Johnnie Hoax, the enigmatic producer and hype-man, is a figure shrouded in mystery and musical brilliance. Born in the quaint town of Schorndorf in 1980, Johnnie's life has been a symphony of travels and tunes, with each place he visited adding a unique beat to his ever-evolving soundscape.

His musical journey began in Weiler near Stuttgart, where his genius first took flight. As a child, Johnnie was often found with headphones on, lost in a world of beats and harmonies. His melodies, carried by the winds, reached from the rolling hills of Henstedt-Ulzburg to the bustling docks of Hamburg, making him a whisper, a rumor, a fleeting shadow in the world of music.

Johnnie's name echoed across the ocean in the United States, resonating through the valleys of Santee, the iconic facades of Pasadena, and the disciplined grounds of Ft. Benning and Ft. Bragg. Each city contributed a rhythm to his journey, enriching his musical tapestry.

Back in Germany, the grandeur of Munich inspired epic orchestrations, while Berlin's gritty streets infused his tracks with raw, unfiltered energy. Despite his widespread influence, Johnnie remained an enigma, leaving only the echo of his presence and the genius of his work in every studio he graced.

Now residing in the quietude of Neu-Isenburg, near Frankfurt, Johnnie's studio is a haven for creativity, a revolving door of ideas where the only constant is change. His latest endeavor, the **BuyBackAfrica movement**, is a testament to his commitment to social causes. Johnnie has pledged to donate the entire revenue from his music to eradicating poverty in Africa, using his platform to make a tangible difference in the world.

Johnnie Hoax is a melody without end, a story without a final chapter. In the world of music, he is everywhere and nowhere, a symphony without a conductor, a beat without a source, an everlasting enigma dedicated to both his art and the betterment of humanity.

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Paul Geigerzähler

Ganz früher, als in Berlin noch diese seltsame Betonwand herumstand, wurde in Budyšin ein Kind geboren, das früh die musikpädagogischen Errungenschaften der Deutschen Demokratischen Republik geniessen und Geige spielen wollte, durfte, sollte, musste.

Die Betonwand fiel um. Ich schnitt mir einen Iro, schmiss die Schule und begann eine Lehre als Hausbesetzer. Ich warf die Geige an die Wand, besorgte mir aber bald eine neue, weil ich zu faul war, Gitarre zu lernen. Mit dieser spielte ich in den 90ern in Bands mit lustigen Namen wie Köterkacke. Nachdem diese sich auflösten, fing ich aus langer Weile an solo Musik zu machen. Ein Name musste her, Geigerzähler passte ganz gut und als eben jener toure ich seit 2003 meist durch den deutschen Sprachraum, spielte aber auch schon mal in Tel Aviv, Ramallah oder New York.
Anfangs war das Punk ohne Schlagzeug, Gitarre und Bass unplugged mit Geige und Gesang. Später kamen Folk-, Reggeanummern und zwei Duos hinzu – Berlinska Dróha und Atze Wellblech. Außerdem spiele ich hin und wieder Geige zu elektronischer Musik.

Milchowitz is following