north america booking: team@clewisgroup.com
international booking: scott.mantell@unitedtalent.com 
management: milan@russmgmt.com

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Founder: https://soundcloud.com/loungeinsounds
Management: Radhika@lateralmgmt.com
Bookings: Dotun@primarytalent.com

Formerly known as Cali Cam

It is quite tragic that the greatest art as a ruthless expression of a sensitive creative self is almost inevitably linked to a kind of insecure self-centeredness
that makes it so difficult to be at ease with oneself and to really form
emotionally healthy connections with others instead of the merely entertaining, yet superficial connections of an adorning crowd

Listen to my projects here: http://goo.gl/IpAKXf

find my website here: www.illpadrino.com

ORIGINALLY FROM AUSTRALIA’S MORNINGTON PENINSULA, TONES AND I JOURNEYED TO BYRON BAY IN EARLY 2018 TO TAKE A CHANCE AT BUSKING. ON THE FIRST DAY SHE HAD CROWDS SPILLING ONTO THE STREET. TONES QUIT HER RETAIL JOB AND DECIDED TO MAKE BYRON HER NEW HOME WHERE SHE LIVED OUT OF HER VAN FOR THE YEAR.


TONES IS HAVING A MASSIVE BREAKOUT YEAR THAT STARTED WITH HER DEBUT SINGLE ‘JOHNNY RUN AWAY’ RELEASING IN MARCH. WITH SUPPORT FROM TRIPLE J UNEARTHED AND UNPRECEDENTED BUZZ FROM TRIPLE J, IT WAS NUMBER ONE MOST PLAYED FOR 2 WEEKS STRAIGHT. SHORTLY AFTER IT WAS PICKED UP BY RADIO STATIONS AROUND THE WORLD, ACHIEVED ARIA CERTIFIED PLATINUM STATUS AND CLIMBED TO #12 ON THE ARIA SINGLES CHART.


THE SECOND RELEASE 'DANCE MONKEY' WAS A HUGE FOLLOW UP RECEIVING HIGH ROTATION ON TRIPLE J, RECEIVING OVER 65 MILLION STREAMS A MONTH, #1 ON THE ARIA SINGLES CHART FOR 3X WEEKS, #1 ON SHAZAM, SPOTIFY, APPLE MUSIC CHARTS AND HAS HIT ARIA CERTIFIED PLATINUM STATUS. COLLECTIVELY BOTH SINGLES HAVE RACKED UP TENS OF MILLIONS OF STREAMS AND ARE GETTING OVER 3 MILLION STREAMS A DAY. RECENTLY TONES BROKE RECORDS FOR THE BIGGEST CROWD OF AN OPENING ACT EVER AT SPLENDOUR IN THE GRASS WITH 20,000 PUNTERS COMING TO WATCH HER MIDDAY SET. TONES’ EP TOUR SOLD OUT IN DAYS AND SHE IS TAKING HER LIVE PERFORMANCE GLOBAL WITH A UK/EU TOUR ANNOUNCED FOR NOVEMBER WITH LONDON ALREADY SOLD OUT.


TONES AND I RECENTLY DROPPED HER THIRD SINGLE FOR THE YEAR, ‘NEVER SEEN THE RAIN’, WITH A WORLD PREMIERE ON TRIPLE J GAINING RAVED REVIEWS. THE SONG HIGHLIGHTS HER HUGELY IMPRESSIVE VOCAL ABILITY AND UNIQUE TALENT FOR SONGWRITING.


TONES AND I’S DEBUT EP ‘THE KIDS ARE COMING’ IS AVAILABLE NOW WORLDWIDE.

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booking and management: info@bornctzn.com



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Miley Wright is following