Life is a dance.  Play only the best music.  <3

Biography
                                    
                                   Boyd Jarvis has become a legend in the underground and dance music industry.  Boyd Jarvis is a music producer, composer, keyboard player  and dj who is highly respected as an  innovator  in  music  production  and remixing.   Boyd has worked for many of the recording industries icons, including Prince, Madonna, Herbie Hancock, Ah Ha, Boy George.  
                                    
                                    Music had always  been a passion of his and so in 1981 he bought his first  synthesizer, a Yamaha CS-15.  Timmy Regisford heard him play at Melon’s and asked him to overdub a set that Timmy was about to do as an audition for WBLS.  Soon, Boyd and Timmy were producing a dance music show for WBLS.  From that show came the hit track, The Music’s Got Me .  Boyd and Timmy began to collaborate on productions and remixes The rest, as they say, is history.    
                                    Boyd is known for his collaborations with  top producer/DJ's like Francois Kevorkian, Joe Claussell, Louie Vega, Dave Morales etc.
                
                
                

Delmar Browne (that's Browne with an 'E') Flatbush Brooklyn's native son whose roots goes back to the 70s, has been rocking crowds since the early days of New York's Legendary Dance Clubs. During an illustrious career, Delmar has been featured on talk panels & conducted interviews with top celebrities worldwide; Hosting 'Net Rated Dance/Mix Show' aptly branded 'TheBKBasement'. The 2 hour show premieres Saturdays 9:00-11:00 a.m. (ET) on vocalboothradio.com and Sundays 8:00-10:00 p.m. (ET) on 108soul.com 108 SOUL/THE SOUL OF NEW YORK

Delmar´s love for music developed at the age of 13. His father musician Al Browne is responsible for starting him on his musical journey. He started his talented DJ and production career on the Al Browne Show on WHBI (Newark, NJ). Ever since that day, whether he is producing, arranging, coordinating or spinning his volume of depth, Delmar is never found far from epic melodies or beats. 

In 2000, Delmar Browne was installed to the Official Disco DJ Hall of Fame™ of the Disco-Step-By Step™ website. His hard work leads him also to be named 'Celebrated Mix Master' for the WKTU Studio 54 Clubhouse with 'Brooklyn's own Joe Causi.' In 2005, he was honored to be one of 100 Best Deejays in the Disco Era, through an induction into the Discotheque Pioneers Hall of Fame. Delmar Browne has been playing various events at the Winter Music Conference since 2009. That same year his compilation of Carolyn Harding´s 25 Year Commemorative CD: Memories And Still 'Movin On' was released at WMC. 

In 2019, Delmar Browne was invited to spin at Amsterdam Dance Event for ADE AMW 24/5 DJ Marathon 2019 as one of 100 top-rated House and EDM DJ’s. In 2020, Delmar Browne is excited to be part of the 108Soul Team playing music from his backyard NYC! In 2022, 'The BKBasement Podcast with Delmar Browne' was launched. Mic Moments with experts from all facets of business makes this podcast more than just a listen!

Delmar's positive and passion for music make him the ideal DJ and emcee for any party. Get the taste of Delmar Browne on his weekly show 'The BK Basement'

Labels:
Ill Bomb Records
Wall Music
Amazone Records
Assassin Soldier
Amalgame
Different is Different
Gotham Grooves
and more...

Voodelic—Little Earl, keyboardist Ross Rice, bassist Colin Almquist, and Eric and Dan Cartwright on guitar and drums, respectively—stir together soul-soaked R&B and funk, brain-warping psychedelia, and flat-out hard rock.  
The band connect with each other in a way that can only be described as rousing and brimstone-spiritual; the rapport seems straight out of a big tent revival. Little Earl's singing is articulate and righteous soul rage, with words that chase contemporary targets with Biblical methods, politicized and gospelized in equal measure. Bassist Colin Almquist, and drummer Dan Cartwright's snappy, syncopated, big-bottom grooves anchor the soaring drama of the group harmonies and Ross Rice’s organ, a blend of sternum-punishing precision and ethereal grace. When guitarist Eric Cartwright rips a squealing solo right out of an ‘80s glam/metal tune over a groove that sounds like Little Feat or the Meters played by Helmet, nobody’s apologizing for anything. It’s all in there, and they mean every bit of it.


Bronx-born, Freddy Bastone is known for his plethora of styles as a music producer and DJ. Over the course of his career, he has recorded countless Platinum records with the most influential artists in the music business.



He started his professional DJ career in NYC as a teenager in the 80s at the world-famous Danceteria (Rudolf Piper and John Argento), Studio 54, the Palladium (Steve Rubell and Ian Straeger) the Underground (John Contini), and Torries where his versatile style earned him a loyal following and the attention of renowned record labels and producers who hired him as an influencer with dance music ears in the clubs, studios and in the editing room.The mid to late 80s was a very busy time for Bastone, playing live shows for Hot 103 FM from The legendary Palladium & Studio 54 on Friday and Saturday nights. The recognition from his work on hot mixes for radio and relationships developed with his mentors John Luongo, Mark Kamins, Arthur Baker, Larry Levan and others led Bastone to create studio remixes for artists such as Carolyn Harding, The Communards, The Style Council, Frankie Goes to Hollywood, Blaze, The Temptations, Michael Jackson, Quincy Jones, Samantha Fox, George Michael, Taffy, Secession, Dread Flinstone, Queen, Freddie Mercury, Konk, Brilliant, Jackson 5, Billie Idol, Yes, Loleatta Holoway, Sky, Rod Stewart, When in Rome, Nu Shooz, The Voice in Fashion, Raww, Lonnie Gordon, Boy George, Malcolm Mclaren, Judas Priest, Savage Garden, Full House, Safire, Mitsou, Was not Was, and Danny Extravaganza which was the first vogue track to hit the clubsBastone also worked as an A and R rep for both Profile Records (Corey Robins) and Emergency Records (Sergio Cossa and Curtis Urbina), where he developed artists Paul Hardcastle, Blaze, Taffy, Raww and started his own label, Metropolis Records, under the Emergency umbrellaWith mgmt. company Promotion (Brad LeBeau), Bastone went from remixing to producing. Freddy Bastone (alias The Corporation of One), “The Real Life” was a #1 track in the UK which led to a record deal with Fiction Records (Chris Parry) and a publishing deal with MCA. Bastone’s new Dance music is released under the name Bastone & Henry.



Bastone introduced the band Nu Shooz “I Can’t Wait” to Atlantic Records which quickly went to #1. Epic 

Records President Don Greason hired Bastone to bring new acts to his lineup of talent, delivering their first house music group “Full House” and #1 pop sensation Will to PowerKeeping to the streets, Bastone Produced Latin rapper/singer Pablo Toto for Tuff City who became a cult 

artist with his hit “Dame Chocha”. At this point in his career, Bastone was DJing at the newest and hottest clubs in the world such as Marz (Rudolf and Yuki Watanabe), The Underground (John Contini), 4D, and Merlins in NYCBastone toured the world performing in countries in the UK (Heaven, The Whiskey & The Hacienda), Japan (Genesis, Air Craft Carrier), and Taiwan (Taipei) amongst others.



The 2000s also saw Bastone collaborating with numerous producers including Jeffrey Burnstien (Bastone and Burns), Mark Henry, Tony Mangurian, Rockafella, and John Robie. They created remixes and 

productions for such artists as J. Lo, Missy Elliot, Jamirquai, Jewel, Res, Kevin Lyttle, S Club, Gioia, 

Cristina Aguilera, Rod Stewart, Nora Jones, Lil Kim, Yazmeen, Hall and Oates, Shakira, Titiyo, Laura Fabian, Justin Timberlake, Radio Head, Adele, Jessi J, Bastone & Berrios, Kim Cameron, Carlton Ford to name a few.



In recent times Freddy Bastone has been playing at San Bar, Zeppelin Hall and has a residence at Ethyl’s (Gerard Reny).

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