overdrive

Sounding Out (No Dragons Allowed)

Download on iTunes: http://smarturl.it/FeversomeEP.
'Southern' and 'Feversome EP' out now on Young and Lost Club.

Annie’s unusual grasp of language and awkward perspective bleeds into her lyrics and fuels a style of music that is both enchanting and haunting. 

Annie’s self-titled debut EP, which was released last year, picked up support from the likes of Radio 1’s Huw Stephens, 6 Music, XFM, Drowned in Sound, This Is Fake DIY and The 405, to name a few.

Tunes/Info 
- http://tinyurl.com/n7flcos - 

Follow @AnnieEve: 
http://annieeve.com
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Download on iTunes

Annie Eve - Southern

Mr. Connor
You are failing to see that the answer is abundantly clear
Mr. Connor
It's a fixed guarantee 
That once you see you'll no longer stare.

All you gotta do is pluck it from the air.
All you gotta do is grab it from the stream.

Mr. Connor
It's a fixed guarantee that once you see you'll no longer stare.

All you gotta do is pluck it from the air.
All you gotta do is grab it from the stream.

Grab it from the stream...

So, what are you waiting for?
Come on!
Suits and trousers!
Come on!
With your shoes on.
Come on.
With your haircut.
Come on!
With your magic fingers, southern creepers, treasure seekers...
Do I need to say Come on?

And I could stay,  
Feel the flow as they watch me play.
Not to mention that I'm fairly uncomfortable in most situations, but I am trying.
To find meaning in the words you say.

Mr. Connor

Put your hands up.
Break that ceiling.
You're in swingtown.
Make it count.

Hey Joe, where's that gun of yours?
Martha dear, you're a frequent flier.
Don't you dare say Tommy's dumb.
Tear down that wall before you start a fire.

I hear a tune - a melody.
A refrain. Hey Hey.
Bringing back some tunes.

I offer you a tragedy, a comedy.
Hey Hey.
Taking back my words.

When will we get there?
When will we get there?
That's what I wanna know!
When will we get there?
That's what I wanna know!
You're a faker, you're a taker, you're a candlestickamaker.

Put your hands up.
Break that ceiling.
You're in swingtown.
So make it count.

I hear a tune - a melody.
A refrain. Hey Hey.
Bringing back some tunes.

I offer you a tragedy, a comedy.
Hey Hey.
Taking back my words.

You held me close and sang a song,
Take this world.  Hey Hey.
Bringing back my words.

Hey Doreen when I listent to your words.
I know the meaning isn't what I heard.
It's not a dream, I'm not here all alone.
One day I won't be able to go home.

Bringing Back Some Tunes

Stream here: https://upstairsopen.lnk.to/Chicago

'Chicago' was the first song Upstairs Open wrote together after meeting up in Daniel's South London flat for weekly sessions, revelling in the organic, restraint-free nature of working sans external pressures. Born from a mutual love of contrasts, ‘Chicago' encapsulates their own signature sound, which Indie Shuffle describes as having, 'an ethereal quality… with the melding of organic and electronic instruments contrasting the duo's gorgeous harmonies.’ ‘Chicago' is haunting and moody, and centres on loss and longing, where “although two people are together, they can see what they have very differently, and it’s about coming to terms with that”. As one of the busiest airports in the world, and an international gateway to much of the American mid-west, the track takes inspiration from the ideas of crossing lands, and the struggles that arise from physical and emotional distance.

Upstairs Open - Chicago

The 'Blinding Light' Acoustic EP - OUT NOW! song.link/album/gb/i/1378607376
Buy on iTunes here: apple.co/2IY7rHy
Spotify: https://spoti.fi/2sgRKAR
Apple Music: https://apple.co/2GZ75uk

www.joehicksmusic.com
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'My Favourite Game' - Music and Lyrics by Peter Svensson & Nina Persson

Produced by Sam Winfield and Joe Hicks
Recorded at Studio 91, Newbury, UK
Engineered by Sam Winfield and Tom Millar
Mixed and Mastered by Sam Winfield http://studio91.net

Vocals, Acoustic Guitar, Bass Guitar, Glockenspiel and Keyboards performed by Joe Hicks
Percussion performed by Tom Millar
Cajon performed by Giles Stelfox

Artwork by Antonia Chandler https://www.instagram.com/antonia.chandler/

Blinding Light - EP

Buy on iTunes

My Favourite Game

Альбом "На Темной Планете" - Поэмы Дарвина
http://darwinspoems.com/

05. Старый Джо

01. В Конце Пути

There’s something alive in the basement
Something alive but I don’t know what it is
I don’t know what it is
But I think it’s alive
In the basement
Something
When the best—
When the best thing that can happen isn’t so good
Answered all their questions
Made a fashion from a rhyme
A sonnet from a line
About shopping alone at night
I go shopping
I go shopping
When the worst—
When the worst thing that can happen isn’t so bad
The dreams you used to have
Are replaced by life instead
I remember what you said:
At least you dreamed it
That’s more than me
Down here there is something that I’m looking for
Something that I’m searching for
Something that I’m waiting for
Where’d I put it?
Hid away
Locked chest that I’m trying to open
There’s something alive in the basement
Something alive but I don’t know what it is
I don’t know what it is
But I think it’s alive
Up there there is something that I’m hiding from
Something make my stomach churn
What’s my problem?
Aim to win
Or at least I aim not to lose
Something’s alive
There’s something alive in the basement
There’s a ball pit inside
Why does Oscar live in the trashcan?
There’s a meeting at nine
Gotta wake up
Gotta wake up
When the best thing that can happen isn’t so good
Gotta open that locked chest

Something Alive In The Basement

Dark (snakes & Rats)

This album is one-half of a music-text experience. The music is here; the text is at www.mikemonsoon.com. Collectively, they form a psychedelic, horror-tinged, time-traveling musical puzzle that tells the story of a man facing a reality-shattering question: If you could go back and change things, would you…or did you? The more you listen, the more you read, the more you discover. Come and explore the joy–and occasional horror–of creativity.
 
Reviews:
 
“In a cultural moment when attention spans are among the scarcest of natural resources, Mike Monsoon's Song Journal doesn't just demand your focus — it earns it … However it is that you're drawn into this storytelling matrix, the Song Journal keeps you hooked as you jump from chapter to song, year to year, clue to clue. It's an ingenious package of narrative elements ...” --Neil Janowitz, Editor, Vulture.com
 
“Captivates with sly winks and homages to classic rock operas. The songs vacillate between straight-ahead, 3-minute verse/chorus/bridge pop and more adventurous compositions that use imaginative arrangements in service of longer and more complex narratives … shades of Queen, The Beach Boys, Pink Floyd, The Clash, The Rolling Stones, David Bowie, The Who, Phish, and The Flaming Lips ... rife with intriguing layers … the fun is putting the pieces together." -- Lorne Berman, Rolling Stone
 
“An oasis of great songwriting and unique production work woven into a concept record that is truly unforgettable.” -- Mike White, founder, MPG Music Production School