhuoma

Coming At Ya With Another Bomb Track

Recorded @ Studio B 

SHOTZ FIRED

Shotz Fired A1 Project

'strike two'

scotty: acoustic pearl export, epiphone casino, fender squire 3/4 bass. Just blowing off some steam, y'all. 

strike two

They bend beneath the grammar of shapes,
their spines spelling out the circle’s weight,
the triangle’s sharp silence,
the unfinished mouth of the arc.
On the striped earth they move like broken metronomes,
measuring a rhythm only the sky remembers.
It is less a dance than a translation
flesh carrying the burden of thought
bodies turned into symbols,
symbols turned into prayer.

Jonesy

an older tune I cleaned up a bit
it is a tribute to actor, singer, dancer, artist, and author Russ Tamblyn, who turns 91 in December.

I wrote the song around the time I retired from my  medical career. So  along with references to  Russ and childhood memory, there are veiled allusions to this strange  new exciting but a bit unsettling life circumstance in the lyric.

As per Russ 
He danced and acted in Westside story  and Seven Brides for Seven Brothers most famously but was in a bunch of movies in the 50s and 60s.. and ....my favourite as a kid was the War of the Gargantuas, which  for Russ was a creative low point ..but  it got him to Japan
opening clips from WotG...the middle and end clips from his movie Highschool Confidential



PS The line in the last verse Words stuck in my throat..lifted from the song The Words Get Stuck in My Throat From the movie War of the Gargantuas...sung by the wonderful Kipp Hamilton who has to contend with a Gargantua groupie..dont worry she survived....clip of the song in the movie is here
https://vimeo.com/358726099?fl=pl&fe=sh
Devo did a cover of it years later


Russ Tamblyn

I'll get a Tokyo life                             
Say some words off the script          
Monsters in play                                
Career gone adrift                               
I can make it in spite                          
Of the way they dub my lines              

I'll sail to the East
Maybe take me a bride
Dance out regret
Act up with pride
Let me do it 
Let me do it
Let me do it brother, what do you say?
My little boy brain wants to be Russ Tamblyn for a day

I wanna be cool
I’d like to be strong
A fighter who dances
A singer of songs
Add some rhythm 
Put some muscle on these rhymes 

The streets of the West
I'll be taking a side
Living forever 
This world’s opened wide
Let me do it
Let me do it
Let me do it, what do you say?
My little boy brain wants to be Russ Tamblyn for a day 

In 1970                                         
I saw him on the TV screen        
With those creatures, one             
brown, one green                         
My Gargantuan celluloid dream   

They said I could bail    
I’d much rather swim
Head above water
Life on a whim
I can make it in spite
Of their doubts and their goodbyes

Words stuck in my throat
What's left to say?
There's only myself
I can't stay away
Let me do it 
Let me do it
Permit me if I may
My little boy brain wants to be Russ Tamblyn for a day
My little boy brain wants to be Russ Tamblyn for a day





Russ Tamblyn(the Ballad of the HotR)

Years ago, my brothers and I had spent several weeks getting my dad's house ready to sell after he had passed. I was in the realtor's office ready to sign the paper work when the prospective buyers asked why I wasn't buying the house I grew up in.  I said (not thinking) "Too many ghosts".  The realtor immediately jumped in and said, "he means memories" to which I smiled confirming the needed clarification:)  It does beg the question however, how many "ghosts" haunt our lives; bad decisions, fractured relationships, things we did or failed to do.  I have found hope and forgiveness in the Christian faith, others have found healing in the passing of time, others still carry a heavy burden of what could have been or should have been.  Peter explores the theme in poignant verse to Seagull's quixotic soundtrack.  I am honored to  contribute a few colors to the tapestry;)
Acoustic guitars left & right; David Dunham; @david-dunhamuser589535203
Superb Poetry/Lyrics, Narration; Peter the Poet; soundcloud.com/user-264930040/tracks
Master of the music, lead guitar solo, mix & production;  Seagull @farout-music-studio
Wonderful voice: Clara Sorace
Track art: Bing images
Ghost of a Sense:

Yes, I know you.
I can feel your presence.
I can touch you, smell you.
I see you not by sight of eye
And yet I ken that you are I
That vespered wraith that writhes within
To test my faith, try my sin
Push the bounds to cause offence
A moral, soul thing, ghost of a sense recalls myself, so well defined
Entrenched, walls behind, built so sound of dust that crowned the pity, falling soft amiss,
Deep inside the tears I cry as here I find my self-abyss.

Whispers bringing shadows, filled of secrets therein held,
Memories, morose, piece me still, to wear in time, my wasted face.
And now reside, cast aside, to forge and ever meld,
Of haunting, ringing echoes, that will alone their chime erased.

Ah! But you won't twist me, nor bind me fast, to the sandy doctrines of the misty past,
With its beards and staffs and crinkled testaments.
My future's sprinkled here present with your crass irrelevance and matters not that sat right there,
The blackest chasm in my simpling world so spare,
Where space and time have overspilled the leaking psyche of a crippled mind,
That barely copes, unfulfilled, a crooked, limpid moral health of broken shrines
That hopes to find ....
.......some worthwhile inner self.

Ghost of a Sence (Seagull, Peter, David)

Cast of Characters:
Mistermark-- @user-432503709 -- Mark –- VST Middle Eastern instruments (Duf Drum, Daire drum, Darbuka, Riq, Qanun, Zurna horn, Ney flute, strings), female vocal sample, 'ululation' (high pitch yodel), and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Custom fretless 5-string bass 
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics
J.J. Terrell– @j-j-terrell – saz, shakuhachi, and synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken — cymbals and Chinese percussion
Llanpsych - Fluffer for the keyboardist and key grip
TexMex Shaman– @texmex-shaman –Stephen — traditional gourd-body sitar and mastering.

  Josh had the idea for doing a traditional Palestinian song, as he is an avid fan of their music. He wanted to raise awareness of this music and everyone in the band was immediately on board with this idea, and set about to make it happen. 
  Mark, who is an expert percussionist, learned a basic traditional Palestinian drum pattern, in a very authentic fashion. He laid it down, along with an Arabic sounding modal melody line portrayed by the quanun, which is a kind of zither. Josh found this pattern fascinating, and added his five string fretless bass to the it shortly after. Carl jumped in very shortly thereafter, and came up with some really amazing vocal melodies, as well as wonderfully prescient lyrics. He even learned more than several phrases in Arabic, which he sang in there, too. We were all very impressed by this, of course.
  JJ was next up, adding his magical, melodic, and exotic saz, shakuhachi, and synth to the mix. Ken threw in next, adding his perfectly timed brass and Chinese percussion to the mix, too. Last, but certainly not least, Stephen recorded his subtle, exotic, traditional sitar to the piece. 
  Once we had it all recorded, we turned it over to Mark for a mix, as the whole thing is really his baby. Stephen mastered it, though, as he is our resident professional producer.
  Our hope is that this song inspires you to dig into Palestinian music, and through that, you recognize the magic and the humanity of millions of Palestinian people who are suffering unimaginably right now. We hope you enjoy listening to this as much as we enjoyed creating it.

From Carl...
Music is our key to permanant peace on planet Earth in my view. If written thoughfully, it is our unimposing tool where we can share our different cultures like EC have done here to celebrate with our Palestinian friends stylistically the light of their music. I don't speak Arabic so I hope I don't offend anyone but I learned the Arabic as best as I could phonetically. It's done with the best of intentions . The eight Arabic lines are famous proverbs and show us how similarly all of our truths evolve from our hearts and souls

Peace and Love to everyone


Original lyrics by The Beautiful Dark:

Sisters and brothers
Daughters and Sons
We would give you food
But the road is blocked to sun
Proud Palestine
Brave brethren
Our hearts are with you
Our souls are weeping

Inhumane blockade of bread
Pains collective minds 
We want gone this dread
Let's find our kind
Please be strong
As we right this wrong
Hope prays that day will not be long

We pine with your God
To find a normal truth
Where your kids can grow and learn good youth
Sisters and Brothers
Daughters and Sons
We are with you Palestine
Sending love through song

The eye sees but the arm is short ( العين ترى والذراع قصيرة )

We are in the same boat ( نحن في نفس القارب )

Winds do not blow as the ships wish ( لا تهب الرياح كما تشاء السفن )

Being alone is better then being with someone bad (أن تكون وحيدا أفضل من أن تكون مع شخص سيء )

What is hidden is more then what has happened ( ما هو مخفي أكثر مما حدث )

Every problem has a solution ( لكل مشكلة حل )

Good intentions count for as much as good actions ( النوايا الحسنة لها نفس أهمية الأفعال الحسنة )

All is well that ends well ( كل شيء على ما يرام إذا انتهى بشكل جيد )

Oh My Darlin' Palestine (Eclectic Collective)

Picked out an old song I composed years ago on 8 track tape and updated with tubular bells, background singers, electric guitar. Got to love the tech of these days!

I Wonder Where You're Going Girl?

I’m a song-writer who enjoys creating music of any genre.

My son recently introduced me to A.I. and taught me how to do covers of my previously released non-A.I. music. Since I've never considered myself a performer (except playing with worship bands at church or solo-piano at a rehab center) using A.I. is right up my alley.

Since I've  exhausted using my previously released music for A.I. covers, I now compose music in a DAW, rip to a wave file, and make an A.I. cover of this wave file. I then write lyrics to the A.I. music. It takes around 100 A.I. iterations to complete the lyrics and get a style I'm happy with.  

Brief Bio: Lived more than a quarter of my life overseas (Egypt, Saudi Arabia, Turkiye, Italy, Japan, South Korea, and Taiwan). Each country gave me an appreciation for different types of music plus probably why I get bored easily in sticking with one genre or another.

I Wonder Where You're Going Girl?

Mike Krath