Again truly moving. Like you Chopin was a piano prodigy fond of his nocturnes and preludes, not a symphonist like Beethoven. No matter, he wrote sublime music and was massively feted in his day till his untimely death at just 39. Pure genius.

concentrate on your own work
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concentrating classic

This is a studio recording from 2012 for the BBC film 'Loving Miss Hatto'. A biopic penned by the British comedian Victoria Wood about pianist Joyce Hatto.

The character piece is like the art song's fun-loving cousin who always shows up to the party with a bottle of emotional perfume. It's perfect for those intimate gatherings or solo rendezvous with your piano. Thanks to the piano's rise to fame in the 1800s, character pieces were popping up everywhere, and composers were flaunting their creations at the hottest recital events of the time. Basically, character pieces were the 19th century's version of a hot new single. If you thought Franz Liszt's music was boring, think again! This guy was all about giving his character pieces creative and whimsical titles, like "Sposalizio" and "Vallée d'Obermann". But don't worry, he didn't forget about those of us who like our music titles to be a little more straightforward - he also composed plenty of works with no-nonsense names like "Album Leaves" and "Klavierstücke". With his "Consolations" (a.k.a. "Six Poetic Thoughts"), Liszt took a page out of Chopin's book and delved into the world of nocturnes. And let me tell you, the third Consolation in D-flat major is pure Chopin - even the key is pianist-friendly, unlike those pesky "easy" keys like C major. Looks like Liszt knew a thing or two about pleasing his audience! If you're a Chopin fan, you're gonna love Liszt's "Consolation No. 3"! I mean, talk about a tribute - this piece is basically a carbon copy of Chopin's Opus 27, no. 1. And while it might not have the same flashy piano solos that Liszt is known for, it more than makes up for it with its dreamy, slow-moving melodies. Plus, it's in the same key as Chopin's original, so you know it's gotta be good.

Despite the unusual title, the Consolations were inspired by both poetry and religious contemplation, just like Harmonies Poétiques et Religieuses. Some say the title comes from an 1830 poetry collection by Sainte-Beuve, while others think it's based on a poem by Lamartine called A Tear (or Consolation). Either way, it seems like Liszt was in a pretty contemplative mood when he wrote these pieces. But don't worry, Liszt didn't completely forget his roots - he snuck in a little Hungarian folk song as the primary theme, which he later used in his "Hungarian Rhapsody No. 1". So even though this piece might not match the wild, hair-flailing image we have of Liszt, it's still got a little bit of that old-school flavor. Liszt's "Consolation No. 3" wasn't just a musical masterpiece - it was also a major turning point in the composer's life. And let me tell you, Liszt's early life was a doozy - it was basically one big, crazy party. But don't take my word for it, just ask his first mistress (and mother of his three children) Marie d'Agoult, who wrote all about it under the pen name Daniel Stern. And if you're feeling really adventurous, you can even watch the 1975 film "Lisztomania" for all the juicy details. Talk about living the dream! Liszt's life was like something out of a Hollywood movie - seriously, this guy was breaking class barriers and performing like a superstar. But as he got older, he decided to trade in the limelight for a little bit of privacy. He started conducting orchestras and composing more, and even started teaching aspiring pianists from around the world. I guess you could say he was the original piano man!

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Piano: Yamaha C7
Piano Technician: Martin Walsh
Recorded at Cauldron Studios, Dublin
Recording Engineers: Ciarán Byrne & Michael Manning
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Franz Liszt Consolation no. 3 in D flat Major, S. 172

J Massenet   Meditation From 'Thais', Violin Lucia Luque   Piano Mauro Bertoli

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After the unexpected success of "Not Fur Elise" (https://soundcloud.com/milanazilnik/not-fur-elise-tribute-milana) Arty asked me if I can play a set of "Not classical" improvisations. I am a huge fan of Chopin, no less than I am a fan of Beethoven. So, here is the next "not classical" piece. Enjoy :)

Not A Nocturne - Not Chopin

Not A Nocturne - Not Chopin - by Milana

Practicing piano is something I NEED to do in order to keep my chops up and also give me inspiration for when I'm writing my own records.  This here was a favourite of mine many years ago when I was competing (though I'm more rusty at it now!).  Mendelssohn's beautiful Songs Without Words Opus 102 No. 4 or otherwise known as the The Sighing Wind.

I performed this on a Bechstein D 282 which gives it that metallic and powerful sound.

Hope you all like it

G

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Mendelssohn - Song Without Words Op.102, No.4 (performed on a Bechstein)

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J.S. Bach 'Siciliano from the flute sonata No. 2' Beatrice Berrut, piano

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Together

Air On The G String - Johann Sebastian Bach (Piano)

Brodmann PE-187 grand piano; AKG 220 microphones; Pro Tools recording.
This waltz is not part of Chopin's opus sequence of waltzes, but is presumed to be a Chopin piece by some. Other musicologists disagree. The composer is not conclusively known.

Chopin - Valse Melancolique

Avigail Arad Cello
Victor Stanislavsky Piano
Live Performnce in Tel Aviv 2007

Gabriel Fauré Sicilienne Op78

Famous expressive piano piece written by Ludwig van Beethoven (1770 - 1827)

"Adagio cantabile" is the second movement of Beethoven's Piano Sonata No. 8 in C minor, Op. 13 (commonly known as Sonata Pathétique)

Recorded in 2001 by Fiona Bechmann

Beethoven - Pathetique

SAPPHERIC UPLOAD FOR SAPPHERIC ENTERPRISES (HQ)

Classical - Chopin - Raindrops Prelude

Ludwig van Beethoven - Piano Concerto No. 5 in E Flat Major, 'Emperor' - Adagio un poco mosso

Playing piano since I was four and studied in a musical school for ten years. Though, I always felt that playing by notes and singing in a choir is not enough to become a musician. I needed to be able to play anything I want by ear so, by starting improvising, I've found my own style of playing. When I teach children to play piano or sing, I offer them improvisation right from the beginning. I wish I was taught that way, since until my mid-30s I had hard times to relax and believe in my ability to create my own music. Twelve years ago my husband (@arty-sandler) finally convinced me to record some of my improvisations and we opened this account on SoundCloud - it happened in July, 2012.

You won't find a single particular genre on my cloud: my musical tastes are rather eclectic. Jazz and soft rock are my favorites but I also play blues, classical, folk, middle-eastern, New Age, ambient and others. Piano and vocal are my main instruments but together with my husband we also experiment a lot with different arrangements and orchestrations. 

When we started uploading our music to SoundCloud back in 2012, it was first shy attempts to record my improvisations straight from a keyboard. Many things have evolved since then. Over the years we've grown into a professional recording and composing studio, with a conservatory grand piano in an acoustically treated room and a bunch of microphones and other recording equipment. We scored a few documentaries, short films and animations. This year my orchestral and piano solo works were performed by Leipzig Gewandhaus Orchestra for Bryan Arias’s ballet show based on “The Little Prince” story. We've published three books with my original scores for solo piano and released twenty original full-length albums (solo piano, multi-instrumental and original songs in various genres) and numerous singles that have been streamed over 70 million times across multiple platforms.

I am glad you stepped by into my musical world and appreciate your comments and following me.

Not A Nocturne - Not Chopin - by Milana

Milana Zilnik

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