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Liefeld's love of comics began as a child, which led early on to his decision to be a professional artist, a practice that began with his tracing artwork from comic books. As a high-school student, he took basic fundamental art courses,[2] and attended comic book conventions at the nearby Disneyland Hotel, where he met creators such as George Pérez, John Romita Jr., Jim Shooter, Bob Layton, Mike Zeck and Marv Wolfman.[13] Liefeld cites Pérez, along with John Byrne and Frank Miller, as major influences.[2] He has also noted how the influence of Arthur Adams is visible in his art.[14]


Among the editors he sent art samples around 1985 to Gary Carlson of Megaton Comics. Carlson was working on 
Megaton
 #4, and was looking for replacements for artists who had moved on to bigger projects. Liefeld's submission packet consisted mostly of pinups of DC Comics characters like the Teen Titans and Legion of Super Heroes, as well as some sketches of Megaton characters. Some of these earlier pinups are visible on Liefeld's website.[16][17] Although Carlson thought Liefeld's depictions of his characters was not sufficiently accurate, and exhibited what Carlson characterized as "some goofy anatomy", he found Liefeld's storytelling to be clear, and his rendering style evocative of the influence of artist George Pérez. Although Carlson liked Liefeld's work overall, he felt the young artist was not ready for professional work. Weeks later he received another set of samples that were an improvement, and later still, a four-page Berserker story (not to be confused with the Marvel or Top Cow characters of the same name), along with pinups of the Megaton characters Ultragirl and Ultraman. Carlson used one of the pinups as the inside front cover to 
Megaton
 #5,[16] and Liefeld's Ultragirl pinup in the company's Who's Who-type reference book 
Megaton Explosion
 #1 (June 1987).[16][18] The book also featured an entry for Liefeld's own creation, a team of superheroes called Youngblood, the very first appearance of that team in print.[18][19]


The comment was met with criticism by industry professionals who pointed to the esteemed creators who had worked on the character that Liefeld was apparently calling "D-list" creators. Among these critics was Rich Johnston of Bleeding Cool, who pointed out that some of these past creators included Joe Kelly, Ed McGuinness, Joe Madureira, Gail Simone, David Lapham and Kyle Baker.[83] Artist Dave Johnson, who had also worked on the character, referenced a video Liefeld posted on the Web a year earlier of him inking a comics page while driving,[85] by saying, "Yes!!! I've been elevated to the "D list" of talent. Thanks Rob. Now if I can only learn how to ink while driving a car." Then-Marvel Editor-in-Chief Axel Alonso also referenced other creators who had worked on Deadpool, including Gerry Duggan, Brian Posehn, and Tony Moore, saying, "Welcome to the D-list, @GerryDuggan @thebrianposehn @tonymoore! Howdy Doody just put your name on the list."[83][86][87] Writer Rick Remender, another veteran of books featuring Deadpool, stated, "Lot of talented people you just called out as D-list. Might be a better way to congratulate yourself?"[83][86] Liefeld

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