Top song..great vocal.& instrumental..i like this track..!!

this is such a dope track. . . listen to it when im running all the time

This sounds great! Loving the dystopian vibe. :)

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___
_____BE CURIOUS, CREATIVE, INVENTIVE, DARE!____

________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space
________________________________________________________________________

❤️Love, 🕊️Peace, 🙏Respect

Always Running, Again and Again...2

Always Running, Again And Again...2

Crysis - Mixed @ Dada Studios Brussels (Full Bass)

Signs

signs

(Written by Terry Reeves)
Terry Reeves: Lead Vocals
Gary Reeves: Drums
Hans Albers: All instruments, backing vox, arrangement, production

I have been trying to play the guitar since the early 70s but even after all this time still don’t think I’m really good enough to actually call myself a guitarist.  I was lucky that there were always guitars laying around the family house and could therefore pick one up any time I wanted and strum away to myself.  Having two older brothers who were semi-pro musicians was also a big encouragement and I used to love going down to see them rehearsing with the band they were in at the time, developing a yearning to join them, whilst never believing it would actually happen.

When I moved into a place of my own, my brother Bri gifted me one of his guitars so that I could play any time I wanted.  I can’t actually remember when it occurred to me that I was actually starting to write my own songs but as I continued to play,  pleasing chord structures just seemed to emerge and I started to sing along.  Eventually, I wrote down some lyrics and gave each piece a title. It became a kind of therapy, channelling a lot of my personal and political frustrations into song but keeping it all to myself.  Fear of rejection ruled my thinking for some time.

That I managed to overcome that, tentatively recording a few songs onto cassette and sending them to Bri & Gal turned out to be one of the best things I ever did.  I’ll never forget them calling to say they thought the songs were great and that we must get together to rehearse and record them. 

So that’s how Root Division became an actual band.  We drafted in John Palmer, who had played bass in the band I used to see rehearse all those years before and soon after, there we all were in my living room, recording my songs onto Bri's four track reel-to-reel machine.  It all seems pretty stone-age now but it sounded bloody great to me.  

Those first sessions were recorded in a house on the edge of a school playing field (I was the groundsman) so we could make as much noise as we liked.  Later on, we gravitated to the attic of a house Bri was sharing, going on to record 13 songs and having a blast in the process.  The memories I have of those days still loom large in the memory.  Days full of wild ideas and even wilder laughs.  Days I will never forget.

In all the nostalgia of yesteryear, we mustn’t forget Hans Albers, who has once again produced another brilliant arrangement.  I cannot ever thank him enough for everything he brings to these songs.  Thanks to you all for listening.  Your encouragement means everything.  (Terry Reeves)

Head in the clouds nowhere to go
Empty room with guitar solo show
Playing demo of songs for reaction
Cathartic moments, hidden rejection

Searching for a root division (Dividing dreams, finding truth)
Searching for a root division (Concerts in telephone booths)

Expressive words tried to be taken
Spying musical notes not unshaken
Hopeful moves toward a joint decision
Holidays end in disappointing collision

Searching for a root division  (Dividing dream, avoiding life)
Searching for a root division  (Cutting sharp, use surgical knife)

Writing words with a political slant
Separation of four directional plants
Playing music with family heroes 
No thought of ending with ‘Another Zero’

Searching for a root division (Dividing dream, avoiding truth) 
Searching for a root division (Finding time, a musical sleuth)

(Never expected my brothers to call...)
Searching for a root division (repeat)
 
Live band recording reel to reel tape
Buzzing feeling with a chance to escape 
Start to finish our music engagement 
All on my own to a foursome arrangement

Searching for a root division (Dividing dreams, avoiding truth) 
Searching for a root division (Keeping time all under one roof)

(It’s time to get the band out of bed…"Come on John!")     
Searching for a root division… (Repeat to end)

SEARCHING FOR A ROOT DIVISION - Cripple Club & Hans Albers

℗ © Copyright Ian Stokes. All Rights Reserved
Recorded and mixed using Logic. Mastered in Soundcloud
Guitar played: Taylor 714CE tuned DADGAD
Photography: Thanks go to Nigel and Libby Hume at Hume Photography.

Having just completed my third solo album, I thought I would do another acoustic guitar instrumental and it now being the month of May.................

The Month Of May

Nothing is lost but only found.

Tokyo Bay Wonder Tour

"That's not the way i remember it!"

Music: Gebr.K
Guitars, Synthis, Bass: JayK
Vocals: Xian3
Text edition: Xian3
Lyrics: Franz Kafka

Homecoming is a narrative in the form of a parable from the estate of Franz Kafka. The narrative, which is only twenty sentences long, begins with the words: "I have returned" and occasionally appears under this title, was written down by Kafka in 1920 in a quarto notebook.



I have returned, 
I have passed under the arch and am looking around. 
It’s my father’s old yard. The puddle in the middle. Old, useless tools, jumbled together, 
block the way to the attic stairs. 
The cat lurks on the banister. 
A torn piece of cloth, once twisted around 
a stick in a game, 
flutters in the breeze. 

I have arrived. 
Who is going to receive me? 
Who is waiting behind the kitchen door? 
Smoke is rising from the chimney, 
coffee is being made for diner.

Do you feel you belong, do you feel at home? 
I don’t know, I feel most uncertain.
 
My father’s house it is, 
but each object stands cold beside the next, 
as though preoccupied with its own affairs,
which I have partly forgotten, partly never known.
What use can I be to them, what do I mean to them, even though 
I am the son of my father, 
the old farmer? 
And I don’t dare knock at the kitchen door, 
I only listen from a distance,

I only listen from a distance, 
standing up, in such a way 
that I cannot be taken by surprise as an eavesdropper. 
And since I am listening from a distance, 
I hear nothing but a faint striking of the clock 
passing over from childhood days,

but perhaps I only think I hear it. 
Whatever else is going on in the kitchen 
is the secret of those sitting there, 
a secret they are keeping from me. 
The longer one hesitates before the door, 
the more estranged one becomes. 
What would happen if someone were to open the door now 
and ask me a question? 
Would not I myself then behave like the one 
who wants to keep his secret?”

I have returned („Homecoming“, F.Kafka 1920) feat. Xian3

What are all the buddies from Wall-E doing? They're having funky fun ...
Peter Pasch > Drums, Percussion & Remastering 
Ralf Wadephul > keyboards & synthesizers
Composed, Arranged & Performed by OESJ 
© 2022 OESJ | All Rights Reserved | www.oesj.eu

FUNKY ROBOTS

Thanks to Andre for his open collab project [noxpox(page10)] the brilliant 'German Beats'.

https://soundcloud.com/noxpox-page10/sets/noxpox-german-beats-open?si=dbefcfa91d1f4627bab63e1fae97650f&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

I've gone for sax trio / flute duo accompaniments:
0-2 mins flutes
2-4 mins saxes
4-6 mins flutes
6-8 mins saxes
8-13 mins sax/flute quintet

Photo - Stein am Rhein (good for busking?) c/o Pinterest.

German Street Beats [Busker Mix] - noxpox | WBE

check out our newest video ‘Honeymilk’
https://youtu.be/y7kQyFqi9TU?si=mxqKbM1DqZIFCaVI
and check out our video for ‘wake up’
https://m.youtube.com/watch?v=CgGmzwTqTzc
also Check out our Video for ‘cut up’ 
https://youtu.be/0pZYKeTzKOY

Miss Notafraid are: Andrea Lehmkuhl &
Mike Sauer (co-founders of the Berlin dark wave bands Neun Tage and L'AMBASSADEUR DES OMBRES.) musically supported by Steen Gees Christensen on duduk and Greg Ear on electric guitar.

signs

Miss Notafraid

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