In general blues is quite accessible to most musicians, especially when it comes to collaborating. Here: a nylon string acoustic guitar track. A minor blues improvisation recorded with the same moderate hardware like the previous upload. Same Sunday & same quarter of an hour plus same typewriting background sounds ;) Mixed in Cubase 6 and external VST.

Instrument: a twenty year old German nylon string acoustic 3/4 sized guitar made by Herbert Shäffner

This song was open for collaboration for a while. At least eight soundclouders created their version earlier. Listen here: http://soundcloud.com/mike-spring/sets/collaborations-on-the-minor/
Many thanks all! Mostly appreciated.
Mike

Minor Road Blues

Minor Road Blues  -  collaboration playlist linked -

http://www.mathamwilsoned.com

My piano is my voice.  I started recording these compositions and improvisations a few years ago when I wanted to tell someone how much I love them and no words were sufficient.  In the process of writing and recording that piece, I decided to start recording my random improvisations as well (which despite having played most of my life, I've never done before).  That was the beginning of my first set, "Words Fail Me" and this page.

Words Fail Me is available on Amazon, iTunes and Google Play!  It is also available for streaming on Spotify! 

Thanks to everyone who has listened, liked, reposted, commented - the fact that so many complete strangers have taken time out of their lives to experience a little of mine is crazy.  

I also love to accompany vocalists and work with other musicians:

https://soundcloud.com/matham-wilsoned/sets/accompaniments

Or take a minute to listen to the amazing voice of https://soundcloud.com/keir-patrick-white whom I had the privilege of working with for many years.

Thank you for your visiting, listening and supporting.

I'm a spare-time musician, usually working as an architect (running own atelier) on an average day.

I play: Guitar & Drums (respectively since 11 years old & 9 years old, since late 70's, quite intermittently, though; skipping some years not playing them while dedicated myself completely to architectural study and practice incl. working in  Europe),
and a little of Keys & Bass guitar (both of the later were started 10 years ago or so)

Roots: Classic Rock, R&B and Funk Rock, 70's Progressive Rock, 70's-early 80's HR/HM, also interested in many kinds of music and sound-art.

Hiroshi Kohno （河野 裕）

Just a couple of songwriters trying to find our way. Blessed with some INCREDIBLE musician friends (Tim Pierce, Matt Laug, Jimmy Z, Arlan Schierbaum, Bill Churchville, Rafael Padilla, Michael Parnell) that create the musical magic of Ruby LaRue!  Steve Valenzuela is our trusted engineer and studio Producer Guru. We'd be lost without them. We share our music during the mix process and welcome everyone's 2 cents. Thanks for listening! Rock on......Follow us on Instagram : https://www.instagram.com/rubylarueofficial/

Bad keys, shaky shakers, 
acoustic and tremolo guitars... 
I try to not grill ALL of these ingredients
ALL of the time... but it’s hard.

Ateliers/Workshop/Repost.
Si vous souhaitez me soutenir:
If you want to support me:
https://www.paypal.me/mtlbss

Thanks to all who have taken time to listen, comment, like, or share my songs.  I hope you enjoy your time here on this small piece of the Cloud.  Love, Peace and best wishes to all of the SoundCloud musicians, composers, and listeners!

Netherlands based singer-songwriter/guitarist/composer/sound engineer.
headphones recommended

"To my mind, a BLUES doesn't have to be a 12-bar progression. To me, if a song has the right emotion then I accept it as BLUES" - PETER GREEN

"I go by feel, I go by feel. 
The only way I know what's real" - BUDDY GUY

Mostly, as a self-taught guitar player (maybe not... considering all the influences and internet/book resources I've come across lately!)  and rather than trying to be anything remotely near a good player of any great technique, I'm not bound by genre or clichés; I just like to go for it. It's a whole lot better that way. 
Blues is a human expression of emotion. That may explain why I felt called to blues music, even though, I grew up in Europe, a continent apart from the music’s heartlands in America’s Deep South. And that may also be the reason for the great Portuguese Bluesmen we have nowadays (The Legendary Tigerman/Frankie Chavez/Budda Power Blues/Rui Veloso/Dead Combo/The Black Mamba/Mazgani and many others...)

I’m a fan of raw guitar players who aren’t really polished… you’re not sure if it’s all going to fall apart.  Those who, rather than trotting out a collection of preconceived practised licks and lines, take some chances along the way, creating ideas on the spot. IMHO they sound more exciting and impressive for it. I play whatever comes into my head. It's an adventure because when I do a breakdown or a solo, it's new each time and I just let it go... The majority are first take. I just turn it on and press record...they are mostly one moment in time. I’m always looking for something. Sometimes I’m not quite sure what, but you just have to keep looking...
The real beauty is playing without thinking and once you have some concepts down, what comes out, is from the heart.  It's second nature. 
I just enjoy listening and playing some music, in honour of that timeless way of killing time (just for the fun of it...and whenever inspired: "If you're not feeling it, don't play it!"). I'm happiest picking out a blues tune to a suitable backing track. After all, simple music is the hardest to play...
For me, half the battle is to get the right sound. And that, in turn, inspires how you play.
As a tone fiend, I like to let those bluesy guitar tones breathe a little bit. But, almost everything I play, it never, ever comes out quite the way I heard it in my head. Sometimes I end up with something that's kind of close, but it's not quite what intended originally. These uploaded tracks are no exception... They are far from being perfect. First of all, I'm not a fan of perfection when it comes to music...it may even compromise the tone, but if the tone is there, great! It sounds like a human being playing guitar. 
As Dan Patlansky once said "I would rather hear an average player with a great guitar tone than a great player with a bad tone".
 I love stuff that sounds like a spontaneous real-life experience. Playing music is a human activity, and we humans are far from perfect! There is a certain charm in something that feels human with the flow of a spontaneous performance. It's that spontaneity that makes for the magic... 
Feel free to comment good, bad or indifferent and do not hesitate to share any ideas you might have. 

Favourite guitarists (old school suspects apart):
Matt Schofield;  Jim Campilongo;  Walter Trout; Robin Trower; Joe Bonamassa; Andy Timmons; Gregor Hilden; Robben Ford; Larry Carlton (among others)...

Minor Road Blues - collaboration playlist linked -

MIKE SPRING