Simple prelude in the pop-classical language of the late 1800s. 
Featuring the Piano in Blue library. 

1880sPrelude

Self-learned piano and keyboard player (pop, classical, jazz). Have also played violin, some drums and bass etc.

I came here to play!

Contact: vintageklavier88(at)gmail(.)com

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Headquarter : @thathard-magazine

♕♕♕ KINGDOMS

@thathard-helheim
@thathard-vanaheim
@thathard-ljosalfheim
@thathard-svartalfheim
@thathard-midgard
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THN • Spotify :
https://open.spotify.com/artist/2kUu7ITCDdEz6r0Dqyhsxk

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North East Kingdom // Thathard Universe.
Specialized into • Real HipHop • Rap • Chill Trap • Future Hiphop •  Rnb • New Soul • Dancehall

Greg is a diverse composer whose music is driven by story and emotion. His home sound is soulful and dreamy, and partly influenced by classic Hollywood.

If you want to get in contact with me please mail me: gabykoss@hotmail.com
As seen with Haggard, Equilibrium, Nota profana and orchestra, Diabulus in Musica, Dominia, Diskelion, Dunkelschön, and many other bands .. on stage and CD. Look at Discographies (CDs/DVDS) on http://www.gabykoss.com/?cat=15 
 
I am a singer and studio vocalist, trained and studied at the University LMU subject: Soprano (high Soprano) but also I have had lessons with for example a black Jazz-Gospel-Pop singer (Roberta Kelly - Lady Bump, Fly Robin Fly) and also I have a lot of studio experience because of many projects and band recordings and also movie and advertisement. I have developed some singing styles and technics to create different "voices" right now I am into singing lessons with my teacher being a Tenorina (female Tenor).

 With my ensemble for old music and celtic I have experienced a lot of Medieval, Renaissance, Barock but also Celtic/folk and sepharidc, Ethno. oriental /jewish songs what I try to interpret with different ethic sounding vocal-technic. 
So very often I got told that my voices do not sound similar when I do different voices like Popstyle or Sopran or Tenor as they have different timbres and colours. As I have a range of 4 Octaves it is also no problem for me singing deep with dark couloured voice, wht is good for choir recordings. 

I was guest and member of a lot of different styled ensembles and bands of different genres on stage, concerts and tours (from Big-Band to Jazz to Rock and Metal, for example orchestral symphonic claissic background bands like Haggard, Equilibrium, Nota Profana (musicans of the famous Simon Bolivar Youth Orchestra with their conducter Gustavo Dudamel - very known in the classical scene) and a lot more bands..) , recordings and also on stage, as well with opera productions and have worked in choirs and orchestras and also in the state opera in Munich. 
Also I have founded a international ensemble of old music and celticfolk what playes all the coulours of the different musicbackgrounds of the pariticipating members. From Medieval to Barock from oriental styled to jewish influences. 
I have allready worked with composers in the past from England, Spain, Germany, Japan and Russia and many more  and I recorded in studios a lot of different musicstyles for projects, bands and ensembles and I paricipated on many CD Productions with my voice. 
If you do not have time: https://soundcloud.com/gabykoss/sets/medley-cinematic  (Epic, ethno, cinematic, soundtrack & trailer examples)

I have my own home recording studio (cubase/Neumann/) but I tend to record in the studio with an educated professional studio technican in the Helionstudios (they have mix/mastered the DVD of the Live concert of Ennio Morricone in Munich). I am manily a singer also with stage/tour experience and not a technical trained recording technican/specialist as they have 20 years of experience. This means no higher prices as I am much slower at home recording then recording in the studio ;-) plus I am always open for nagotiations for different conditions.

My happiest  moments are when people feel touched with my imterpretation and the decided  voice-style and as voice is such a matter of personal taste I can not be expecting that everybody likes what I am doing and for sure I am not perfect.. the more as I am trying to do so many different voice styles in a big range from trying to use also different frequences when I sing in tenorina style to ethnic,-gospel-jazz-sound, to chanson-breast-voice, over to pop-musica-belting, breathy breat or headvoice , to light-strong-without vibrato folk to classical technic. Not concentrating on one style means never to be perfect but I love all styles..:-) but I try my best to give all my feelings also into the necesarry dynamics  :  piano, forte, mezzoforte , crescendos, decrescendos, legatos or staccatos ! :-)

Michael W. Barry is an accomplished game, film, and television composer and classically-trained pianist based in Los Angeles. Following his many years studying classical piano in his native Long Island, NY, Barry earned a degree in piano performance from SUNY Geneseo. After graduation, he moved to Los Angeles to attend USC’s Film Scoring Program, which began his composing career for film, television, and interactive media.  Most notably, Michael's music can be heard throughout Riot Games' hugely successful title League of Legends and on their recent soundtrack release Music of League - Volume 1. In addition to his work for the screen, Michael is an avid composer of concert works, most recently releasing Endeavor and Boomba for wind ensemble. Barry is also an accomplished entrepreneur, having co-founded several successful companies including Hollywood Scoring and Cinesamples - one of the largest sample library companies for composers.