The official Linkin Park SoundCloud.
https://linktr.ee/linkinpark

شیر یا خط ٫ یک پادکست دوستانه در مورد بیت کوین٫ رمزارزها٫ دیفای و ماهیت نوین تکنولوژی بلاکچین است.

ShirYaKhat (Obverse and reverse in Farsi) is a community-driven Farsi podcast on the topic of blockchain and decentralized technologies. We discuss recent trends to philosophy of markets. 

نظرات ارايه شده در این گفتگو ها نظرات شخصی بوده و جهت حمایت و علیه گروه خاصی نیست.

https://shiryakhat.net/

𝗞𝗵𝗮𝗸 • خاک

Formed in 1995 and based in Germany, Khak is one of the most influential Iranian rock bands — blending raw rock power with the poetic soul of Persian lyrics.

Founded by Shahriar Khatam (vocals, guitar, songwriting) and Afshin Tahmasebi (keyboards, guitar, production), Khak creates a sound where tradition meets rebellion — Persian melodies intertwined with the energy of modern rock.

With a multicultural lineup and decades of live performances, the band has built a loyal following across generations. Their music tells stories of identity, exile, and hope, bridging East and West with emotional intensity and fearless authenticity.

For Khak, music isn’t just sound — it’s a statement, a journey between worlds, and a tribute to where they come from.

Born in 1976 in Khorasan province, one of epicenters of poetry and music north east of Iran, Mohsen Namjoo is a Singer Songwriter, Music scholar and Setar (traditional Persian lute) player currently based in New York City. Featured on many world renowned press such as NY Times, The Guardian, BBC, LA times and many more Namjoo is considered a visionary artist who speaks for the youth in Iran. Seamlessly blending the Classical Persian music and scales with electric guitar,Rock and Blues vocal techniques with Persian Avaz (singing). He fuses the ancient with the current. His unique style of singing and effortless mixture of music from east and west has made him an iconic persona in contemporary world music.

Since his arrival to the U.S. in 2009, Namjoo has been touring the world to sold out concerts at prestigious halls including Palace of Fine Arts, San Francisco; Conservatorio Sala Verdi, Milan, Italy;  Disney Hall and Mark Taper Forum, Los Angeles, Barbican Hall, London, Symphony Space NYC, Volkswagen Arena Istanbul and many more. He is one of the few middle eastern artists who has following all across the world from Tehran to New York to Melbourne to Istanbul to Berlin and many more cities.

Aida Shahghasemi is a Minneapolis based musician with roots in Iran. She studied Psychology and Anthropology at University of Minnesota with a focus on the cultural aspects of Persian Classical Music and the restrictions imposed on the voices of Iranian female vocalists. She received her Masters degree from New York University in Arts Politics where she also served as an adjunct instructor teaching a course she developed on arts activism in Iran. She has worked with a number of different Art and Social Advocacy groups in New York and Minnesota as a musician, graphic designer, and developer and has served as an Assistant Program Coordinator at Hamline University’s Making Waves Social Justice Theatre Troupe. She has been a touring member of Iron and Wine and Marketa Irglova’s band while also being a recording artist on two of Glen Hansard’s albums. Her three albums are “Wind Between the Horse’s Ears,” released in 2015, “Cypress of Abarkooh,” released in 2019 and “Chashmandaaze Rooydaad,” released in August of 2022. She is a McKnight Music Fellow and serves as an adjunct faculty in the MFA program at Minneapolis College of Art and Design. Aida is a mental health therapist at Hiraeth Psychotherapy and works primarily with adults and couples dealing with trauma.

Shahin Najafi is a musician, poet, singer, and social activist. He was born in 1980 to a middle-class family in Bandar-e Anzali, Iran, the youngest of eight children. He started writing poetry and learning to play classical and flamenco guitar in his teens. He turned to rock music, often performing as an underground musician.
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As a young activist, Shahin's lyrics often conveyed strong and controversial messages about Iranian society. This attracted the disapproval of Iranian authorities and in 2004, the threat of persecution forced him to leave Iran.
In 2005, Shahin moved to Germany. Dubbed the "angry bard", he continued to write and perform music that was critical of conditions in Iran: poverty, oppression of women, homophobia, censorship, ideological dogmas, violence and cultural taboos. For a time, his career veered into rap and hip hop, bringing him fame among young fans back in Iran. These days, Shahin's music fuses rock, jazz, and blues with lyrics that demand change.
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In 2012, Shahin released his most controversial song: Naghi. In it, he exhorts a Shiite Imam named Naghi to help solve some of the problems plaguing Iran. But religious hardliners called the song an insult to Imams, a crime severely punished in Iran, and used Fatwas (religious edicts) to demand his death. Around the world, politicians, scholars, musicians, and devoted fans rose to Shahin’s defence, propelling him into the limelight as a proponent of free speech.
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In 2013, Shahin Najafi's book Wenn Gott Schläft (When God is Asleep) was published. This collection of his original poems, lyrics and observations tell of his personal struggles with religion and provide searing insights into the true nature of Iranian society.
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Shahin Najafi lives in Germany, and is still at odds with Iranian authorities. He remains a dedicated and defiant artist who refuses to be silenced, delivering his message to enthusiastic audiences wherever he tours. His fan base continues strong in Iran and has spread around the world.

From the ancient rhythms of Persia to the pulse of modern electronica, Majid Kazemi creates music that dissolves borders between East and West, acoustic and synthetic, memory and dream. With over 16 years of experience as a producer, composer, and performer, Kazemi’s sonic world is a fusion of rich textures: electric guitars meet Ney melodies, deep basslines dance with Daf grooves, and modular synths echo through vast emotional landscapes.

Majid is not just a musician, he’s a storyteller in sound. His work blends traditional instruments like Santur, Setar, and Tonbak with cutting-edge production, shaped by years of mixing, mastering, and a deep love for both the organic and the surreal.

Whether on stage with a full string section or alone in the studio sculpting frequencies, Majid crafts every note with intention. His music has become a refuge for listeners seeking something deeper something both ancient and futuristic.

Milad is following