Winter's Grip

Body

A song for the narcissist in your life. And if you don't know who that is...

Starting tomorrow

01 EViL BUNYA-REC-2025-11-06

old skool house flavas in this one. Enjoy :)

HEADNOIZ - LIVE FROM BLUEROOM SOUND


At its core, the song explores the ache of loving someone while time slowly changes both of you. It’s about looking back on youth, shared adventures, and intimate memories with a softness that hurts. The narrator feels the weight of growing older—how small things like clothes, photos, and old habits carry emotional echoes. As the years pass, the relationship becomes more fragile, and moments that once felt effortless now feel distant or threatened. The song sits in that tender space where love still exists, but the connection is slipping, and both people can feel it.

Despite the heartbreak, the song isn’t hopeless. It’s filled with longing and a quiet, stubborn tenderness. The narrator clings to the idea that love might still be recoverable if they can just hold on a little longer—if the other person doesn’t “fade” tonight. The song captures that deeply human moment where you’re caught between acceptance and yearning: wanting to preserve what once was, fearing what might be lost, and hoping that shared memories and old warmth are enough to pull two hearts back together. It’s a sad, cinematic reflection on love, time, and the emotional distance that grows when people change but still desperately want to stay connected.

Not Like This - Farida Daydream Edit

Perigee is an album about the moment the world comes too close.
A lunar-paced love story told in quiet weather, it follows two people through the night of a supermoon — from the shock of unexpected brightness to the slow return of distance.
Written in Petrichor’s signature atmosphere of rainlight (soundcloud.com/quantumme/sets/petrichor), wet streets, and soft memory, these tracks trace an orbit of intimacy: closeness, drift, tide, ache, release, return.
It’s an album for the nights when the city glows a little too brightly, for the gravity you feel without touching, and for the simple truth that some connections, like the moon, circle back whether you’re ready or not.
A gentle, cinematic meditation on distance, longing, and the cosmic pull between two people moving through the same sky.

NEXT TIME WE COME CLOSE

“Tristesse” is a summer dream slowly turning into memory — a French-cinema folk album set on the coast, where heat softens everything except the truth.
These twelve songs follow a young woman through a season of desire, mischief, consequence and quiet self-recognition.

There is sunlight and sea air, the illusion of freedom, the thrill of plans made too lightly — and the stillness that comes when innocence finally cracks.
Chanson-inspired vocals, soft acoustic textures, and intimate, breath-close production carry the story from a bright villa above the water to the long, grey September that follows.

An album about youth, about the games we play without understanding their cost, and about the melancholy that returns each year like a familiar guest.

A warm coastline.
A single season.
A heart learning its limits.

The Lovers on the Rocks

Summer Begins Like a Lie

This album is my intimate descent into the fractured landscapes of identity, love, and spiritual collapse — and the difficult ascent that follows. It is my attempt to map the inner night: the moment when my sense of self breaks open, when love disintegrates, when the world betrays what is most fragile in me, and when my mind reveals its many hidden faces. Through each track, I trace a raw psychological journey, moving from ruin to revelation with unflinching emotional honesty.

Feel free to tell me what you think of my songs, I'd love to chat with you, and leave me a little red heart.❤️

Where The Water Wants To Go

This album moves through three states of being: the light we idealize, the polished self we perform, and the shadows we can’t escape.
It begins with a timeless, sun-lit love preserved in poetry, shifts into the tension of becoming the “better version” the world demands, and ends in the quiet places where echoes and ghosts still speak.

A journey through what we keep, what we lose, and what follows us anyway — a blend of warmth, fracture, and haunting afterglow.

A record about the versions of ourselves that survive.

I am (and no one knows)

Somewhere between light and vertigo, my music travels through heartbeats, soul cracks and suspended moments.
Mixing pop, electro and emotional rhythms, I write songs that say what we often feel but rarely speak. Welcome to my world.

Entre lumière et vertige, ma musique explore les chemins du cœur, les fêlures de l’âme et les instants suspendus.
Entre pop, électro et mélancolie dansante, je compose des chansons qui racontent ce qu’on ne dit pas toujours, mais qu’on ressent tous. Bienvenue dans mon monde.

I am (and no one knows)

Milia Studio

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