naviar02

the fave listenings of this month

in the pic : Alvin Curran

"musica assoluta" (febbraio 2022)

Deadline: 2nd February 2022

All submissions to Haiku 421:
https://www.naviarrecords.com/2022/01/26/naviarhaiku421-white-and-white/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us

haiku #421: White and white / Heaven and bottom useless / –Winter cloudy

naviarhaiku402 – 
How cool cut hay smells
when carried through the farm gate
as the sun comes up

Nozawa Bonchō was a haikai poet and disciple of Basho who worked as a doctor in Kyoto. Later in life Bonchō distanced himself from Basho’s school and was imprisoned for a crime. He died in 1714.

For this track I made heavy use of Spitfire Audio's LABS Instruments: Soft Piano, Tape Orchestra Strings Flautando and Peel Guitar Ensemble. The field recordings in the background are from LABS' magnificent Tundra Atmos.
#labscommunity13 #labssoftpiano #labstapeorchestra #labspeelguitar #labstundraatmos

haiku by Nozawa Bonchō https://en.wikipedia.org/wiki/Nozawa_Bonch%C5%8D
image by mike liu https://unsplash.com/@mike33538

to participate visit https://www.naviarrecords.com/about/naviar-haiku

Cool Cut Hay [NaviarHaiku402]

naviarhaiku403:
On the spring equinox
Clouds wander about
The entrance of a mountain temple.

haiku by Ida Dakotsu https://en.wikipedia.org/wiki/Dakotsu_Iida
picture by Artem Sapegin https://unsplash.com/@sapegin

On this track I made use of Gatelab and Filterstep - fantastic FREE plugins from @audiomodern (https://audiomodern.com/)

Equinox [NaviarHaiku403]

naviarhaiku404:
A red sun
Falls into the sea
What summer heat!

haiku: Natsume Sōseki https://www.britannica.com/biography/Natsume-Soseki
image: Jonathan Borba https://unsplash.com/@jonathanborba

Summer Heat [NaviarHaiku404]

naviarhaiku405:
A day of rainbows
As Summer gives way to the
Damp days of Autumn

haiku: John Hinks https://soundcloud.com/flownblue
image: Dewang Gupta https://unsplash.com/@dewang

Damp Days [NaviarHaiku405]

naviarhaiku406:
first winter rain –
a nameless mountain
quaintly

Ryōkan Taigu was a Japanese poet and calligrapher who lived during the Edo period. A Buddhist monk who lived much of his life as a hermit, he spent most of his time writing poetry, calligraphy, and communing with nature. His poetry is often very simple and inspired by nature.

#labscommunity14 #LABSpianopads #LABSfrozenstrings #LABSmoonguitar #LABSorganictextures #LABSarcticswells #LABStundraatmos

haiku: Ryōkan Taigu https://artofwonder.org/2014/11/14/forgetting-the-moon-the-poetry-of-ryokan/
image: Paul Earle https://unsplash.com/@paulearlephotography

Nameless Mountain Rain [NaviarHaiku406]

haiku by Yoshida Donguri https://haiku.kaigonokaeru.info/

picture by Das Sasha https://unsplash.com/@dasdasha2015

For more information visit http://www.naviarrecords.com/about/naviar-haiku

the 'hi' flaw

halF whitE [naviarhaiku421]

White and white
Heaven and bottom useless
–Winter cloudy

Yoshida Donguri is haiku poet who lives in Hokkaido, Japan. Yoshida is a caregiver who loves Buson, Santoka, and sushi.


Not sure about a useless bottom - there might be some bum notes here though ;-)

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 2nd February 2022

haiku by Yoshida Donguri https://haiku.kaigonokaeru.info/

picture by Das Sasha https://unsplash.com/@dasdasha2015

Winter Clouds (naviarhaiku421)

Music created for

NAVIAR HAIKU 421
"White and white
Heaven and bottom useless
Winter cloudy"

haiku by Yoshida Donguri https://haiku.kaigonokaeru.info/

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

One Season

Naviar Records

Effortless Archives - One Season (Naviarhaiku 421)

This track was created for the Naviar Haiku group.
421 week haiku
https://www.naviarrecords.com/2022/01/26/naviarhaiku421-white-and-white/

2022-01-28

Winter Cloudy ( Naviarhaiku 421 )

A combination of two live drone sequences created in Pure Data.

Winter Cloud (naviarhaiku421)

A moment of your time please [7]

An outtake cue from the current sessions for Dragging the Sea with Dreams.

Time Crystal (Early Mix Version)

Marco Lucchi : piano, synthesizer and tape

alt version of the previous track "L'uomo che cammina"
https://soundcloud.com/marcolucchi/luomo-che-cammina

field recordings from
https://freesound.org/people/felix.blume/sounds/612651/

1 febbraio 2022

L'uomo che cammina (di notte)

A veil across the silver dawn

tromba marina

naviarhaiku421:
White and white
Heaven and bottom useless
–Winter cloudy

haiku: Yoshida Donguri https://haiku.kaigonokaeru.info/
image: Das Sasha https://unsplash.com/@dasdasha2015

White Winter Clouds [NaviarHaiku421]

mikey_a is an ambient and soundscape artist living in Melbourne, Australia.
Though now producing mainly in the box with a mix of VST and field recordings he still likes to occasionally crank out some of the physical treasures he's owned since the '80s: a Korg MonoPoly, a Roland TR-606, TB-303, S-10 and D-110 along with a TEAC 3440 reel-to-reel.
He is a frequent contributor to the Naviar Records' Haiku Challenge and Disquiet Junto projects.