I agree with Mat! This is absolutely stunning piece of music, Mike! The pure beauty of communing with the absolute. I love it!

Top drawer, Mike - love the sub-bass rumbling away down low...

It's a beautiful drone piece, and the piano melody is very impressive.

Fredo’s Boat Ride

Chronic blues

Passing Through Three Doorways

Tenor saxophone and flute pieces in a void....echoes of a lost world.....

Pic: c/o AntarikFox


LOST VILLAGE

87_ My Own Lost Art Inspirations - released on 22 September 2025

I was at the Lost Art Festival Vol. 3 in Berlin on 13 September 2025. Light and sound installations and performances were shown in a soon-to-be-abandoned industrial facility. Music acts were also there, of course.
The location gave me the idea to create something with industrial influences. This is the result!
#industrial #rock #techno #trance #liverecording

(produced with BlocsWave & LaunchPad)

My Own Lost Art Inspirations

Vocals: @Oddrun-Eikli 
Trumpet: @Arne-Hiorth
Lyrics: @user-264930040 (Peter)
Piano: Debra Buesking
This piano composition takes its cues from Beethoven's Bagatelle "Für Elise".  It seemed a bit of fun to give Beethoven's famous piece a new twist and so we have.  Thank you to my dear friends Oddrun, Arne, and Peter, for this marvelous and joyful experience of working together.  It brings us all a bit closer together.

An Autumn Pastorale

The year’s getting late, now summer’s sleeping
I contemplate how autumn’s creeping in.
Berries shining for the birds
As they harmonise each others’ words In a chorus like the angels heard.

The year’s getting late, for carefree living

Lazy times, with honest give and take.
Simple joys like baby smiles
And climbing hills to see for miles
The evening star switching on…year’s getting late

The year’s getting late, memories clinging
Better times, that sweet hope’s bringing in
The last of this year’s butterflies
Mother nature’s neat surprise

Can’t those days come back please? … year’s getting late.

Autumn Pastorale | Oddrun E, Arne Hiorth, Peter the Poet, & Debra B

Fly Away (Jam Session) with Martin Jansen

Spirit (2025)

Glad to be part of the team !
🐞 T. Schmitt - Guitar
🐞 Lofi Menta - Bass ... @user-672449547
🐞 joerxworx - Saxophon & EWI
🐞 Ratzzz - Keys im Fuchsanzug ... @cosmic-ratzzz

Lunatics 248 / The Lucky Strike

Hypnosphere explores the surreal, fragmented realm of sleeplessness.
The theme centers around sleep or the haunting absence of it.
Each track captures the haze of exhaustion, the ebb and flow of hallucinations, and the desperate craving for rest that never comes.
It's an intimate journey through the mind's twilight, where the line between dream and waking life dissolves into an otherworldly soundscapes.

Hypnosphere

An epic and dynamic orchestral track featuring powerful strings, cinematic percussion, and a sense of grand movement. Inspiring and uplifting, it builds steadily toward a heroic climax — perfect for film trailers, adventure scenes, motivational videos, or cinematic storytelling.

Rising Horizons

The Composer Speaks:

I always knew that I wanted to be a musician when I grew up. Admittedly, there were times around the age 7 or 8 when I thought that that maybe I could become a scientist for, as a child of the 60s and besotted with space and rockets, science was a very big and popular part of my childhood. There were also times, somewhere around my first big double digit birthday, when I felt so alone and detached from children and adults alike, that I seriously wanted to be a horse - not that I particularly liked horses but it seemed easier than being me. Throughout all this though, playing in the background as it were, being a musician was the thing I really dreamed of being, and it was playing music that made me feel alive.

After the age of 11, I hated school so much that I simply stopped going. I educated myself by watching programmes for schools on the TV and reading encyclopaedias and the like. It was around this age that the classical music that I had listened to previously gradually gave way to more modern influences, mainly European bands, generally the stranger the better. At 13 I played my first gig, and at 16 I officially ‘left’ school and I threw myself whole-heartedly into music.

I’ve always written my own music; the songs of my youth have gradually given way to more instrumental compositions and now at 65, and edging ever closer to 66, lo and behold, I’m not only a musician but also a composer. The fundamentals of being a musician these days are so very different to when I first began; in those days I wanted to be successful and rich and so famous that I could have my own studio and be left alone to record and release music whenever I felt like it. Nowadays, although I’m neither remotely rich nor famous,  I do have my own studio, am more or less left alone and I can release music whenever I feel like it - so I guess, in a way, I’m living the dream; I’m living in Dreamtime.

This simple composition appeared beneath my finger tips as I sat in my studio thinking about all of the above; with the old nursery rhyme running through my mind that accurately says it better than I ever could:

“Row, row, row your boat 
gently down the stream;
Merrily, Merrily, Merrily, Merrily
Life is but a dream” 

Dreamtime

I'm here to share and appreciate all genres of music.  Most of what I am currently recording is electronic, and largely ambient, in nature; however, I have recently started recording cover songs of various tunes.  So, since I'm no longer strictly ambient (only mostly), I've changed my SoundCloud name to Smooth Waters Sonic Journeys.  Headphones greatly enhance the listening experience.  Thank you for listening.

Passing Through Three Doorways

Smooth Waters Sonic Journeys

Recent comments

sonic structures and silent stretches

Olttaoff

Oren Fisher

bart mastin

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