K-Leipzig

Recording sessions from-30/04/2010, Remix-27/03/2023.
6 tracks MOOG Modular (vst Arturia),
2 tracks Beatburner (vst Beatburner),
presets, mixing, processing and editing: Pier WILL.
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On March 24, 1999, NATO launched an aerial bombardment campaign against Yugoslavia to put an end to the repression of the Albanian Kosovars, the first against a sovereign State in the Alliance's 50 years of existence, carried out without the authorization explicit from the UN, Russia, a historical ally of Belgrade, and China having opposed any resolution allowing military intervention.
This intervention will weigh very heavily for the rest of history because NATO's military intervention in the Kosovo crisis has been interpreted as a geopolitical coup led by a Western camp determined to marginalize Russia and its status as a member permanent member of the United Nations Security Council.
NATO's approach to missile defense has been interpreted by Russia as an attempt to compromise its nuclear second-strike capability. Worse still, the "Orange Revolution" in Ukraine and the "Roses Revolution" in Georgia brought to power elites who considered joining the EU and NATO.
The rest, we all know it as well as the probable decline of Europe which is very likely to be, once again, the playground for a new world war. 
What is SAD about this story IS THAT THERE IS NO ONE TO TALK ABOUT PEACE, JUST THE CONTRARY !!!
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Le 24 mars 1999, l’OTAN lançait une campagne de bombardements aériens contre la Yougoslavie pour mettre un terme à la répression des Kosovars albanais, une première contre un État souverain en 50 ans d’existence de l’Alliance, menée sans l’autorisation explicite de l’ONU, la Russie, alliée historique de Belgrade, et la Chine s’étant opposées à toute résolution permettant une intervention militaire.
Cette intervention pèsera très lourd pour la suite de l'Histoire car l'intervention militaire de l'OTAN dans la crise du Kosovo a été interprétée comme un coup de force géopolitique mené par un camp occidental déterminé à marginaliser la Russie et son statut de membre permanent du Conseil de sécurité des Nations Unies.
L'approche de l'OTAN en matière de défense antimissile a été interprétée par la Russie comme une tentative de compromettre sa capacité de seconde frappe nucléaire. Pire encore, la "Révolution orange" en Ukraine et la "Révolution des roses" en Géorgie ont porté au pouvoir des élites qui envisageaient d'entrer dans l'UE et l'OTAN.
La suite, nous la connaissons tous ainsi que le déclin probable de l'Europe qui risque fort d'être, encore une fois, le terrain de jeu pour une nouvelle guerre mondiale.
Ce qui est TRISTE dans cette histoire, C'EST QU'IL N'Y A PERSONNE POUR PARLER DE PAIX, BIEN AU CONTRAIRE !!!
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🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental 
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❤️Love, 🕊️Peace, 🙏Respect

Europe Utopia - REMIX

Journey Through Your Mind

THERE WERE TWO UGLY DUCKLINGS
SHARING THE SAME FANTASY
TWO LITTLE SISTERS LIKE ALMOST SIBLINGS
ONE WAS BARBARA THE OTHER MARY
CHACUNE PLUS TARD AURAIT SON MARI
QUI CHACUN S’APPELLERAIT JOE
COMME ÇA PAS DE JALOUSES PAS DE JALOUSIE
NI POUR BARBARA NI POUR MARY
AND THERE THEY WERE PLAYING HOUSE
STUFFING THEIR T-SHIRTS WITH TOWELS TO FIT
THE SILHOUETTE OF A CREDIBLE SPOUSE
BETTER THAN ANY FANCY OUTFIT
JOE ET JOE SERAIENT CAMIONNEURS
UN BON JOB POUR DEUX PETITS MARIS
ET TOUT ÇA FERAIT LE BONHEUR
DE BARBARA ET DE MARY
BUT WHILE THEY WERE FANTASIZING ABOUT
A FUTURE SO BRIGHT TWO BRIDES SO MERRY
THEIR MOTHER POPPED IN SAYING CUT IT OUT
TO BLUSHING BARBARA AND MARY
ET AVEC SES GROS SABOTS
AUTREMENT EN DÉCIDA LA VIE
PAS PLUS DE JOE EN VUE QUE DE JOE
NI POUR BARBARA NI POUR MARY
ULGY WHEN LITTLE PRETTY WHEN BIG
THAT’S WHAT GROWN-UPS USE TO SAY
FORGETTING THEMSELVES ONCE WERE KIDS
AND PROBABLY HOUSE THEY DID PLAY
BYE BYE JOE AND JOE

PLAYING HOUSE (Lyrics) song for Anja

Sometimes with humans, when things get tough you might feel like nothing will get you out of the darkness. A little reminder here (including to myself) to keep the light inside of you shining as you have a place in this world. No one can ever undermine that. 

In this collaboration we exchanged ideas back and forth and I absolutely loved the backing track Morten sent me! So I came up with some lyrics and sang them pretty spontaneously.

Production by @mortenjeamland

Lyrics & vocals by Heidi K

Keep the Light Inside

Keep The Light Inside - Remix by Jeamland & Heidi K

Ride The Wave

A third in a trio of songs between me and Steve’s Planet…asked Josh along for the fun…sent it to Tez for an outstanding mix!
Steve is belting it out and playing all guitars. Josh plays bass,organ and piano and sings high harmony, I, of course played drums and percussion and sang low harmony… hope you dig a swampy blues!
#Steve’s Planet #Entheogenic Psychonaught (Josh Clary) #Llanpsych # K2 and the Three #K2 and the Four

Better Than Nothing-Eclectic Collective

Cover Of Darkness

My Son's Pill
Music and Lyrics by Mike Krath

I woke up with another ache,
Took my son’s pill by mistake. 

My son’s pill,
What a thrill,
Off to a planet
And still there still. 
My son’s pill,
What a thrill,
Off to a planet
And still there... 

interlude

Mama will you love me
Now that I’m a druggie
Will you?
Will you?

Mama will you leave me
Now that I feel unworthy.
Will you?
Will you?

interlude

If I had wings,
I would fly,
Just need to find,
a higher rise.
If I had wings,
I would soar,
Across sugar fields to a candy shore.

interlude

I came down with another ache,
Gave me an excuse for another mistake.

My Son's Pill

J.J. on bass and keys
K2 and the Three (Four) on drums
Entheogenic Psychonaught (Josh Clary) on guitar
Llanpsych on the production

In A Quiet Way (Eclectic Collective)

Music : Janne Hennie & PJ Project
Lyrics & vocal : Janne Hennie

Winter Sadness W/ Janne Hennie

I’m a song-writer who enjoys creating music of any genre.

My son recently introduced me to A.I. and taught me how to do covers of my previously released non-A.I. music. Since I've never considered myself a performer (except playing with worship bands at church or solo-piano at a rehab center) using A.I. is right up my alley.

Since I've  exhausted using my previously released music for A.I. covers, I now compose music in a DAW, rip to a wave file, and make an A.I. cover of this wave file. I then write lyrics to the A.I. music. It takes around 100 A.I. iterations to complete the lyrics and get a style I'm happy with.  

Brief Bio: Lived more than a quarter of my life overseas (Egypt, Saudi Arabia, Turkiye, Italy, Japan, South Korea, and Taiwan). Each country gave me an appreciation for different types of music plus probably why I get bored easily in sticking with one genre or another.