Murmuration

Ratio

Rock Paper Scissors

Bravei Brasil and Riff Beach have forged a continuum under the 'Big Beat Beach' banner. In fusing together their musical interests, the intent is to shape a fresh, vibrant, and lively sound that blurs the typical boundaries of genre. 3B Records and Production is officially releasing its first new project  - "Song Undone ©" here on SoundCloud.
Song Undone ©
Brave Beach Records & Production - 2021
All Music Composition  and Production by Bravei (Brasil)
Lyrics and Vocals - Riff Beach 
Thoughts in your head
Feelings in your heart
They make you feel whole
Or tear you apart
The words seemed so right
When I wrote them last night
But, I’m not sure anymore
I really don’t know
(Chorus)
You know tomorrow’s 
A whole new day
Song Un-done….
(Why) Don’t let it get away
Maybe, you know what I mean?
Not much left to say
That hasn’t been said or seen
Another fleeting dream
I don’t want to forget….
Or…….Regret……
Don’t you let it 
Get away
(Bridge)
Song Undone 
Song Undone
Song to be Sung
Some things left……Undone
Thoughts come and go
Floating on a cloud
Like another face…..someplace
Lost in a Crowd
Canção desfeita ©
Big Beat Beach
3B Records e produção - 2021
Toda a composição e produção musical da Bravei (Brasil)
Letra e Música por Riff Beach
Pensamentos na sua cabeça
Sentimentos em seu coração
Eles fazem você se sentir completo
Ou rasgar você em pedaços
As palavras pareciam tão certas
Quando eu os escrevi ontem à noite
Mas, eu não tenho mais certeza
Eu realmente não sei
Refrão
Você sabe de amanhã
Um dia totalmente novo
Song Un-done….
(Por que) Não deixe escapar
Talvez, você sabe o que quero dizer?
Não resta muito a dizer
Isso não foi dito ou visto
Outro sonho fugaz
Eu não quero esquecer ...
Ou …… .Regret ……
Não deixe
Cai fora
Ponte
Canção Desfeita
Canção Desfeita
Canção para ser cantada
Algumas coisas foram deixadas ... desfeitas
Pensamentos vêm e vão
Flutuando em uma nuvem
Como outro rosto ... em algum lugar
Perdido na multidão

Sunny Beaches All Around

Song Undone ©

Song Undone © - Original World Music Creation

Crossed Horizonts-M.Bonaventure & Loo(p)cy

Definitions of the term aporia have varied throughout history. The Oxford English Dictionary includes two forms of the word: the adjective "aporetic", which it defines as "impassable", and "inclined to doubt, or to raise objections"; and the noun form "aporia", which it defines as the "state of the aporetic" and "a perplexity or difficulty". The dictionary entry also includes two early textual uses, which both refer to the term's rhetorical (rather than philosophical) usage.

In George Puttenham's The Arte of English Poesie (1589), aporia is "the Doubtful, [so] called...because often we will seem to caste perils, and make doubts of things when by a plaine manner of speech we might affirm or deny [them]". In a reference from 1657, J. Smith's Mystical Rhetoric, the term becomes "a figure whereby the speaker sheweth that he doubteth, either where to begin for the multitude of matters, or what to do or say in some strange or ambiguous thing" (OED). Herbert Weir Smyth's Greek Grammar (1956) also focuses on the rhetorical usage by defining aporia as "an artifice by which a speaker feigns doubts as to where he shall begin or end or what he shall do or say" (674).

More modern sources, perhaps because they come after the advent of post-structuralism, have chosen to omit the rhetorical usage of the term. In William Harmon's A Handbook to Literature, for example, aporia is identified as "a difficulty, impasse, or point of doubt and indecision", while also noting that critics such as Jacques Derrida have employed the term to "indicate a point of undecidability, which locates the site at which the text most obviously undermines its own rhetorical structure, dismantles, or deconstructs itself" (39). Julian Wolfreys, in his essay "Trauma, Testimony, and Criticism", characterizes trauma as aporia, a wound with unending trail. Valiur Rahaman, in his book Interpretations: Essays in Literary Theory (2011), explained aporia as a creative force in both the artist and their art; it is, for the artist, an edgeless edge of the text or a work of art.
Source: wikipedia

Aporia(ᾰ̓πορῐ́ᾱ)

From the Album "Punk Funk You"
Distribution On The Way

Punk Punk Punk

Funky Night

Original song by Thom Yorke
Lyrics:
You know like the back of your hand
Who let 'em in?
You got me into this mess
So you get me out
You know like the back of your hand
Your bell jar
Your collection
Ingenue
You got me into this mess
Fools rushing in, yeah
And they know it
The seeds of the dandelion you blow away
In good time I hope, I pray
If I'm not there now, physically
I'm always before you, come what may
And you know it
Fools rushing in, yeah
Well, you know it
Who let them in?
Yeah, well, you know it
Gone with a touch of your
Gone with a touch of your hand
Move through the moment
Though it betrays
Transformations
Jackals and flames
If I knew now what I knew then
Just give me more time I hope and pray
I mistake all you say
The seeds of the dandelion you blow away

Ingenue (live acoustic cover, orig. song by Thom Yorke)

It was 1995, I had already acquired my trusty Alesis SR-16 "Dr No" but not hooked it up in stereo yet on my 4-track cassette recorder.

This track is one of the more fun I made in those days, thought I'd share it here. For the occasion, I properly mixed and mastered it in such a way to keep it's original character intact as much as possible. I did put *some* fancy effect to stereoize the vocals a little, and there is a subtle stereo reverb on the drums.. Things like that, but that's just to make it palatable for the modern crowd. This is after all an original recording, no edits, no overdubs.

Thinking about putting an entire 'legacies' album together. Would anyone be interested in that?

The very mature lyrics:

Salvation song
Connect me if I'm wrong
Me I am cracked, broken and torn
Haven't been clean ever since I was born

But I don't bear much pain
I'm not gonna jump no train
Every single hour every single day
Guess life is just a game

Some say I am insane
Some say I am just the same
As all them youth rebel rabble rebel rabble
Well I know better but you won't hear me tell
Everyone lives his own little hell
Let them turn around in their own smell
I let them feel bad if they let me feel well
It be alright with me

I know I only live to be
I know this is all you can see
I live to be just like the trees
And the flowers and the bees

Some say I am insane
Some say I am just the same
As all them you rebel rabble rebel rabble
Let live through their own hell
Let them live with their own smell

Salvation

Salvation song
Connect me if I'm wrong
Me I am cracked broken and torn
Haven't been clean ever since I was born

Some say salvation
Everyone, everyone...
Rebel rabble rebel rabble
Loser! Loser!

noitavlaS

Salvation Song

For the promptwriting it's not a challenge thread https://www.songwriter-forum-kitchen.com/forum/post/topic=7279.0

Breakfast at noon

Sprinkling the breakfast
with bubbles, sparklingly fresh.
Bread & butter & what not,
am I coldreading you,
Or loosing the plot?
Baking bread, grinding beans,
slowly rising
From confusing dreams
Don't squeeze that orange
  all over the place!

Breakfast at noon
(Cereals, Continental, Vegan toast)

Pretty soon
we will be back in the room
but now's the moment
to chase away the gloom

Tea, my dear?
There is still time
For now and all tomorrows
This should be the line
That we don't want to cross
before breakfast is done.

Making bread, taking time

Gotta get back
to the breakfast
as soon as I can!

Zoom ba be day bye doom dai
dum a dum da boobe di bay

Picture https://www.rijksmuseum.nl/nl/collectie/RP-T-1950-165 Rijksmuseum publiek domein     Carel Nicolaas Storm van 's-Gravesande
1915.

Breakfast at noon

That's The Way Love Goes

Burning Car  - Paper Fuse (Remix )

Hello and thank you for dropping by.

Thank you very much to everyone who takes the time to listen, like and share my noises. I am extremely grateful. My apologies if I take a little while to respond to those that leave nice comments.

I like listening to music, making simple, tunes when I have time, and generally faffing about in an inefficient manner. Hopefully you might like something on offer here. 

I use a Hinkler Cigar Box guitar (about $30 from Aldi, great fun), a Flying V ukulele, a couple of old keyboards, other bits and bobs, and a Yamaha tenor saxophone.

Rock Paper Scissors

Mikey McFaffington and his Saxophonic Adventures