Untitled Playlist

'IT WAS ALWAYS THERE vol 2'

It Was Always There vol 2

Dan Only - Threshold

When the head of label Tigersushi asked her to handle their show, Charlotte barely knew how to transition between tracks - she quickly understood that it would enable her to organize all the music that the label was listening to and intertwine their releases, influences, classics & unknown artists, and to mix and match genres. She now plays with ease in clubs, as well as on Rinse France every month.
Listen to Tigersushi every 2nd thursday of the month, from 14h to 15h [CET] on rinse.fr

Rinse France Podcast 

Download

Mankiyan B2B dj underarrest - 03 Février 2022

We’ve reached book IV in Rupert Clervaux’s series of “Zibaldone” audio diaries, at which point we find him telling a different kind of story. 

“The first three all had very specific themes, while this one feels a little bit looser and doesn’t have just one thematic thrust,” he tells me, which maybe explains why listening feels a bit like annotating. I’m underlining, emphasizing, drawing arrows from here to there, highlighting symbols and noting motifs, realising, questioning, eureka-ing. An impressionistic meaning’s been encoded in and we’re lucky to be given the space to play that most poetic and boundless of all mental games: narrativization. 

There are no wrong answers, but Rupert offers some clues either way. If there’s any cipher here it’s “something like a meditation on the concept of ‘depth’––in all its connotative forms.” Think below the surface, (the) underground, yawning oceans, being ‘down in the dirt’, soil, roots, rootlessness, pulling at the dregs, collapse, profundity, stable and unstable horizons, distance, perspective, intuition, not to mention relative opposites: to be shallow, to be above, to be beyond. 

It’s got me thinking of Bresson’s “Bring things together that have as yet never been brought together and did not seem predisposed to be so.” His: “Dig deep where you are. Don't slip off elsewhere.” Rupert has realized these—two favourite goals of mine!—here. 

This is music that catches you at your own periphery, gives pause, has you offering a little “huh” to, asking “I wonder why” to. Again, it’s got me musing on another mindworm, this time from New York publisher and multi-sensory reading room Dispersed Holdings: “Feeling-making-knowing feedback loop; cartography of feeling; water as text, read to know the land beneath and around it, and body as reader.” 

Is it ok to offer up these other contexts out of context? I think so, because Zibaldone IV articulates a similarly swirly tone. Like, we’ve got Rebecca Solnit talking through Kropotkin’s “Mutual Aid” and later calling out to Michael Ruppert a ways away, and “Easy Rider” is playing in the wings. We’ve got Susan Sontag magically contextualizing Mariah Carey with poet Thylias Moss triangulating in order to sketch out (Rupert again) “something a little more interesting than wilful eclecticism or that laboured and patronising kind of pop-savvy.” 

Are we following? Whether yes or no Vanessa Bedoret follows on with a performance of a performance of Moss’s 'Water Road’: to be once or twice removed, via strange transitions, purposeful confusions, and, suddenly, seagulls. We’re on a boat with Ingeborg Bachmann—and how I wish I could actually be! But maybe thanks to this music I can as literature, films, friends, lethargy, coincidences, little mental links, eternal wormholes, lingering notions come together to imagine something better. 

Text by Natalia Panzer 
npanzer.com 

Artwork by Coline Cornélis 

Music by Rupert Clervaux 

with 
Vanessa Bedoret: voice and violin on Thylias Moss #2 
Eben Bull: trumpet and electronics on Mutual Aid and Departure from England 
Isis O’Regan; voice on Departure from England 
Nick Taylor: electronics on Chthonic ’97 
Ben Vince: saxophone and electronics on Chatsworth ’17 

Artwork by Coline Cornélis 

Warm thanks to James Marrs, as always, and Natalia Panzer 

Vanessa recreates and reads an excerpt from ‘Water Road’ by Thylias Moss. Isis reads ‘Departure from England’ by Ingeborg Bachmann (translated by Peter Filkins). This record is dedicated to both poets––with great respect and deep admiration.

02. Simple Food For Our Simple Taste

Furthur Electronix Trax

@filiae_latam, @tomasurquieta's new label, showcases a catalog ranging from ambient collages to striking vocals and deconstructed club music. Along with teasing new releases from his label, the show delivers dark, introspective sets.

Listen to Tomas Urquieta every 4th Tuesday of the month from 00h to 02h [CET] on rinse.fr

Rinse France Podcast

Tomás Urquieta - 22 Mars 2022

A dissociative depth charge of mutant digi-dub from SELCHP Recordings co-founder DJ Gonz.

'Pathway To Glory' is out April 22nd on SELCHP Recordings.

Pre-order: bit.ly/34fp4OK

@selchprecordings

Premiere: DJ Gonz - Beyond [SELCHP Recordings]

extract from Danse Musique Rhône-Alpes' Mounds of Liquids
digital and cassette available here :
https://lostdogsentertainment.bandcamp.com/album/mounds-of-liquids

Mounds of Liquids

Danse Musique Rhône-Alpes : Top, Bottom and charm

PREMIERE : Le Matin (@cestlematin) - What Would We Do [LAN] (@lan-berlin)

With a name like “Le Matin” - French for “the morning” - one could be forgiven for expecting something mellow. Gritty drums are layered over revolving time signatures, taking inspiration from footwork, grime, hip hop and rave. Le Matin celebrates the power of a vocal sample, chopping, reconstructing, looping to infinity and re-emerging with momentary clarity before diving back into disarray. Claiming that “we can change the party”, or “I just took my first shot”, his sense of humour is as strong as his sense of rhythm. Noisy hits pan and shake from one side to the other, turning the body to butter, Le Matin is a master of deranged patterns. Simple yet effective, his latest release is sure to unhinge any joint.

Links:
https://soundcloud.com/lan-berlin
https://soundcloud.com/cestlematin
https://lansonor.bandcamp.com
https://www.instagram.com/_willisanne

What Would We Do

PREMIERE : Le Matin - What Would We Do [LAN]

Dont Really Know What To Say About This Tune, Its Off This Crazy Glich Album I Got A Few Years Back, Full Of Carzy Shit Some The Tunes On It Were So Shit Its Not Worth Explaining, This Tune Is One Of About 4 Tunes Out Of 25 That Wernt Bad,,Hope Someone Else Likes It, Its A Nice Tune,Nothing To Crazy

Radiopropulsive - Bochum Welt

Doors Of Spirit

Buy on bandcamp

Sim's & Sam.L & Samir Perculive - Doors Of Spirit

DT 026 - Track 04

My Love

Spiro

Stable

READ > inverted-audio.com/premiere-dj-rubio-cannonball

Little is known about Finnish producer @djdjrubiorubio, except for the fact that he debuted earlier this year on Toma Kami’s imprint Man Band with his ‘Western Medicine‘ EP. Now he steps up to self release his first ever album through his imprint Hottest Name On The Market.

DJ Rubio - Cannonball [Hottest Name On The Market]

Digi bonus track featured on the Naive / Jacktone split release with @gayphextwin

Out now on
https://naivetrax.bandcamp.com/album/gayphextwin-p-pe-ep-digi-bonus

buy the 12"

Bridging Mechanics [NAIVE 009 / JACKTONE 070]

The Enchantress emerges just after the Full Moon, after ovulation and so coincides with the pre-menstrual part of the cycle. 
She is the medicine woman, the untamed one, the awakening soul who will not rest.
The Enchantress is wild because she needs to be.
She needs to run, headfirst and arrow-straight into the heart of every experience. And she needs her wildness to be able to traverse the worlds. She senses, intuits and feels the spectrum of feels, without censoring herself.
This is a sacred phase filled with wisdom, teaching and the passing down of medicine songs, tools, advice and skills. In this phase, we recognize the life, death, life cycle that is present all around the Universe.

The Enchantress

BOOKING: warren.morris@theplayground.co.uk

BLT

µ-Ziq

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