A song from Mariode from the upcoming EP, "m+" out 2/25/22. After seeing success in creating the soothing yet mysterious HoloVista OST, Mariode is ready to dance again. The m+ EP is full of high moments like this single "freebleed" which takes cues from a couple internet genres of dance music. While the kicks, rises, and percussion may be of typical EDM, it's the way that Mariode stifles and squishes the synth leads and counter melodies to give them this frantic urgency that would be more common in a hyperpop song. It's compelling and fun, and can be pre-ordered or streamed here ~ https://smarturl.it/Mariode-m

Mariode on...
Spotify ~ https://open.spotify.com/artist/6dsYzp2eHU8In7uazD306z?si=6n86ECorSfqS9UxJ6LKPww
Twitter ~ https://twitter.com/_mariode_
Soundcloud ~ https://soundcloud.com/mari0de

(Mariode also made the artwork!)

~ stream/download ~

Mariode - freebleed

Ubiktune: http://goo.gl/dllHRw
Digital download: http://goo.gl/RwzD5K
Physical CD (via @Telefuture) : http://goo.gl/6gQUKg

Monomer is the musical alias of Gavin Allen. Born in Massachusetts, he still lives in the Boston area, working in game development by day and cranking out wicked bizarre jams by night. His musical journey began in the 3rd grade orchestra, taking pit stops in a handful of rock and jazz bands as well as the Berklee College of Music before winding up in the wonderful world of chipmusic.

Monomer about Labyrinth:

"Labyrinth is everything I love about synthwave and chipmusic: chunky staccato bass lines, soaring melodies, oceans of spacious reverb and heavy, pumping drums. It was written between daydreams of androids, brain-hacking, and digital kingdoms fraught with the monsters in the machine. It was the most fun I've ever had working on music, and I hope that shows in each and every track.

Written gradually over the course of a year and a half, Labyrinth turned out to be the biggest musical challenge I've faced so far. It incorporates a wide array of instruments, from synths like Plogue’s Chipsounds VST and u-he’s Diva, to live guitar on a Fender Telecaster. My main goal after Quite Operational was to create an album where each song had a unique character, not only in the composition but also in the arrangement, production and mixing. This led to a lot of new territory for me, which was both exciting and terrifying, but I’m extremely happy with the end result and can’t wait to share it.

This album wouldn't have been possible without help from some fantastic friends. A special thank you goes out to Bill Mueller, Trevor McEwen, Mark Barry, Tim Gardiner, and Katie Trotta. In addition, a huge thanks goes to Steve Jenkins at Telefuture and C-jeff at Ubiktune for their encouragement and advice with this release, and to Rufus Blacklock for his awesome artwork and incredible enthusiasm. Cheers!"

Written, arranged and produced by Gavin Allen
Mastering by Bill Mueller
Artwork/Design by Rufus Blacklock

DOWNLOAD ALBUM

Monomer - Echolocation

神God

Starting Fresh

Road Trip V2

ブルックスはかく語りき / Also Sprach Brooks

In this set of listening examples, common practice works have been retuned to exotic tunings in which the relative structure of the diatonic scale is always preserved, so that it always takes the form of LLsLLLs (for "Large step" and "small step," respectively). The perfect fifth, which generates the scale, is allowed to vary from as flat as 7-EDO, where the diatonic scale is a perfectly evened-out "neutral" diatonic scale, to as sharp as 5-EDO, where the half step becomes so small that it vanishes, leaving a perfectly evened-out pentatonic scale.

The chosen spectrum of tunings is such that diatonic interval categories such as the "major third" may, at times, approximate different intervals from the harmonic series than they normally would in 12 equal temperament, just as long as the LLsLLLs scale pattern is consistently present in the tuning. These experiments aim to explore the properties of the "categorical perception" effect, and to see to what extent it exists and interrelates with the missing fundamental phenomenon and other psychoacoustic effects.

The "artwork" for this compilation describes the tunings used, and the properties of each one; click "Download Artwork" to view it.

In this particular set, the chosen composition is Bach's Fugue in C Major (BWV952).

Bach - Fugue in C Major (BWV952) - 72-EDO (Generator 43\72)

Fishpongle

absolutely incredible avi by: https://twitter.com/cussindave

repostin if u enjoyed it would be great <3

lyrics///
think;
what do we have here?
nothing but fake faces
and appealing to appease our fears
so look around
this will die down without a sound

hope u enjoy the song <3

Without A Sound

🎧 Stream & Buy: https://ffm.to/gardens

💚 Spotify: https://urlgeni.us/spotify/gardens
💙 Apple Music: https://urlgeni.us/applemusic/gardens
💜 Bandcamp: https://tnywvs.bandcamp.com/album/gardens

🌻 Follow @nokbient:
▸ Spotify: open.spotify.com/artist/5rg57cADKFJoLDaASltL0K
▸ Twitter: twitter.com/nokbient
▸ YouTube: youtube.com/nokbient
▸ SoundCloud: soundcloud.com/nokbient

🌻 Album Artwork by Micah Ulrich:
▸ Twitter: twitter.com/micahulrich
▸ Instagram: instagram.com/micah_ulrich
▸ Shop: shop.micahulrich.com


Released February 25, 2020.

CREDITS:

Composition, Production & Mixing: nokbient
Mastering: RoboRob
Album art: Micah Ulrich

Ⓟ 2020 Tiny Waves.

nokbient - Gardens
TWAV-0003
UPC: 194152046860

Gardens

Feather

put the flex like ouu vocals over a plastic love future funk remix i made and thought it sounded good

YouTube

flex like plastic love

This is mostly goofy experimental music theory stuff to see how different microtonal scales sound - no real musical compositions here (yet)

Bach - Fugue in C Major (BWV952) - 72-EDO (Generator 43\72)

Mike Battaglia