127 - Moosighi e Film

“Tome of Stars” is a 100 sonnet journey, equal parts art, therapy journal, and exorcism, both a celebration and an elegy, a single narrative arc tracing the birth and death of a relationship. All poetry by Stargazer. The verse and accompanying synthetic art and music are public domain, CC0, with no restrictions on use. Nothing is monetized. See below for links on how to access the print, PDF, audio, ePub, video, and music files. 
Website: https://www.tomeofstars.net/

The fifth Item of “Tome of Stars”, “Quixotosis”, marks the poet’s transformation into a sustained state of paradox with an enduring condition of impractical idealism born not from naive delusion but from its aftermath. Emerging from the frozen void of “Anemochory“, these sixteen poems depict a fractured self that has ceased resisting its nature, accepting permanent separation from the beloved while continuing to orbit her in love without expectation (and in the end, without hope) of return.

This sonnet captures the daily, immersive practice of living in a fantasy: the poet conjures the beloved in memory, imagination, or dream to the extent that the simulation blurs with reality. It is a voluntary delusion, and acknowledged as such, but one that provides solace, routine, and identity. Through imagined rituals of affection and dialogue, the poet constructs a phantom life that feels safer and more meaningful (less agonizing) than the bereft truth. Yet he also admits the danger of this refuge: in the final couplet, he acknowledges being caught in a cycle of desire and illusion, embracing a “visioned vice” that is impermanent. The poem is not a lamentation. Instead it is a sober chronicle of a deeply pathological yet stabilizing state of being.

The word “simulacrum” is a significant choice for the title. It originates from Latin, meaning “likeness” or “image,” and in modern philosophical usage, it refers to a copy without an original, a representation that has replaced reality itself. 

In the work of French philosopher Jean Baudrillard, particularly “Simulacra and Simulation” (1981), the term indicates a representation that no longer refers to any real object or origin but instead becomes its own reality. Baudrillard argues that in postmodern culture, these simulacra proliferate to the point where the distinction between reality and representation collapses, leaving us with hyperreality: a world of signs that simulate meaning and experience without grounding in any actual referent.

The title signals the artificiality of the beloved’s presence in the speaker’s mind and frames the poem’s exploration of how emotional sustenance can come from illusions. The term carries philosophical and psychological import, reinforcing the poem’s themes of substitution, unreality, and psychological dependence.

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Lyrics

With magic-whispered words, we touch each day;  
I praise the splendors of sweet steps you place,
Lament the love we lost, our hearts betrayed,  
As pain dissolves with shadows I embrace.

Fair wraith, phantasm, haunting glimmer-ghost,
Time travel brings me back to perished years.
In each, we kiss that I might overdose,
And rewrite fate to unmake all our tears. 

Ten thousand conversations as I roam,
Recline to sleep, or wake, reflect in prayer,
Through them, we share a life—I’ve found my home.
At times, I near believe you’re standing there.

Yet in this visioned vice I lose my way,  
Clasp specters in bright dreams where none can stay.

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Internet Archive
Book of sonnets:
https://archive.org/details/tome-of-stars/

Music:
Item 1, Anthesis: https://archive.org/details/Anthesis/
Item 2, Senescence: https://archive.org/details/senescence_tomeofstars
Item 3, Sporogenesis: https://archive.org/details/Sporogenesis_TomeOfStars/
Item 4, Anemochory: https://archive.org/details/Anemochory_TomeOfStars
Item 5, Quixotosis: https://archive.org/details/Quixotosis_TomeOfStars
Item 6, Scripture: https://archive.org/details/Scripture_TomeOfStars

Simulacrum

Famous in Moon

Saghf - milad mokhtari

Side

nature dance -Milad mokhtari

Origami-Milad mokhtari

فکر بلبل همه آن است که گل شد یارش

گل در اندیشه که چون عشوه کند به کارش
------------------------------------------------
دل می‌رود زدستـم صاحـبدلان خدا را

دردا کـه راز پنـهان خواهد شد آشـکارا

کشـتی شکستگانیم ای باد شرطه برخیز

باشد کـه بازبینیم دیدار آشـنا را

ای صاحـب کرامـت شکرانـه سلامـت

روزی تـفـقدی کـن درویش بی‌نوا را

Del Miravad Ze Dastam

Azm.عزم

electronic version of Milad Derakhshani's singel ''Ghesseh''
mix and mastering : MXN

Ghesseh (MXN Electronic Version) 

Ghesseh (MXN Electronic Mix)



سحر با باد می‌گفتم حدیث آرزومندی /
خطاب آمد که واثق شو به الطاف خداوندی /
دعای صبح و آه شب کلید گنج مقصود است /
بدین راه و روش می‌رو که با دلدار پیوندی /
قلم را آن زبان نبود که سر عشق گوید باز /
ورای حد تقریر است شرح آرزومندی /
الا ای یوسف مصری که کردت سلطنت مغرور /
پدر را بازپرس آخر کجا شد مهر فرزندی /
جهان پیر رعنا را ترحم در جبلت نیست /
ز مهر او چه می‌پرسی در او همت چه می‌بندی /

Sazo Avaz

Milad Mokhtari
musician
From iran , mazandaran

Saghf - milad mokhtari

Milo