COLOSSLOTH 'Promethean Meat' CD

Rhythmic industrial noise - grinding and churning, drenched in crushing doom-laden guitars - drapes the sacrificial bones of the new album from esoteric electronic alchemist Colossloth.

Building on this trademark sound, pushing and striving for reinvention and renewal, Colossloth has also utilised live instrumentation and ethereal vocals, and black metal blast beats on certain tracks for the first time to enhance the intent behind the music. Digitally-driven soundtracks for transfigured cities and myths born in the wilderness of Albion.

Digipak. Out 19th August 2022.

"An unknown voice deep within the landscape reveals a clandestine location. A place of arcane mechanics, a cathedral of divine engines suspended in primal matter. Turbulence forms amidst amorphous strata, the polarised elements stretch out and then return once more to a singular form, gauging an ecology of discordant time down newly formed vertices. Crystallised dreams spin wild atmospheres into the horizons and fill the localised spaces with the remnants of passive machinations and distant mutterings, the devices allocating into their framework the offerings set forth".

https://coldspring.co.uk/csr315cd 

https://coldspring.bandcamp.com/album/promethean-meat-csr315cd

Digital: https://orcd.co/csr315cd

Watch: https://bit.ly/Colossloth-Promethean (Video by Abby Helasdottir).

Listen: https://soundcloud.com/coldspring/sets/colossloth-promethean-meat


COLOSSLOTH:

https://colossloth.bandcamp.com
https://www.facebook.com/colossloth
https://soundcloud.com/colossloth
https://twitter.com/colossloth
https://coldspring.co.uk/Colossloth

COLD SPRING:

https://www.coldspring.co.uk
https://coldspring.bandcamp.com

COLOSSLOTH The Locust Trove

i will disconnect from wars except the one in head; i have no boarders with boarders there are orders and The only beat i will dance to is the one i make on my drum machines or others of like-minded doing same.

tracklist:
a1  : Evnika - СЭСЭГ(@evnikaevnika)
a2 : Dan Snazelle - Left My Baby Behind (@loss1234)
a3 : Spatiosselet - Llew (@spatiosselet)
a4 : Fuc Lerrari - Non Beat 1 (@fuclerrari)
a5 : Kausto - Skeleton Aura (@kuzmapalkin-music)
a6 : LANDR - Saponé (@vronsky1)
a7 : administration des ventes - distance (@user-485730640)
a8 : Aales - 171018CR1604 (@aales)
a9 : honeälome - rannynasrzhach6amwww (@honealome)
a10: Black Hoods - Buzzin (@francis-connell)
a11 : nui.r - blot dot pressur (@nui_r)
b1 : Kemys Inferior - Murum (@zakzakzakzakzak)
b2: Redline - Treason (@redlineacid)
b3: fukkfacee  - (C (@thishasnoend)
b4: Irreversible Changes - Trek Pro Lebedya (@sashalebedev)
b5: Sha99y, Werfol - Preusisch Eylau (@ssha99y, @werfol)
b6: Dog on Acid - Creep and Bang (@dogonacid)
b7: Tensic - Circle Back (@tensic)
b8: Svibovitch -  AO (@svibovitch)
b9: AJOKKI - KOPALHEM (@ajokki)
b10: Löwen - Escape Thru The Dreamscape (@lowenus)
b11: нат.аша - dunkelgut (@nat-a-a-666)

cover art by Sasha Lebedev ( @sashalebedev )
mastered by Brennan Leuenberger ( @lowenus )
disign by Tribalgn

administration des ventes - distance

Sewer Bait

Cruiser

Here's my set from Skull - Detroit's Goth Festival - Friday - 11.18.22

80's to modern postpunk/darkwave flowing into some ebm/industrial selections both old and new

Enjoy

Parallax - Skull Festival 2022

Real M🎱therfuckers d🎱n't talk SHIT!

Analog Acid House 025

On 7 April 2018, the city of Douma, Syria, was targeted by two chemical weapons attacks. At that time, the city and its surrounding areas had been under siege by the Syrian military since 2013. At least 70 people died in the attacks, according to reports.

Two distinctive yellow canisters, similar to those previously linked to chlorine gas attacks across Syria, were found following the strikes: one on a rooftop balcony near to Al Shuhada square, and the other in a bedroom at an unknown location in the city.

https://bedouindrone.bandcamp.com/album/conflict
https://bedouindrone.bandcamp.com/album/i-r

BedouinDrone - Douma

Rafah camp, established in 1949, is located in the south of Gaza, near the Egyptian border. In the year after Rafah camp was created, thousands of refugees moved from the camp to a nearby housing project at Tel El-Sultan, making the camp almost indistinguishable from the adjacent city.

Originally home to 41,000 refugees who had fled from the hostilities of the 1948 war, Rafah is now home to more than 104,000 refugees. High population density is a major problem, with people living in crowded shelters along extremely narrow streets.


The blockade on Gaza has made life more difficult for many refugees in the camp. However, since the “adjustment” to the blockade, Gaza witnessed a construction boom due to the illegal materials entering Gaza through the tunnels with Egypt enriching some people in the camp.

However, unemployment levels remain very high, leaving a staggering proportion of the population dependent on UNRWA’s food and cash assistance. Basic hygiene is also of great concern in the camp, where 90 per cent of the water is unfit for human consumption.

https://bedouindrone.bandcamp.com/album/conflict

BedouinDrone - Rafah

administration des ventes - un tour à la cave

Music by Krushak
soundcloud.com/krushak1
Remix by Threatening Developments
soundcloud.com/kallkallan
Mastering by Dylan Hill
soundcloud.com/huckfarper
Artwork by Garnu.depot
instagram.com/garnu.depot

Catalogue number: KALL21

(c) all rights reserved

Fundamentale Offenbarung

Buy here

Krushak - Furchtbringer

007

Âmes Sanglantes is an underground noise project started by Pierre-Marc Tremblay in September 1996. This was a valley for noise and many of the underground bands went even further into obscurity. Yet the doors of the international noise network were about to break open with the arrival of the internet calamity. Ames was highly active on the MSBR guestbook days of noise where punters would ""sign"" the guestbook and leave adverts and make contact with other loners. An electronic version of a bulletin board with classified ads for ""piano lessons"", ""English tutors"", and bands ""seeking lead singers"". A melting pot of grindcore, absurdist mail art, and industrial punk, this ""pay-to-play"" scene consisted of open-minded strangers who would send one another one half of a c60 on principle to other strangers to make a split tape. 99-track compilation CDs where the artist would submit a piece under one minute, pay a small fee, and receive one or two copies of the disc in exchange were the only hope of promotion. Many times, open call compilation submissions would fail to materialize and masters that hadn't been duplicated would be lost. As the '90s came to a close, the last dying gasp of the pre-internet world finally collapsed. Mr. Tremblay immersed himself in the black metal band Akitsa, which rose to cult status as being one of the ""real"" bands from North America in the third wave of black metal from the late '90s. But make no mistake, this was a black metal full of punk, noise, and industrial influences that Mr. Tremblay carried along from his insane past in the DIY tape culture meltdown world of harsh noise and freak-out grind bands. A change took place and Âmes Sanglantes shed its nonsensical skin to adopt a darker, more focused industrial and ambient noise. This new transformation was equally informed by Cold Meat Industry alongside RRRecords and the early days of Alien8 recordings, an imprint close to Tremblay during his first experiments with youthful electronics. Now having secured himself cult status in the black metal world, Âmes Sanglantes has returned as Bloody Souls. Âmes Sanglantes is also a live project that has shared the stage with artists such as Kevin Drumm, Alberich, MSBR, Tim Hecker, Godflesh, and more.

On this episode of F.B.I. Pathology Report we explore the Dyatlov Pass incident [ ""Death of the Dyatlov Group"" ], an event that occured on early February, 1959 in Soviet Russia.
An experienced trekking group of 9 Soviet hikers were found dead in the Northern Ural Mountains, apparently under mysterious circumstances. Soviet authorities' investigation resulted in the determination of: 6 of them have died of hypothermia but the rest of the 3
had been killed by physical trauma [ 1. skull damage 2. severe chest trauma 3. small crack in skull ]. 4 of the bodies were found lying in running water in a creek, and 3 of these 4 had damaged soft tissue of the head and face – 2 of the bodies had missing eyes, one had a missing tongue, and another one had missing eyebrows. 
Conclusion splitted in several folds, with the authorities maintaining the cause of deaths being a ""compelling natural force"", and theories surrounding the incident including animal attacks, avalanche, hypothermia, infrasound-induced panic, katabatic winds & military involvement.

https://www.instagram.com/amessanglantes/

https://amessanglantes.bandcamp.com/?from=search&search_item_id=1258769037&search_item_type=b&search_match_part=%3F&search_page_id=2874395778&search_page_no=1&search_rank=1&search_sig=705bd0028d3e33ce989f72b5d5825fe6

https://www.discogs.com/artist/222032-%C3%82mes-Sanglantes

F.B.I. Pathology Report 007 w/ Morgan Hall invites Âmes Sanglantes (17.10.23)

Taking on a classic like Can's "Vitamin C," which is essentially revered by krautrock lovers for its mesmerising simplicity, requires a certain amount of daring. But Jordan McLean's Musical Resistance (JMMR) reinvent it in a way that is both revolutionary and reverent.

Read more: https://twistedsoulmusic.org/2025/10/09/jmmr-vitamin-c-ts-premeire/

JMMR - Vitamin C (TS Premiere)

Detroit based, EBM, Industrial, Darkwave, Synthpunk, Dnb, Jungle, Footwork, Breaks, House, Electro, Techno.

Former resident DJ for Goth Night at Leland City Club, Detroit - 3 years

-Instagram: https://www.instagram.com/mike_parallax/

-Facebook: https://www.facebook.com/mikeparallax

-Mixcloud: https://www.mixcloud.com/parallaxdnb




Contact: mikeparallax@gmail.com

Parallax - Skull Festival 2022

Para//ax