More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Disquiet Junto Project 0637: Right (2 of 3)

I used Tristan Louth-Robins  (@red_robin) guitar track as a basis for this. 

https://soundcloud.com/red_robin/disquiet_junto_0636-epochs-left-1-of-3-72-bpm

I added electric bass, playing a quite standard bass line and some harmonics.

This still sounds like a "basic track", hope somebody has an idea to complete this next week.
This collaboration between two austral guys is called Australopithecus.

I did alter the original to suit my taste, I added an intro (copy paste form the original's first bars) 'cause Tristan's track started a bit abruptly. And then added the coda using an Ecophlex tape delay simulation. My best contribution to the track  if you ask me.
So , yeah, I didn't follow rule number 3 "When composing and recording your part, don’t alter the original piece of music at all" so shoot me!
The pitch here:
https://llllllll.co/t/disquiet-junto-project-0637-right-2-of-3/

Australopithecus - disquiet0637 with tristan louth robins

Based on 
https://soundcloud.com/tunelight/disquiet0636-1of3-implexus
by @tunelight

My soft R panned synth track (a soloist impro using a mono lead on AAS Ultra Analog) over his L panned original.

I improvised over 6 tracks from last week to see what happened on "first take" , decided to keep 3 for the second week.
Today, while choosing just 2 to share here, I decided to keep this one, even if I didn't develop nor edit my take I thinks it's nice to have a pure 2 synth duet and I like his basic track (reminds me of Penguin Cafe Orchestra's "...Found Harmonium" track) and my impro as as good as I can get, it is rambling  but I am  really happy with of it.

I interpreted his title as "I'm Plexus" before realizing that  implexus was a thing...
Too late, my track was already titled "We'r Plexus"...


The pitch here:
https://llllllll.co/t/disquiet-junto-project-0637-right-2-of-3/

WERPLEXUS - disquiet0637 w/tunelight

I improvised on the track of Daniel Diaz https://soundcloud.com/daniel-diaz/live-bass-soundscape-disquiet0636.
release date:14/03/2024

Semantic Field- Daniel Diaz - Euclidean~~~ (disquiet0637)

Built upon 33per's "(Rock the) Firebells" piece: https://soundcloud.com/33per/firebells

This instrument made of fireballs immediately made me think of the two organ pipes I have in my studio. I took them outside and played them with a shop vac. A bit noisy, but there it is.

Added two elements to 33per's track, both are made from samples of the lowest organ pipe. Left lots of empty space.

As the original track is stereo and makes use of that, my mix is also stereo with my parts layered on. I have a version with hard panning if you prefer.

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More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Firebells And Pipes - Stereo - disquiet0637

Disquiet Junto 0637 

                                                              Right 2 of 3 

 

The Assignment: Record the second third of an eventual trio. 

DAW: Ableton 12 

Key: C minor/F minor? 

Time Signature: 4/4 

Length: 1:14 seconds 

Randomly chose track #47 by zoundsabar 

https://soundcloud.com/user-189958162/cowherd-tone-disquiet0636-zoundsabar?utm_source=llllllll.co&utm_campaign=wtshare&utm_medium=widget&utm_content=https%253A%252F%252Fsoundcloud.com%252Fuser-189958162%252Fcowherd-tone-disquiet0636-zoundsabar 

Dropped his .wav file into Granulator 3 in Ableton 12 then played some notes into the track while listening to the original track. Notes were an octave lower than original track and panned to the right.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

disquiet0637 - Right (2 of 3)

he_nu_ri & mikey_a - Both Sides of the River [Disquiet0637]

mikey_a is an ambient and soundscape artist living in Melbourne, Australia.
Though now producing mainly in the box with a mix of VST and field recordings he still likes to occasionally crank out some of the physical treasures he's owned since the '80s: a Korg MonoPoly, a Roland TR-606, TB-303, S-10 and D-110 along with a TEAC 3440 reel-to-reel.
He is a frequent contributor to the Naviar Records' Haiku Challenge and Disquiet Junto projects.