https://open.spotify.com/track/49bSMy8xqM5ivquZ973i02?si=a0539c6f2eaf438c

Road to Ancient Lands

Arrival In Hong Kong

Original Composition / Lyrics / Performance : Scott Tumino
Engineering / Bass : Chris Dargay
E.O.S ~ 2023

Soul Quivers - G/V/D/B/C ~ 3

Mahalo electric ukulele
Garageband keyboard sounds
Yamaha tenor saxophone

Why Is Everything Printed In Teeny Tiny Font?

Chinese Rub DOUBLE BASS DUB

I   - Escapade improvisée : 0:00 - 1:28
II  - Ballade transersale :     1:28 - 2:48
III - Marche dissonnante :   2:48 - 4:48

Piano Fragments - Rêveries dans l'Univers des Possibles

David Z. a.k.a. @BlackMarketBrains and I previously collaborated on one other track that I have posted to my page (After the Bomb), and a handful of tracks that he has posted to his page (3 different remixes of a work in progress from me called Metallic, and a response to my open collab, Social Fabric)...

I'm happy to share this new one that I developed based on an open collab of his called Doc Avalanche Goes BeatBeatBeat! https://soundcloud.com/blackmarketbrains/doc-avalanche-goes-beatbeatbeat-open-collab

I love the original title but chose to simplify it a little bit. 

Hopefully more to come from the two of us!

Avalanche of Beats - w/ Black Market Brains

Personal dark ambient approach to "Gloomy Sunday". Original composition "Szomorú vasárnap" by R. Seress, 1933. Electroacoustic guitar, voice, field recording (Kottbusser Tor Subway Station, Berlin). All sounds, mixing and production: VSS. Image: VSS.

This piece is part of the six-part series "Underground" 
soundcloud.com/velvetsomethingsuperdark/sets/underground
Auditory impressions from the Berlin Subway merge with harsh drones, glitchy beats, weird sounds and melancholic melodies to invite you on a psychedelic journey beneath the surface of the city.

Sunday

method: real cassette tape was involved  - as well as digital morphing sources 
narration: a meditation on what happens when recording on good old tape as well as https://en.wikipedia.org/wiki/Zero-point_energy … do homophones like „bruises/brews, is“ and  „sores/source“ still work in the illiterate spring of 2024?  ... have they ever done so? ... are they even homophones at all?
image: copyright jo richter ... the image was somehow inspired by the title of the second novel in Liu Cixin's Trisolaris cycle (and a landscape described in the last one)

lyrics / copyright jo richter:

electric capture
magnetic escape
the wow and flutter
of cellular tape

cohesion fractures
in the liminal gaze
mind‘s reflection
in 4d space

particle bruises
zero point sores
the cosmos breathes
through incarnate pores

zero point

Versión de la famosa canción del grupo de rock español VIVA SUECIA.
La versión ha sido realizada de la siguiente manera:
VOZ: Pedro Vaz.
BAJO: Adrián De La Flor
RESTO DE INSTRUMENTOS (guitarras-teclados-batería) PRODUCCION Y MASTERING: DELAFLOR (Manuel De La Flor)

Algunos Tenemos Fe (VIVA SUECIA) Cover by Pedro, Adrian y DELAFLOR

Safe Distance (2018) Anthology CD2 Track 04

Recorded in Hamburg's Windrose Studio for Vertigo label, 1972.
ODIN are:
Stuart Fordham - drums
Ray Brown - Bass
Jeff Beer - Hammond
Rob Terstall - guitar

ODIN

Turnpike Lane

Hello and thank you for dropping by.

Thank you very much to everyone who takes the time to listen, like and share my noises. I am extremely grateful. My apologies if I take a little while to respond to those that leave nice comments.

I like listening to music, making simple, tunes when I have time, and generally faffing about in an inefficient manner. Hopefully you might like something on offer here. 

I use a Hinkler Cigar Box guitar (about $30 from Aldi, great fun), a Flying V ukulele, a couple of old keyboards, other bits and bobs, and a Yamaha tenor saxophone.

Why Is Everything Printed In Teeny Tiny Font?

Mikey McFaffington and his Saxophonic Adventures